In standard notation, rhythm is indicated on a musical bar line. But there are other ways to visualize rhythm that can be more intuitive. John Varney describes the ‘wheel method’ of tracing rhythm and uses it to take us on a musical journey around the world.
In-depth documentary investigation into the story of a popular music genre that is often said to be made to be heard but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life. From its emergence in the 50s to its heyday in the 60s, through its survival in the 70s and 80s and its revival in the 90s and beyond, the film traces the hidden history of a music that has reflected society every bit as much as pop and rock - just in a more relaxed way. Invented at the dawn of rock 'n' roll, easy listening has shadowed pop music and the emerging teenage market since the mid-50s. It is a genre that equally soundtracks our modern age, but perhaps for a rather more 'mature' generation and therefore with its own distinct purpose and aesthetic. Contributors include Richard Carpenter, Herb Alpert, Richard Clayderman, Engelbert Humperdinck, Jimmy Webb, Mike Flowers, James Last and others.
2011 • Music
It was 1985. Guns N' Roses were soon to be known as the last mammoth rock entity to come out of LA after selling over 100 million albums. Jon Brewer brings alive never-before-seen video footage of Guns N' Roses in their earliest days as a fledgling band, filmed and meticulously archived over the years by their close friend. They became known as 'the most dangerous band in the world' and retained the title for reasons this film portrays, via interviews with band members and those who were there on, and off, tour. Venture down seedy Sunset Strip to the Whiskey, the Rainbow and the Roxy, all known as 'the Jungle'.
2016 • Music
Composer and musician Neil Brand's series exploring the alchemy that creates great songs reaches the modern era, when a revolution in how they were made took place. From the synthesisers of symphonic rock to the mixes of disco and the samplings of hip hop, music was transformed by the arrival of digital technology and the computer, which gave some songwriters more power but others much less. Along the way Neil talks synths with Rick Wakeman from Yes, samples with Public Enemy's Hank Shocklee, uncovers the surprising lo-fi origins of Bruce Springsteen's stadium-busting Born in the USA, and finds out how Cher changed the sound of her voice on the smash hit Believe.
We don't know much about the human brain on music. Do people instinctively know the sound patterns of the pentatonic scale? Is there a base level of musical knowledge in all of us, just waiting to be tapped? Or is the pentatonic scale simply so common in Western music that it has become ingrained in all of our minds? Improvisational genius Bobby McFerrin uses audience participation to demonstrate the power of the pentatonic scale - or at least the audience's familiarity with it.
2011 • Music
A film about the sound of Australian rock and the emergence of one of the world's greatest rock bands - AC/DC, or Acca Dacca as they are known in Australia, and the legendary music company, Albert Music (Alberts) that helped launched them on to the global rock scene. Through the 1960s, 70s and 80s, Alberts created a house of hits in Australia that literally changed the sound of Australian popular music. It started with the Easybeats and their international hit Friday On My Mind back in the 60s. In the 1970s when Australia was in the midst of a deep recession, a rough and ready pub rock sound emerged, characterised by bands like Rose Tattoo who were promoted by family-run company, Alberts. The raw power and fat guitar sound that characterised Aussie rock was pioneered by the Alberts and took Australia and the world by storm.
2016 • Music
Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique perform the world's most iconic piece of classical music, Beethoven's Fifth Symphony. Bringing out all the revolutionary fervour that Gardiner believes underpins the work and performing on period instruments of Beethoven's day, this performance brings us an authentic re-imagination of the sounds Beethoven's original audiences would have heard. Shot on location in St John's Smith Square, the performance looks and sounds stunning. Ahead of the performance, Gardiner and the principals of the orchestra discuss the issues in trying to breathe new life into such a famous piece and how their period instruments transform the symphony's sound.
2016 • Music