Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
In 73 BC, Spartacus broke out of gladiator school and started the most terrifying slave revolt in Rome's history. Visiting Pompeii, southern Italy and the British Museum, Bettany explores the importance and appalling reality of slavery in ancient Rome and how the revolt played a major role in shaping Rome's political future. She also reveals that not all of Spartacus's followers were slaves.
Was America's first billionaire, John D. Rockefeller, a greedy robber baron, a generous philanthropist, or both? And did the oil tycoon exploit America's poor or give them access to much-needed energy? Historian and Hillsdale College professor Burt Folsom, author of "The Myth of the Robber Barons," reveals the truth about the Rockefeller empire.
Louis XI of France faced a formidable range of enemies when he ascended the throne. English kings and Burgundian dukes had eyes for the monarchy of France. This is the story of how Louis battled, schemed, bribed and even arranged marriages, all in a quest to keep his kingdom.
Alastair Sooke follows in the footsteps of Rome's mad, bad and dangerous emperors in the second part of his celebration of Roman art. He dons a wetsuit to explore the underwater remains of the Emperor Claudius's pleasure palace and ventures into the cave where Tiberius held wild parties. He finds their taste in art chimes perfectly with their obsession with sex and violence. The other side of the coin was the bombastic art the Romans are best remembered for - monumental arches and columns that boast about their conquests. Trajan's Column in Rome reads like the storyboard of a modern-day propaganda film. Sooke concludes with the remarkable legacy of the Emperor Hadrian. He gave the world the magnificent Pantheon in Rome - the eternal image of his lover Antinous, the most beautiful boy in the history of art - and a villa in Tivoli where he created one of the most ambitious art collections ever created.
Child hostages, marriages, battles, and betrayals -- this is the story of Francis I, King of France and Charles V, King of Spain and Holy Roman Emperor, and the rivalry that engulfed Europe in war. But in the end, did either of them "win"?
Andrew Marr sets off on an epic journey through 70,000 years of human history. Using dramatic reconstructions, documentary filming around the world and cutting-edge computer graphics, he reveals the decisive moments that shaped the world we live in today, telling stories we thought we knew and others we were never told. (Part 4: Into the Light) Andrew Marr reaches the Middle Ages. After the collapse of the Roman Empire, Europe was little more than a muddy backwater. Vikings explored and pillaged from Northern Europe to North America. But they also laid the foundations of powerful new trading states - including Russia. This was also the Golden Age of Islam, and the knowledge of ancient civilisations from India, Persia and Greece was built upon by Islamic scholars in Baghdad's House of Wisdom. By exploring the conquests of Genghis Khan, the adventures of Marco Polo and the extraordinary story of an African King - the wealthiest who ever lived - Marr finds out how Europe emerged from the so-called 'Dark Ages' and used influences from around the world to rise again with the Renaissance.