1 00:00:01,000 --> 00:00:04,680 As a director and a professional animator, I know how hard it is 2 00:00:04,680 --> 00:00:07,160 to get your work not only made, but seen, 3 00:00:07,160 --> 00:00:09,960 so I was delighted to hear that BBC Four, 4 00:00:09,960 --> 00:00:13,160 and the British Film Institute had offered grants for the 5 00:00:13,160 --> 00:00:18,200 creation of 30 new animated films by new and emerging talent. 6 00:00:18,900 --> 00:00:21,880 Tonight, we're going to see the TV premiere. 7 00:00:21,880 --> 00:00:25,800 What's unique and really important about this particular scheme 8 00:00:25,800 --> 00:00:30,440 is that BBC Four are being brave and allowing film-makers 9 00:00:30,440 --> 00:00:35,480 so early in their career to have their work shown on mainstream TV. 10 00:00:35,480 --> 00:00:38,200 What's interesting is that even today, 11 00:00:38,200 --> 00:00:40,400 in the era of smartphones, 12 00:00:40,400 --> 00:00:43,720 is that we can still make films one frame at a time, 13 00:00:43,720 --> 00:00:48,200 to tell these personal stories and how we relate to each other. 14 00:00:48,200 --> 00:00:51,800 And animation can do that in a way which can almost... 15 00:00:51,800 --> 00:00:56,680 In a microscopic level, and use highly imaginative devices, 16 00:00:56,680 --> 00:01:01,720 through magical moments, through stop-frame, through 2-D, 17 00:01:01,800 --> 00:01:05,640 through CG techniques, all created one frame at a time. 18 00:01:05,640 --> 00:01:07,840 It's a very laborious process, 19 00:01:07,840 --> 00:01:11,360 but it yields really interesting results. 20 00:01:11,360 --> 00:01:16,400 This collection of animated films that have been made by a cohort 21 00:01:16,480 --> 00:01:21,480 of new film-makers say something very specific about society today. 22 00:01:21,480 --> 00:01:25,960 Not only are they personal stories about relationships and how 23 00:01:25,960 --> 00:01:28,960 we interact with each other, they're looking outside at the world 24 00:01:28,960 --> 00:01:34,040 and how we engage with society, and, dare I say, the word Brexit. 25 00:01:34,520 --> 00:01:39,560 These films show the wealth of talent here 26 00:01:39,760 --> 00:01:41,560 working in Britain today. 27 00:01:51,640 --> 00:01:54,200 The first three films we're going to see tonight are all 28 00:01:54,200 --> 00:01:56,160 stories about animals. 29 00:01:56,160 --> 00:01:58,000 Of course, they are telling us 30 00:01:58,000 --> 00:02:00,120 something very human about ourselves. 31 00:02:00,120 --> 00:02:01,960 They're allegories for life. 32 00:02:01,960 --> 00:02:04,200 It's a theme that's been used 33 00:02:04,200 --> 00:02:07,080 from Halas and Batchelor in Animal Farm, 34 00:02:07,080 --> 00:02:10,920 it's been used recently with Wes Anderson and Isle Of Dogs. 35 00:02:10,920 --> 00:02:12,560 But these film-makers - 36 00:02:12,560 --> 00:02:17,560 today's animators - are using the theme to really investigate 37 00:02:18,160 --> 00:02:21,800 confinement, and to look at who we are when we escape. 38 00:02:21,800 --> 00:02:26,800 These aren't cartoons. These films are serious entertainment, 39 00:02:26,920 --> 00:02:29,120 that provoke further debate and conversation. 40 00:02:52,880 --> 00:02:56,440 PENGUINS CHIRP 41 00:03:08,720 --> 00:03:10,840 Oh! Oh! Oh... 42 00:03:13,080 --> 00:03:15,160 Oh! Oh! 43 00:03:15,160 --> 00:03:18,760 Oh. 44 00:03:19,880 --> 00:03:21,880 Ohh! 45 00:03:34,280 --> 00:03:35,600 Oh... 46 00:03:37,160 --> 00:03:39,520 Ohh. Oh! 47 00:03:41,560 --> 00:03:44,520 HE GRUNTS 48 00:04:21,160 --> 00:04:22,880 Ugh. 49 00:04:39,720 --> 00:04:43,360 HE GURGLES 50 00:04:58,080 --> 00:05:01,360 THEY LAUGH 51 00:05:04,480 --> 00:05:07,440 Oh, oh. 52 00:05:07,440 --> 00:05:08,920 Ohh! 53 00:05:08,920 --> 00:05:11,280 CRACKING 54 00:05:11,280 --> 00:05:12,960 Gah! 55 00:05:14,920 --> 00:05:16,080 Oh... 56 00:05:19,120 --> 00:05:21,400 Hmm. 57 00:05:31,720 --> 00:05:35,000 Hm? Hmm. 58 00:05:35,000 --> 00:05:36,800 Ohh! 59 00:05:36,800 --> 00:05:38,800 BANGS AND CRASHES 60 00:05:38,800 --> 00:05:40,800 ALL: Oh! 61 00:05:40,800 --> 00:05:44,920 EXPLOSION ALL: Oh! 62 00:05:51,400 --> 00:05:55,120 DOOR HANDLE SQUEAKS 63 00:06:19,920 --> 00:06:21,320 A-ha! 64 00:06:31,360 --> 00:06:33,840 RATTLING 65 00:06:44,440 --> 00:06:46,160 BANG 66 00:06:55,800 --> 00:06:57,200 Ahh. 67 00:07:18,280 --> 00:07:21,760 HE LAUGHS 68 00:08:37,520 --> 00:08:40,880 WAVES LAPPING 69 00:09:09,080 --> 00:09:12,120 # Some glad morning when this life is over 70 00:09:12,120 --> 00:09:15,480 # I'll fly away...# 71 00:09:15,480 --> 00:09:18,040 WAVES LAPPING 72 00:09:18,040 --> 00:09:20,440 # To a home on God's celestial shore 73 00:09:20,440 --> 00:09:22,320 # I'll... # 74 00:09:22,320 --> 00:09:23,960 ALARM BUZZES 75 00:09:49,680 --> 00:09:53,160 # Some glad morning when this life is over 76 00:09:53,160 --> 00:09:56,720 # I'll fly away 77 00:09:56,720 --> 00:09:58,840 # To a home on...# 78 00:09:58,840 --> 00:10:01,400 ALARM BUZZES 79 00:10:25,960 --> 00:10:29,160 # Some glad morning...# 80 00:10:34,840 --> 00:10:39,880 # Some glad morning, when this life is over 81 00:10:40,200 --> 00:10:43,320 # I'll fly away 82 00:10:43,320 --> 00:10:47,920 # To a home on God's celestial shore 83 00:10:47,920 --> 00:10:50,960 # I'll fly... # 84 00:11:17,440 --> 00:11:20,080 # Some glad morning...# 85 00:11:25,360 --> 00:11:28,320 THEY GASP 86 00:11:48,720 --> 00:11:50,760 # Some glad morning 87 00:11:50,760 --> 00:11:52,400 # When this life is... # 88 00:12:25,840 --> 00:12:27,640 # Some glad morning 89 00:12:27,640 --> 00:12:29,120 # When this life is over 90 00:12:29,120 --> 00:12:33,200 # I'll fly away 91 00:12:33,200 --> 00:12:35,520 # To a home on God's celestial shore 92 00:12:37,040 --> 00:12:42,160 # I'll fly away. # 93 00:13:13,840 --> 00:13:17,280 CREEPING MUSIC PLAYS 94 00:13:24,360 --> 00:13:27,240 PERCUSSIVE BEATS 95 00:14:23,520 --> 00:14:28,480 CHEERY FOLK MUSIC PLAYS 96 00:16:49,400 --> 00:16:53,840 CREEPING MUSIC PLAYS 97 00:18:01,560 --> 00:18:04,520 DRAMATIC STRINGS PLAY 98 00:18:52,080 --> 00:18:56,840 HE PLAYS TUNELESSLY 99 00:20:12,760 --> 00:20:15,080 HE PLAYS TUNELESSLY 100 00:20:25,400 --> 00:20:27,120 TUNE WHISTLES FROM AFAR 101 00:20:36,560 --> 00:20:41,320 TUNE WHISTLES AGAIN 102 00:21:03,880 --> 00:21:07,320 HE PLAYS MORE TUNEFULLY 103 00:21:15,560 --> 00:21:19,400 HE PLAYS EVEN MORE TUNEFULLY 104 00:24:27,760 --> 00:24:29,880 FANFARE STOPS SUDDENLY 105 00:24:29,880 --> 00:24:31,880 FOOTSTEPS 106 00:24:43,280 --> 00:24:46,320 WHISTLING 107 00:25:13,760 --> 00:25:16,800 HE PLAYS TUNEFULLY 108 00:25:56,920 --> 00:25:59,680 The next three films you're about to see are all about other worlds. 109 00:25:59,680 --> 00:26:03,840 They range from the Arctic to distant, far-off planets and moons, 110 00:26:03,840 --> 00:26:07,440 all the way back in time to 1980s Nigeria. 111 00:26:07,440 --> 00:26:09,880 They use a combination of techniques. 112 00:26:09,880 --> 00:26:13,000 They use 2D experimental animation, 113 00:26:13,000 --> 00:26:15,880 they use 3D digital technology 114 00:26:15,880 --> 00:26:19,480 and they use puppet stop-frame animation. 115 00:26:19,480 --> 00:26:24,480 All of these worlds are about human survival, memories. 116 00:26:25,000 --> 00:26:28,560 Pay attention not only to what you can see 117 00:26:28,560 --> 00:26:30,480 but what you can also hear 118 00:26:30,480 --> 00:26:35,520 by the way the animators are working with sound designers and composers 119 00:26:36,040 --> 00:26:40,240 to make these other worlds utterly compelling and immersive. 120 00:27:06,240 --> 00:27:08,200 My earliest childhood memory was 121 00:27:08,200 --> 00:27:10,560 when I went back to Nigeria with my mother. 122 00:27:10,560 --> 00:27:12,760 I was four years old. 123 00:27:12,760 --> 00:27:15,920 I was born in Lagos, and lived there until I was one. 124 00:27:15,920 --> 00:27:18,440 That's me in 1988, when I was four. 125 00:27:24,920 --> 00:27:26,800 Walking through the busy market street, 126 00:27:26,800 --> 00:27:28,320 I start a rhythmic dance to 127 00:27:28,320 --> 00:27:31,160 the colourful sounds of people shouting and laughing. 128 00:27:36,960 --> 00:27:40,560 I recall eating barbecued corn on the cob from the street sellers 129 00:27:40,560 --> 00:27:42,400 who were surrounded by foggy smoke. 130 00:27:45,840 --> 00:27:48,400 I was frightened by the giant snails. 131 00:27:48,400 --> 00:27:50,200 The most desirable would be seasoned 132 00:27:50,200 --> 00:27:52,160 and tossed into a tantalising spicy stew. 133 00:28:07,240 --> 00:28:11,880 The taste from eating raw plantain in a treehouse is still delectable. 134 00:28:11,880 --> 00:28:15,560 Summer was youthful, and unfamiliar surroundings were comforting. 135 00:28:15,560 --> 00:28:16,920 It felt like home again. 136 00:28:18,560 --> 00:28:20,520 My mother bought me two toffee sweets 137 00:28:20,520 --> 00:28:22,520 covered in gold and pink wrapping. 138 00:28:22,520 --> 00:28:24,840 I wanted to share the sweets with my cousins, 139 00:28:24,840 --> 00:28:28,240 resisting temptation in what felt like the longest car journey. 140 00:28:55,480 --> 00:28:58,040 My cousins lived in Lagos Mainland. 141 00:28:58,040 --> 00:29:00,760 Their strong Nigerian accent was mesmerising, 142 00:29:00,760 --> 00:29:02,600 almost like poetry. 143 00:29:02,600 --> 00:29:05,760 I wanted to play with them all day long. 144 00:29:05,760 --> 00:29:08,280 My grandmother lived on Lagos Island. 145 00:29:08,280 --> 00:29:10,560 She was more beautiful than I'd imagined. 146 00:29:10,560 --> 00:29:14,960 She sat under the burning orange sun, wearing traditional attire. 147 00:29:14,960 --> 00:29:16,880 I noticed that she was barefooted, 148 00:29:16,880 --> 00:29:19,720 so I asked my mother if I could remove my sandals. 149 00:29:19,720 --> 00:29:21,280 She replied with a firm, "No!" 150 00:29:23,000 --> 00:29:26,080 But my grandmother told my mother to let me, and so she did. 151 00:29:27,840 --> 00:29:30,760 I wondered, "Who is this woman who my mother must obey?" 152 00:29:33,240 --> 00:29:35,600 Running around the compound in excitement, 153 00:29:35,600 --> 00:29:39,120 my feet were absorbing the warmth of the foreign land, 154 00:29:39,120 --> 00:29:42,680 my body jerking like a ritual dance to the drumming of my grandmother 155 00:29:42,680 --> 00:29:46,440 using a wooden spoon, mixing together water and dried cassava. 156 00:29:49,080 --> 00:29:53,040 The past can hold us captive when we miss the things that have changed. 157 00:29:53,040 --> 00:29:55,680 This was the last time that I saw my grandmother. 158 00:29:55,680 --> 00:29:57,360 She passed away a few years later. 159 00:29:58,760 --> 00:30:01,120 But her spirit lives on through my mother and me. 160 00:30:06,200 --> 00:30:08,360 These are some of my most beautiful memories. 161 00:30:11,960 --> 00:30:17,080 WOMAN SINGS IN YORUBA 162 00:34:11,600 --> 00:34:13,160 DOOR OPENS 163 00:34:34,320 --> 00:34:36,160 SCREECHING 164 00:34:58,680 --> 00:35:00,440 SAD SOUNDS 165 00:35:23,760 --> 00:35:25,360 ROUSING MUSIC 166 00:41:26,640 --> 00:41:29,360 JARRING CELLO PLAYS 167 00:41:36,800 --> 00:41:40,520 WIND BLOWS 168 00:41:47,040 --> 00:41:49,840 WAVES TRICKLE 169 00:42:03,560 --> 00:42:05,600 HE SIGHS 170 00:42:18,080 --> 00:42:20,280 STOMACH RUMBLES 171 00:42:31,480 --> 00:42:33,480 HE SIGHS 172 00:42:50,360 --> 00:42:52,800 HE GROANS SOFTLY 173 00:42:52,800 --> 00:42:55,280 FIRE CRACKLES 174 00:43:03,520 --> 00:43:05,000 HE GROANS SOFTLY 175 00:43:14,400 --> 00:43:17,520 FIRE CRACKLING INTENSIFIES 176 00:43:31,880 --> 00:43:33,600 HE SIGHS 177 00:43:36,400 --> 00:43:38,120 HE GROANS SOFTLY 178 00:43:53,360 --> 00:43:55,880 DOG PANTS AND WHIMPERS 179 00:44:09,960 --> 00:44:12,200 DOG DRINKS 180 00:44:15,360 --> 00:44:17,320 DOG PANTS AND WHIMPERS 181 00:44:54,240 --> 00:44:56,080 HE GASPS 182 00:45:01,600 --> 00:45:03,800 JARRING MUSIC 183 00:45:03,800 --> 00:45:06,880 ECHOED BARKS 184 00:45:40,600 --> 00:45:43,640 ECHOED BARKS 185 00:45:46,720 --> 00:45:49,640 DOG BARKS 186 00:45:51,920 --> 00:45:53,920 SQUELCH 187 00:46:03,280 --> 00:46:05,320 GURGLING 188 00:46:10,640 --> 00:46:11,640 SOMBRE MUSIC 189 00:46:50,880 --> 00:46:53,120 The next three films take us deep into the interior life 190 00:46:53,120 --> 00:46:55,520 of three very, very different characters. 191 00:46:55,520 --> 00:47:00,440 They range in tone from sci-fi, to a dark fairy tale, to farce. 192 00:47:01,280 --> 00:47:06,280 They use a combination of 2-D animation drawn over puppets 193 00:47:07,120 --> 00:47:09,720 to 3-D digital techniques. 194 00:47:09,720 --> 00:47:13,640 All in a way that takes us deep, deep, deep 195 00:47:13,640 --> 00:47:17,760 below the skin of characters in a way that live-action cannot, 196 00:47:17,760 --> 00:47:21,840 and they explore obsession and paranoia. 197 00:47:43,280 --> 00:47:44,360 Ham sandwich. 198 00:47:45,320 --> 00:47:46,960 Ham sandwich. 199 00:47:46,960 --> 00:47:48,600 Ham sandwich! 200 00:47:48,600 --> 00:47:53,440 3am, and here I am, once again sinking into a whirlpool of 201 00:47:53,440 --> 00:47:56,000 if onlys and Oh, God, whys? 202 00:47:56,000 --> 00:48:00,920 My mind stuck on a loop, a broken carousel, a never-ending record. 203 00:48:00,920 --> 00:48:03,280 I just want to sleep! 204 00:48:04,320 --> 00:48:06,680 But no, 11 hours 23 minutes later, 205 00:48:06,680 --> 00:48:10,280 the hippocampus, that little nugget deep in my brain, 206 00:48:10,280 --> 00:48:14,160 is furiously toiling away, hellbent on keeping me awake, 207 00:48:14,160 --> 00:48:17,400 reliving what I did today over and over. 208 00:48:17,400 --> 00:48:19,280 LAUGHTER 209 00:48:22,280 --> 00:48:24,200 Oh! It's funny, isn't it? 210 00:48:24,200 --> 00:48:26,560 Ha-ha! Yeah. 211 00:48:26,560 --> 00:48:30,040 THEY FALL SILENT 212 00:48:30,040 --> 00:48:32,200 Ah, me. Er, right... 213 00:48:34,680 --> 00:48:36,200 HE COUGHS 214 00:48:36,200 --> 00:48:38,240 Good one, good one. That's funny. 215 00:48:38,240 --> 00:48:41,480 You know, I actually heard quite a good one the other day. 216 00:48:41,480 --> 00:48:45,840 A ham sandwich walks into a bar and tries to order a drink, 217 00:48:45,840 --> 00:48:47,560 and the barman says, 218 00:48:47,560 --> 00:48:49,480 "We don't serve food here". 219 00:48:49,480 --> 00:48:50,800 Ha! 220 00:48:50,800 --> 00:48:52,760 HE LAUGHS NERVOUSLY 221 00:48:52,760 --> 00:48:56,720 SILENCE 222 00:48:56,720 --> 00:48:59,320 WIND WHISTLES 223 00:48:59,320 --> 00:49:01,760 HE WHIMPERS 224 00:49:04,080 --> 00:49:05,960 PHONE RINGS 225 00:49:05,960 --> 00:49:07,680 THEY START TO TALK AGAIN 226 00:49:08,720 --> 00:49:11,800 Oh! Why did I say anything?! 227 00:49:11,800 --> 00:49:13,800 Why a joke? 228 00:49:13,800 --> 00:49:17,000 They all stared at me like I'd murdered their cat, or something! 229 00:49:17,000 --> 00:49:22,000 171,476 words in the English language to choose from, 230 00:49:22,040 --> 00:49:23,760 and that was all I could think of! 231 00:49:23,760 --> 00:49:25,920 Oh, God! I'm going to have to quit. 232 00:49:25,920 --> 00:49:27,480 Yes, have a fresh start. 233 00:49:27,480 --> 00:49:30,000 I'll move to Germany and start an alpaca farm. 234 00:49:30,000 --> 00:49:31,640 The alpacas won't judge me. 235 00:49:31,640 --> 00:49:33,080 Or would they? 236 00:49:33,080 --> 00:49:36,200 I'll never look at a ham sandwich in the same way again! 237 00:49:39,040 --> 00:49:40,680 Memory is so strange. 238 00:49:40,680 --> 00:49:44,360 I know all the British monarchs, and recognise every nautical knot, 239 00:49:44,360 --> 00:49:46,200 but birthdays elude me. 240 00:49:46,200 --> 00:49:49,840 I remember capital cities, but not the name of someone I've just met. 241 00:49:49,840 --> 00:49:53,560 Running over the same tired memories like a hamster in a wheel. 242 00:49:53,560 --> 00:49:56,080 A never-ending cycle of deja vu. 243 00:49:56,080 --> 00:49:59,400 Someone once told me that deja vu was us briefly connecting 244 00:49:59,400 --> 00:50:01,040 with our past lives. 245 00:50:01,040 --> 00:50:04,720 That it was a spiritual sign we were repeating the same mistakes. 246 00:50:04,720 --> 00:50:06,920 She never did like facts. 247 00:50:13,200 --> 00:50:15,720 We don't serve food here. 248 00:50:15,720 --> 00:50:17,240 Oh! 249 00:50:17,240 --> 00:50:20,040 If only we could choose to forget. 250 00:50:20,040 --> 00:50:22,960 So many memories that keep coming back. 251 00:50:22,960 --> 00:50:25,200 Ones that just stick with you. 252 00:50:25,200 --> 00:50:27,560 LAUGHTER 253 00:50:27,560 --> 00:50:30,360 Mum! My hamster! 254 00:50:31,480 --> 00:50:33,440 SOBBING 255 00:50:35,760 --> 00:50:38,840 Oh, Frank. I think we should just be friends. 256 00:50:38,840 --> 00:50:41,040 But we're in the bath. 257 00:50:41,040 --> 00:50:43,000 Nice cup of tea. 258 00:50:45,600 --> 00:50:48,760 SLOWED DOWN: But the Barman says, 259 00:50:48,760 --> 00:50:53,800 "We...don't...serve...food...here". 260 00:50:55,920 --> 00:50:57,080 Ahhhh! 261 00:50:57,080 --> 00:51:00,320 The more we think on a memory, the more it distorts. 262 00:51:00,320 --> 00:51:03,720 The more we focus on the details, the more they blur and fragment. 263 00:51:03,720 --> 00:51:06,200 My nan had dementia when she died last year. 264 00:51:06,200 --> 00:51:07,960 She couldn't remember. 265 00:51:07,960 --> 00:51:10,920 I only have a handful of memories left of her now. 266 00:51:10,920 --> 00:51:13,920 Am I forgetting who she is, the more I try to picture her? 267 00:51:15,160 --> 00:51:16,600 Am I changing who she was? 268 00:51:18,000 --> 00:51:20,040 Sleep is the only way out of this. 269 00:51:21,320 --> 00:51:24,080 I don't think I have ever felt freer than when I dream. 270 00:51:24,080 --> 00:51:26,520 Like whatever's happened gets swept clean. 271 00:51:26,520 --> 00:51:28,360 I can think clearly again. 272 00:51:28,360 --> 00:51:32,640 If I could sleep, then I could bury today in the back of my... 273 00:51:32,640 --> 00:51:37,440 SHOUTING: A ham sandwich walks into a bar and tries to order a drink! 274 00:51:37,440 --> 00:51:42,080 But the barman says, "We don't serve food here!" 275 00:51:42,080 --> 00:51:44,000 Ham sandwich. Ham sandwich. 276 00:51:44,000 --> 00:51:48,480 MUSIC AND WORDS JUMBLE 277 00:51:48,480 --> 00:51:51,360 ..tries to murder a cat... 278 00:51:51,360 --> 00:51:53,440 A ham sandwich. A ham sandwich. 279 00:51:53,440 --> 00:51:55,400 And the barman says... 280 00:51:55,400 --> 00:51:57,560 I've got an allergy, take the cat out. 281 00:51:57,560 --> 00:51:59,040 Ham sandwich. 282 00:51:59,040 --> 00:52:02,680 UNINTELLIGIBLE JUMBLE OF WORDS 283 00:52:02,680 --> 00:52:05,720 Ham sandwich! Walks into a bar, tries to order a drink! 284 00:52:05,720 --> 00:52:07,640 Oh, my grandma! Grandma! 285 00:52:13,080 --> 00:52:16,240 WHISPERING: "..don't serve food here." 286 00:52:16,240 --> 00:52:20,120 SILENCE 287 00:52:22,240 --> 00:52:26,040 A ham sandwich, a ham sandwich, a ham sandwich, a ham sandwich, 288 00:52:26,040 --> 00:52:28,120 a ham sandwich, a ham sandwich, a ham sandwich... 289 00:52:28,120 --> 00:52:29,800 HE STRAINS 290 00:52:32,160 --> 00:52:35,160 A ham sandwich, a ham sandwich, a ham sandwich, a ham sandwich, 291 00:52:35,160 --> 00:52:37,520 a ham sandwich, a ham sandwich, a ham sandwich... 292 00:52:39,720 --> 00:52:41,200 Ohhh! 293 00:52:42,240 --> 00:52:44,120 Oh, no! 294 00:52:49,280 --> 00:52:50,920 Ahhh! 295 00:52:53,960 --> 00:52:55,520 Oh, no. 296 00:52:55,520 --> 00:52:57,200 No. 297 00:53:00,360 --> 00:53:01,520 Frank? 298 00:53:02,480 --> 00:53:05,520 Are you all right? The joke, James. 299 00:53:05,520 --> 00:53:07,040 I can't stop thinking about it. 300 00:53:07,040 --> 00:53:08,680 Everyone thinks I'm an idiot. 301 00:53:08,680 --> 00:53:10,720 The entire office was there. 302 00:53:10,720 --> 00:53:12,360 You heard it. 303 00:53:12,360 --> 00:53:14,000 I don't know what you mean, mate. 304 00:53:14,000 --> 00:53:16,760 Maybe get a couple of hours' sleep before work, eh? 305 00:54:10,440 --> 00:54:11,920 If I was a monster... 306 00:54:13,720 --> 00:54:17,880 You know, a real, proper monster... 307 00:54:19,720 --> 00:54:24,760 ..I wouldn't go round the houses with big, old, nasty teeth 308 00:54:25,280 --> 00:54:27,480 and horrible, long claws... 309 00:54:29,000 --> 00:54:31,920 ..making it bleeding obvious. 310 00:54:31,920 --> 00:54:34,480 No. 311 00:54:34,480 --> 00:54:39,080 What I'd do is I'd blend in. 312 00:54:40,560 --> 00:54:42,880 Camouflage myself. 313 00:54:43,920 --> 00:54:48,960 I'd be the last of all God's creatures anyone ever suspected... 314 00:54:51,880 --> 00:54:53,960 ..of eating them up. 315 00:54:59,200 --> 00:55:01,160 Who knows? 316 00:55:01,160 --> 00:55:05,720 Perhaps I'd blend in so well, 317 00:55:05,720 --> 00:55:08,640 even I could not tell I was a monster. 318 00:55:12,520 --> 00:55:16,080 Did you ever hear the story of the Three Crow Boys? 319 00:55:21,160 --> 00:55:26,200 Being so ugly, the Three Crow Boys were to be killed at birth. 320 00:55:28,240 --> 00:55:30,600 But once the doctors were being sick... 321 00:55:33,160 --> 00:55:36,040 ..they made their escape. 322 00:55:44,600 --> 00:55:48,680 The Three Crow Boys searched the streets, all night. 323 00:55:53,560 --> 00:55:56,480 Until, as luck may have it, 324 00:55:56,480 --> 00:55:59,880 they found the house of a lonely old nightmare. 325 00:56:06,440 --> 00:56:10,200 Oh, you poor little creatures. 326 00:56:17,600 --> 00:56:21,800 I saw so many things, so many wild, incredible things... 327 00:56:23,520 --> 00:56:26,720 They immediately liked the old man, 328 00:56:26,720 --> 00:56:31,360 for he told them many terrifying stories about the war... 329 00:56:33,680 --> 00:56:37,840 GROTESQUE WAR SOUNDS 330 00:56:39,120 --> 00:56:41,880 ..which made them smile. 331 00:56:41,880 --> 00:56:43,120 Inside. 332 00:56:51,440 --> 00:56:52,760 CROW BOYS CAW 333 00:56:52,760 --> 00:56:56,400 The old man soon learned that crows are not only the most 334 00:56:56,400 --> 00:57:00,560 intelligent of all birds, 335 00:57:00,560 --> 00:57:03,320 but also the most vicious. 336 00:57:05,000 --> 00:57:08,200 CROWS BOYS FIGHT AND THROW THINGS 337 00:57:12,880 --> 00:57:15,040 And greedy. 338 00:57:15,040 --> 00:57:17,920 CROW BOYS SNORT 339 00:57:23,760 --> 00:57:28,760 But, being so lonely, the old man loved them... 340 00:57:29,240 --> 00:57:32,040 Goodnight, my little ones. 341 00:57:32,040 --> 00:57:34,240 SNORING 342 00:57:34,240 --> 00:57:36,440 ..as if they were his own. 343 00:57:48,840 --> 00:57:53,800 As you might imagine, the Three Crow Boys became very curious 344 00:57:54,800 --> 00:57:58,200 about the world outside. 345 00:58:08,320 --> 00:58:11,080 And despite the old man's protests... 346 00:58:11,080 --> 00:58:13,200 No, no, no, no, no. 347 00:58:14,240 --> 00:58:18,480 ..they decided to explore the city one night. 348 00:58:26,200 --> 00:58:28,080 Oh, deary, deary me. 349 00:58:35,960 --> 00:58:38,480 The next morning, as the Crow Boys slept, 350 00:58:38,480 --> 00:58:43,520 there was a special announcement on the wireless. 351 00:58:44,280 --> 00:58:46,440 Ladies and gentlemen. 352 00:58:46,440 --> 00:58:50,760 A boy in the Whitechapel area disappeared from his bed last night. 353 00:58:50,760 --> 00:58:53,480 There are signs of a break-in. 354 00:58:53,480 --> 00:58:57,480 Police fear foul play and encourage extreme caution. 355 00:59:01,600 --> 00:59:06,600 The old man just knew that the Crow Boys were involved somehow. 356 00:59:11,400 --> 00:59:16,400 And he begged them not to go out again, the next night. 357 00:59:16,760 --> 00:59:18,920 I'll you once, I'll tell you a thousand times... 358 00:59:18,920 --> 00:59:22,080 But his words, they fell on deaf ears. 359 00:59:22,080 --> 00:59:25,240 ..it's a dangerous world round here. 360 00:59:25,240 --> 00:59:27,440 It's got all kinds... 361 00:59:27,440 --> 00:59:29,160 of terrible things! 362 00:59:54,920 --> 00:59:56,760 Ladies and gentlemen. 363 00:59:56,760 --> 01:00:00,160 Last night, a second boy disappeared from his bed in 364 01:00:00,160 --> 01:00:01,760 the Whitechapel area. 365 01:00:01,760 --> 01:00:05,600 The head of police claims they are following a promising lead. 366 01:00:05,600 --> 01:00:09,040 Please stay vigilant and stay tuned. 367 01:00:10,360 --> 01:00:15,360 The old man wondered why the things he loved most... 368 01:00:17,760 --> 01:00:20,840 ..always fell apart. 369 01:00:22,000 --> 01:00:24,640 Every single time. 370 01:00:31,360 --> 01:00:36,400 With tears running down his face, he awoke the Three Crow Boys 371 01:00:39,440 --> 01:00:43,520 with their favourite camomile tea. 372 01:00:43,520 --> 01:00:48,600 And he told them a particularly terrible tale... 373 01:00:50,200 --> 01:00:52,960 ..of how he lost his family... 374 01:00:57,920 --> 01:01:00,840 ..and his eyes... 375 01:01:00,840 --> 01:01:03,000 CROWS CAW 376 01:01:08,680 --> 01:01:13,760 ..and with a smile on each of their faces, one by one... 377 01:01:16,600 --> 01:01:19,720 ..by one... 378 01:01:19,720 --> 01:01:24,840 ..the Three Crow Boys slipped away. 379 01:01:31,880 --> 01:01:33,560 Oh, dear, dear, dear. 380 01:01:58,880 --> 01:02:03,960 When the sun finally arose, there was another announcement... 381 01:02:05,880 --> 01:02:08,400 ..on the wireless. 382 01:02:08,400 --> 01:02:11,120 Good morning, ladies and gentlemen. 383 01:02:11,120 --> 01:02:16,120 A third boy in the Whitechapel area disappeared last night. 384 01:02:16,400 --> 01:02:19,120 Police say they have identified a prime suspect. 385 01:02:30,360 --> 01:02:33,840 The game's up old man, come out! 386 01:02:33,840 --> 01:02:35,080 We know you're in there... 387 01:02:35,080 --> 01:02:39,800 Stay tuned for more updates on this tragic story. 388 01:02:39,800 --> 01:02:42,200 We need a lot of dogs, right now. 389 01:02:42,200 --> 01:02:47,080 This can't be happening. We know what you've done, you monster! 390 01:02:47,080 --> 01:02:49,240 Monster! 391 01:02:52,040 --> 01:02:53,960 Let us in right now. One, two, three, go! 392 01:02:55,200 --> 01:02:58,280 HE SOBS 393 01:03:02,040 --> 01:03:07,120 SOBS TURN INTO LAUGHTER 394 01:03:09,960 --> 01:03:14,440 HE LAUGHS MANIACALLY 395 01:03:49,720 --> 01:03:51,800 MACHINE RUMBLES 396 01:04:06,240 --> 01:04:08,280 STATIC HISSES 397 01:04:12,080 --> 01:04:13,720 MACHINE BEEPS 398 01:04:15,720 --> 01:04:16,880 MACHINE CHIRPS 399 01:04:22,480 --> 01:04:24,520 CLOCK TICKS 400 01:04:26,160 --> 01:04:28,240 MACHINE CHIRPS 401 01:04:31,680 --> 01:04:33,720 MACHINE CHIRPS 402 01:05:05,000 --> 01:05:07,080 CLOCK TICKS 403 01:05:31,400 --> 01:05:33,480 SONAR PULSE ECHOES 404 01:05:41,120 --> 01:05:43,200 HIGH-PITCHED SONAR PULSE ECHOES 405 01:05:54,360 --> 01:05:56,400 SONAR PULSE ECHOES 406 01:06:05,480 --> 01:06:07,480 LOW-PITCHED SONAR PULSE ECHOES 407 01:06:07,480 --> 01:06:08,560 PHONE-LIKE RINGING 408 01:06:11,760 --> 01:06:13,840 PHONE RINGS 409 01:06:19,320 --> 01:06:21,320 PHONE CONTINUES RINGING 410 01:06:25,040 --> 01:06:27,080 ANSWERING MACHINE BEEPS 411 01:06:28,720 --> 01:06:30,680 STATIC HISSES 412 01:06:38,200 --> 01:06:40,240 SONAR PULSE ECHOES 413 01:06:45,800 --> 01:06:47,880 WHIRRING 414 01:06:49,960 --> 01:06:52,000 STATIC HISSES 415 01:07:17,760 --> 01:07:19,800 THUNDER RUMBLES 416 01:07:22,040 --> 01:07:24,080 SONAR PULSE ECHOES 417 01:07:34,320 --> 01:07:36,320 SONAR PULSE ECHOES 418 01:07:44,800 --> 01:07:46,840 LOW-PITCHED SONAR PULSE ECHOES 419 01:07:53,120 --> 01:07:55,160 SONAR PULSE ECHOES 420 01:08:00,040 --> 01:08:02,080 SONAR PULSE ECHOES 421 01:08:37,600 --> 01:08:39,120 STATIC HISSES 422 01:08:46,120 --> 01:08:48,160 SONAR PULSE ECHOES 423 01:08:52,240 --> 01:08:54,280 LOW-PITCHED SONAR PULSE ECHOES 424 01:09:24,240 --> 01:09:26,280 SONAR PULSE ECHOES 425 01:09:31,160 --> 01:09:33,160 SONAR PULSE ECHOES 426 01:09:39,760 --> 01:09:41,800 STATIC HISSES 427 01:09:49,320 --> 01:09:51,360 PHONE RINGS 428 01:09:58,720 --> 01:10:00,720 ANSWERING MACHINE BEEPS 429 01:10:01,880 --> 01:10:03,120 Hello? 430 01:10:04,720 --> 01:10:05,960 Hello, Frank? 431 01:10:08,240 --> 01:10:09,920 Are you there? 432 01:10:35,880 --> 01:10:39,120 Tonight's four final films all explore the perennial theme of love. 433 01:10:39,120 --> 01:10:41,200 They're not typical love stories. 434 01:10:41,200 --> 01:10:45,800 They're unusual stories, perfect for the use of animation. 435 01:10:45,800 --> 01:10:48,240 Love beyond the grave. 436 01:10:48,240 --> 01:10:51,120 Love in a controlling relationship. 437 01:10:51,120 --> 01:10:54,520 The desire to move on, and one is holding you back. 438 01:10:54,520 --> 01:10:56,000 Erotica - 439 01:10:56,000 --> 01:11:00,800 how do you use animation to communicate erotica 440 01:11:00,800 --> 01:11:04,160 in a way that any other medium cannot? 441 01:11:04,160 --> 01:11:09,120 Lost love, toxic love, failed love, perfect love... 442 01:11:09,120 --> 01:11:10,480 Sit back and enjoy. 443 01:11:34,880 --> 01:11:36,920 CLOCK TICKS 444 01:11:49,600 --> 01:11:51,640 ERIC SIGHS 445 01:11:51,640 --> 01:11:53,680 CLOCK TICKS 446 01:11:56,920 --> 01:11:58,320 Dear Elsie... 447 01:12:02,760 --> 01:12:04,400 ..without you... 448 01:12:15,760 --> 01:12:19,200 Without you... 449 01:12:19,200 --> 01:12:20,840 ..nights are cold. 450 01:12:33,640 --> 01:12:35,360 Without you... 451 01:12:49,480 --> 01:12:51,360 ..Paree is not so gay. 452 01:13:04,920 --> 01:13:06,960 HE PANTS 453 01:13:09,200 --> 01:13:11,440 HE BLOWS HARD 454 01:13:11,440 --> 01:13:13,400 HE COUGHS 455 01:13:20,200 --> 01:13:21,720 RECORD CRACKLES 456 01:13:21,720 --> 01:13:23,000 NO MUSIC PLAYS 457 01:13:23,000 --> 01:13:27,440 Without you, life has no music. 458 01:13:31,760 --> 01:13:33,240 Without you... 459 01:13:39,680 --> 01:13:41,800 ..my tea has no sugar. 460 01:13:49,760 --> 01:13:52,360 Without you... 461 01:13:52,360 --> 01:13:54,680 ..seconds can take... 462 01:13:56,720 --> 01:13:58,040 ..hours. 463 01:13:58,040 --> 01:13:59,360 CLOCK TICKS SLOWLY 464 01:14:02,480 --> 01:14:04,440 GLASS SMASHES HE GASPS 465 01:14:07,400 --> 01:14:09,480 WIND HOWLS 466 01:14:35,520 --> 01:14:37,080 HE PANTS 467 01:14:39,800 --> 01:14:41,200 HE TAKES A DEEP BREATH 468 01:14:42,880 --> 01:14:44,880 HE PANTS 469 01:14:48,640 --> 01:14:50,040 HE TAKES A DEEP BREATH 470 01:14:51,560 --> 01:14:52,600 Oh! 471 01:15:01,280 --> 01:15:03,040 With you... 472 01:15:11,400 --> 01:15:14,640 ERIC CHUCKLES 473 01:15:14,640 --> 01:15:16,360 All right, darlin'? 474 01:16:01,240 --> 01:16:04,280 CLASSICAL MUSIC 475 01:16:28,920 --> 01:16:30,680 ARCHIE: Mm... That's better, isn't it? 476 01:16:35,920 --> 01:16:38,760 OPERATIC SINGING 477 01:16:47,240 --> 01:16:50,160 SHE SIGHS 478 01:17:08,880 --> 01:17:11,280 HE SIGHS 479 01:17:11,280 --> 01:17:12,640 CAT MEOWS 480 01:17:20,000 --> 01:17:22,920 CAT PURRS 481 01:17:32,840 --> 01:17:34,280 Oh! 482 01:17:38,520 --> 01:17:40,520 SHE GASPS 483 01:17:40,520 --> 01:17:42,040 SHE SIGHS 484 01:17:53,040 --> 01:17:55,080 Um... 485 01:17:57,960 --> 01:17:59,640 Hmm... 486 01:18:05,560 --> 01:18:08,600 SHE EXHALES 487 01:18:08,600 --> 01:18:11,240 Mmm! 488 01:18:12,720 --> 01:18:14,800 SHE CHUCKLES 489 01:18:14,800 --> 01:18:17,440 Mmm... 490 01:18:23,640 --> 01:18:26,280 Mmm... 491 01:18:37,200 --> 01:18:38,560 SHE GASPS 492 01:18:38,560 --> 01:18:40,480 CAT MEOWS, HE GROANS 493 01:18:42,040 --> 01:18:45,040 You wouldn't believe the state of grooming nowadays. 494 01:18:45,040 --> 01:18:47,800 Ugh! Disgusting! 495 01:18:47,800 --> 01:18:50,040 SHE SIGHS 496 01:18:53,280 --> 01:18:56,200 Well, at least I get to come back to you. 497 01:19:06,280 --> 01:19:08,760 Argh! Get rid of it! Get rid of it! 498 01:19:12,520 --> 01:19:14,640 SHE BREATHES DEEPLY Oh... 499 01:19:16,640 --> 01:19:18,960 Oh, I'm sorry. I'm sorry. 500 01:19:18,960 --> 01:19:20,560 Archie... 501 01:19:21,960 --> 01:19:23,480 ..it's gone now. 502 01:19:24,600 --> 01:19:27,000 HE EXHALES DEEPLY 503 01:19:28,160 --> 01:19:33,000 I'm sorry. It was just...a stressful day. 504 01:19:34,720 --> 01:19:37,960 Anyway, we'll soon have enough. 505 01:19:58,480 --> 01:20:00,120 Mm-hmm... 506 01:20:01,840 --> 01:20:03,360 Mm-hmm... 507 01:20:03,360 --> 01:20:04,920 Hm! 508 01:20:15,320 --> 01:20:18,000 SHE MOANS WITH PLEASURE 509 01:20:22,520 --> 01:20:24,360 Mm... 510 01:20:24,360 --> 01:20:26,120 CAT MEOWS 511 01:20:26,120 --> 01:20:28,040 SHE CHUCKLES 512 01:20:28,040 --> 01:20:29,560 Hello! 513 01:20:29,560 --> 01:20:31,400 SHE CHUCKLES 514 01:20:31,400 --> 01:20:33,840 Mm... 515 01:20:39,840 --> 01:20:41,680 ECHOED: What are you doing? 516 01:20:47,280 --> 01:20:49,160 Archie! I... 517 01:20:55,120 --> 01:20:56,680 Ugh! 518 01:20:56,680 --> 01:20:58,520 Right, in the bathroom. 519 01:21:23,080 --> 01:21:25,720 HE SNORES 520 01:21:25,720 --> 01:21:27,760 Uh... 521 01:21:32,760 --> 01:21:36,400 HE CONTINUES TO SNORE 522 01:21:40,640 --> 01:21:42,240 SHE GROANS 523 01:21:45,800 --> 01:21:47,280 Mmm... 524 01:21:48,560 --> 01:21:50,720 Mary? SHE GASPS 525 01:21:52,040 --> 01:21:53,240 Mary? 526 01:21:56,040 --> 01:21:57,200 Mary! 527 01:22:00,120 --> 01:22:02,200 I'll do that today. 528 01:22:02,200 --> 01:22:05,200 It's fine. I've already done it. 529 01:22:05,200 --> 01:22:06,920 It needs taping. 530 01:22:06,920 --> 01:22:09,840 It's OK, I can do that. 531 01:22:09,840 --> 01:22:12,000 Mary...! SHE GROANS 532 01:22:12,000 --> 01:22:14,320 Give... 533 01:22:14,320 --> 01:22:15,720 ..it... 534 01:22:15,720 --> 01:22:17,520 ..here! 535 01:22:18,560 --> 01:22:20,920 Ugh! 536 01:22:20,920 --> 01:22:23,480 HE GASPS AND QUIVERS 537 01:22:31,120 --> 01:22:33,080 What have you done with it? 538 01:22:37,640 --> 01:22:38,960 That's it! 539 01:22:43,800 --> 01:22:45,240 CAT MEOWS 540 01:22:49,360 --> 01:22:51,240 CAR HORNS BLARE 541 01:22:54,360 --> 01:22:57,080 Please, Archie. Come here! 542 01:22:58,280 --> 01:23:00,280 MAN GRUMBLES 543 01:23:09,600 --> 01:23:10,880 Huh... 544 01:23:25,640 --> 01:23:27,640 Archibald, stop! 545 01:23:30,120 --> 01:23:32,600 I don't want to. 546 01:23:32,600 --> 01:23:35,720 But it's disgusting, Mary! It's... It's horrible. It's... 547 01:23:38,160 --> 01:23:41,360 VOICE QUIVERS: It's un... It's unnatural. 548 01:23:48,880 --> 01:23:50,720 WOMAN GIGGLES 549 01:23:52,600 --> 01:23:54,200 Everybody's hairy, Archie. 550 01:24:00,440 --> 01:24:02,720 HE GASPS 551 01:24:04,120 --> 01:24:05,280 Mary! 552 01:24:11,360 --> 01:24:12,640 Wha...? 553 01:25:31,200 --> 01:25:36,240 ELECTRONIC PULSING 554 01:26:01,480 --> 01:26:04,880 EERIE WHOOSHING 555 01:26:22,000 --> 01:26:24,480 CREAKING 556 01:26:36,200 --> 01:26:39,360 I could feel his hand in my... in my hand, but then... 557 01:26:40,840 --> 01:26:43,760 ..it felt like the rest of my body was really far away. 558 01:26:46,200 --> 01:26:48,120 I remember looking down at my hand... 559 01:26:49,360 --> 01:26:51,880 ..and I was just looking at this moment, because it felt like 560 01:26:51,880 --> 01:26:54,000 a more profound moment 561 01:26:54,000 --> 01:26:57,080 than just simply holding hands. 562 01:27:01,800 --> 01:27:04,200 I think... I think this is it. 563 01:27:04,200 --> 01:27:05,760 I think I'm actually in love. 564 01:27:05,760 --> 01:27:07,480 ECHOING: Actually in love. 565 01:27:12,680 --> 01:27:15,280 This is so intense. Overwhelming. 566 01:27:15,280 --> 01:27:17,440 Sick. Sickening. En su tete. 567 01:27:21,360 --> 01:27:24,760 It is the animal inside. 568 01:27:29,480 --> 01:27:33,160 Freed from the mind. Just purely... 569 01:27:35,200 --> 01:27:36,520 ..animalistic. 570 01:27:47,000 --> 01:27:49,280 It's a force, it's a life force. 571 01:27:59,920 --> 01:28:02,440 RAPID BEATING 572 01:28:04,400 --> 01:28:06,000 ECHOING: Animalistic. 573 01:28:06,000 --> 01:28:08,840 All love is a kind of ruinous enslavement. 574 01:28:15,760 --> 01:28:18,000 I want this person to be me. 575 01:28:37,080 --> 01:28:38,560 PLATE SHATTERS 576 01:28:38,560 --> 01:28:41,040 Our world was getting smaller and smaller and smaller. 577 01:28:47,680 --> 01:28:51,440 It's all just destroyed so easily. 578 01:28:51,440 --> 01:28:53,600 It's all so fragile, 579 01:28:53,600 --> 01:28:55,680 and it can all burst apart. 580 01:29:24,640 --> 01:29:26,440 DOOR CREAKS 581 01:29:56,720 --> 01:29:58,600 I did fall out of love, 582 01:29:58,600 --> 01:30:00,560 and it was rather... 583 01:30:02,920 --> 01:30:05,360 ..full of guilt and regret. 584 01:30:05,360 --> 01:30:07,280 And, erm, a failure. 585 01:30:34,200 --> 01:30:36,160 So intense. ECHOING: So intense. 586 01:30:41,960 --> 01:30:44,240 Panic. Desperation. 587 01:31:14,520 --> 01:31:16,520 Y-You're just so empty. 588 01:32:52,800 --> 01:32:54,440 My guys. 589 01:32:54,440 --> 01:32:56,400 My guys, my guys. 590 01:32:57,800 --> 01:32:59,720 How are we today? 591 01:32:59,720 --> 01:33:01,160 Hm? 592 01:33:04,000 --> 01:33:05,120 Me? 593 01:33:06,200 --> 01:33:07,840 Oh, I'm good. 594 01:33:09,040 --> 01:33:10,240 I'm good. 595 01:33:10,240 --> 01:33:12,200 3D scan complete. 596 01:33:12,200 --> 01:33:14,120 I've got tits from space. 597 01:33:14,120 --> 01:33:15,560 And an arse from hell. 598 01:33:17,760 --> 01:33:20,440 I've never been better. 599 01:33:21,520 --> 01:33:24,320 3D print in progress. 600 01:33:28,160 --> 01:33:31,120 I've got a good feeling about this one. 601 01:33:40,280 --> 01:33:42,280 It is a pleasure to meet you. 602 01:33:50,520 --> 01:33:53,680 PULSATING MUSIC 603 01:33:57,400 --> 01:34:00,440 # Slug life is my only life 604 01:34:04,120 --> 01:34:05,520 MUSIC STOPS 605 01:34:05,520 --> 01:34:07,480 RAPID CLAPPING 606 01:34:09,400 --> 01:34:12,200 FLIES BUZZ 607 01:34:16,600 --> 01:34:18,560 CHUCKLE 608 01:34:21,280 --> 01:34:24,840 Good to have you back, friend. 609 01:34:24,840 --> 01:34:28,880 Two weeks is too long without our Tanya. 610 01:34:28,880 --> 01:34:30,880 Where have you been? 611 01:34:35,760 --> 01:34:37,240 I've been... 612 01:34:40,480 --> 01:34:43,320 ..working on a new project. 613 01:34:43,320 --> 01:34:46,120 CHUCKLING Can't wait to meet him. 614 01:34:46,120 --> 01:34:49,400 I think I've finally found the formula... 615 01:34:49,400 --> 01:34:51,400 for total perfection. 616 01:34:53,080 --> 01:34:54,120 Me? 617 01:34:54,120 --> 01:34:55,960 Oh. 618 01:34:55,960 --> 01:34:58,480 Are his proportions divine? 619 01:35:01,000 --> 01:35:02,400 Yeah. 620 01:35:02,400 --> 01:35:04,440 But most of all, 621 01:35:04,440 --> 01:35:06,400 they just really get me. 622 01:35:06,400 --> 01:35:07,720 You know? 623 01:35:07,720 --> 01:35:08,920 GUFFAWING 624 01:35:08,920 --> 01:35:10,840 I can really be myself around him. 625 01:35:10,840 --> 01:35:14,720 GUFFAWING 626 01:35:14,720 --> 01:35:16,840 Come here, you little pervert. 627 01:35:16,840 --> 01:35:19,160 No, no, no! 628 01:35:19,160 --> 01:35:21,640 GUFFAWING 629 01:35:38,760 --> 01:35:40,800 DOOR SLAMS 630 01:35:45,200 --> 01:35:47,720 What a beautiful day. 631 01:35:47,720 --> 01:35:50,400 THUNDER ROLLS 632 01:35:51,560 --> 01:35:53,760 Stay out of my room, Marcy. 633 01:35:55,560 --> 01:35:57,440 I'm going to be on the... 634 01:35:57,440 --> 01:36:00,120 DOOR SLAMS ..radio in five minutes. 635 01:36:02,120 --> 01:36:04,080 No, no! 636 01:36:07,000 --> 01:36:10,000 Tanya, as your partner... 637 01:36:11,360 --> 01:36:15,680 ..I would like to get a grip on your gestures and inflections. 638 01:36:16,760 --> 01:36:18,760 Puzzle you out a little. 639 01:36:20,480 --> 01:36:22,960 I'm not fussed on getting a drink. 640 01:36:22,960 --> 01:36:26,120 Let's make it caramels, or whatever. 641 01:36:28,440 --> 01:36:30,080 Sure, baby. 642 01:36:34,040 --> 01:36:36,040 Tanya, where are my bones? 643 01:36:36,040 --> 01:36:38,240 You don't want bones, slug. 644 01:36:38,240 --> 01:36:40,160 They just get in the way. 645 01:36:40,160 --> 01:36:42,080 RADIO: 'And now, in it to win it, 646 01:36:42,080 --> 01:36:44,560 with his rendition of Are You Contagious, 647 01:36:44,560 --> 01:36:47,200 'we have Marcy on the line!' 648 01:36:47,200 --> 01:36:49,840 'This is a dedication to my flatmate. 649 01:36:49,840 --> 01:36:52,920 # Tanya, I'm curious 650 01:36:52,920 --> 01:36:54,520 # No doubt about it 651 01:36:55,760 --> 01:36:57,600 # So curious 652 01:36:57,600 --> 01:37:00,240 # No doubt in my mind... # 653 01:37:00,240 --> 01:37:03,080 Tanya, am I a freak? 654 01:37:04,360 --> 01:37:07,200 Yes. A freak of nature. 655 01:37:07,200 --> 01:37:08,280 Like me. 656 01:37:11,600 --> 01:37:16,640 # Look right through me, baby, now 657 01:37:18,000 --> 01:37:23,000 # Are you contagious? 658 01:37:29,360 --> 01:37:33,080 # Contagious 659 01:37:34,240 --> 01:37:39,360 # Contagious... # 660 01:37:45,880 --> 01:37:49,000 Everybody having a good time? 661 01:37:54,960 --> 01:37:57,280 He's the one, ladies. 662 01:37:57,280 --> 01:37:59,560 Whoa! 663 01:37:59,560 --> 01:38:01,960 Not bad. 664 01:38:01,960 --> 01:38:05,240 Reminds me of myself as a young man. 665 01:38:16,000 --> 01:38:20,480 Lady, you are a vision and your big friend seems nice. 666 01:38:20,480 --> 01:38:24,320 Ha-ha, I'm the Sun, you damn fool! 667 01:38:24,320 --> 01:38:26,160 GUFFAWING 668 01:38:26,160 --> 01:38:27,720 Come and join us, Marcy. 669 01:38:41,320 --> 01:38:42,720 # Nice face 670 01:38:42,720 --> 01:38:44,440 # Shame about the haircut 671 01:38:44,440 --> 01:38:46,200 # Good body 672 01:38:46,200 --> 01:38:48,240 # Bad conversation 673 01:38:48,240 --> 01:38:49,720 # Nice face 674 01:38:49,720 --> 01:38:51,400 # Shame about the haircut 675 01:38:51,400 --> 01:38:52,920 # Good body 676 01:38:52,920 --> 01:38:54,680 # Bad conversation 677 01:38:54,680 --> 01:38:56,360 # Nice face 678 01:38:56,360 --> 01:38:58,440 # Bad conversation 679 01:38:58,440 --> 01:39:00,040 # Nice face 680 01:39:00,040 --> 01:39:02,400 # Bad conversation 681 01:39:02,400 --> 01:39:03,520 # Nice face 682 01:39:03,520 --> 01:39:05,240 # Bad conversation 683 01:39:05,240 --> 01:39:06,760 # Good body 684 01:39:06,760 --> 01:39:08,320 # Good body. #