Jago begins by journeying through southern Mexico to investigate the rise and fall of America's oldest civilisation, the Olmec, who thrived over 3,000 years ago. He encounters colossal stone heads and the oldest rubber balls in the world and descends deep inside an ancient cave network in search of a were-jaguar.
Bettany Hughes' series profiling the most celebrated thinkers of the Ancient world continues as she turns her attention to Socrates. Heading to Greece, she details how the Athenian philosopher secured a reputation as an influential maverick. She also highlights how his contributions as one of the founders of Western philosophy did not please his detractors, as his outspoken defence of his beliefs ultimately led to his execution.
In the opening episode of the series, Professor Andrew Wallace-Hadrill takes us on a journey across stunning locations in Greece and Italy to find out how Athens gave birth to the idea of a city run by free citizens 2,500 years ago. Every aspect of daily life from defence to waste disposal was controlled not by a king, but by the Athenians themselves. Ultimately, this radical new system would define a way of life and the Athenians would give it a name.
Andrew Marr sets off on an epic journey through 70,000 years of human history. Using dramatic reconstructions, documentary filming around the world and cutting-edge computer graphics, he reveals the decisive moments that shaped the world we live in today, telling stories we thought we knew and others we were never told. (Part 3: The Word and the Sword) Andrew Marr plunges into the spiritual revolutions that shook the world between 300 BC and 700 AD. This was an age that saw the bloody prince Ashoka turn to Buddhism in India, the ill-fated union of Julius Caesar and Egypt's Cleopatra, the unstoppable rise of Christianity across the Roman Empire and the dramatic spread of Islam from Spain to Central Asia. But the most potent human force on the planet came from the combination of faith and military power as both Christianity and Islam created new empires of 'the word and the sword'.
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.