1 00:00:01,502 --> 00:00:02,937 {\an7}Narrator: DESIGN-- 2 00:00:02,970 --> 00:00:07,441 {\an7}\h\hIT‘S WHAT MAKES OUR WORLD BOTH FUNCTIONAL AND BEAUTIFUL. 3 00:00:07,474 --> 00:00:12,612 {\an7}\h\h\hBUT MOST DESIGN IS GEARED TOWARDS ABOUT 10% OF THE WORLD. 4 00:00:12,746 --> 00:00:15,716 {\an7}WHAT ABOUT THE OTHER 90%? 5 00:00:15,749 --> 00:00:20,254 {\an7}OFTEN CROWDED INTO CITIES \hWITH LIMITED RESOURCES. 6 00:00:20,287 --> 00:00:25,225 {\an7}THEY ARE INSPIRING AND PRODUCING A WHOLE NEW WAVE OF DESIGN. 7 00:00:25,325 --> 00:00:26,626 {\an7}GROUNDBREAKING. 8 00:00:26,660 --> 00:00:30,664 {\an7}\h\hMan: THE TRANSPORT SYSTEM IS ONE OF THE MOST POWERFUL THINGS 9 00:00:30,697 --> 00:00:34,367 {\an7}\h\h\hTO CHANGE THINGS, TO CONNECT THE SOCIETY. 10 00:00:34,401 --> 00:00:35,903 {\an7}Narrator: INSIGHTFUL. 11 00:00:35,936 --> 00:00:37,638 {\an7}Man: AS AN ARCHITECT \h\hAND A DESIGNER, 12 00:00:37,738 --> 00:00:38,973 {\an7}THE MOST IMPORTANT THING FOR ME 13 00:00:39,006 --> 00:00:41,275 {\an7}\h\h\h\h\hIS TO ACTUALLY UNDERSTAND THE PROBLEM. 14 00:00:41,308 --> 00:00:43,010 {\an7}Narrator: AND INSPIRATIONAL. 15 00:00:43,043 --> 00:00:44,444 {\an7}Man: THIS PROJECT REALLY EXPOSED ME 16 00:00:44,478 --> 00:00:47,548 {\an7}TO THIS WHOLE OTHER AVENUE \h\h\h\h\hOF SOCIAL IMPACT 17 00:00:47,581 --> 00:00:49,083 {\an7}THAT‘S, I THINK, REALLY NEEDED, 18 00:00:49,116 --> 00:00:51,452 {\an7}AND NEEDS TO BE ADDRESSED \h\h\h\h\h\hBY DESIGNERS. 19 00:00:51,485 --> 00:00:53,620 {\an7}\h\h\h\h\h\h\h\h\hNarrator: "DESIGN WITH THE OTHER 90%" 20 00:00:53,654 --> 00:00:57,091 {\an7}TAKES US TO THE FOREFRONT \h\hOF A DESIGN REVOLUTION 21 00:00:57,124 --> 00:00:59,693 {\an7}\hTHAT IS CHANGING THE WAY THAT WE LOOK AT EACH OTHER 22 00:00:59,726 --> 00:01:01,494 {\an7}AND OUR WORLD. 23 00:01:13,273 --> 00:01:14,941 {\an7}[ROOSTER CROWS] 24 00:01:14,975 --> 00:01:16,610 {\an7}KIBERA-- 25 00:01:16,643 --> 00:01:19,613 {\an7}ONE OF THE LARGEST SLUMS \h\h\h\hIN EAST AFRICA. 26 00:01:19,646 --> 00:01:22,115 {\an7}IN KENYA, MORE THAN FOUR MILLION PEOPLE 27 00:01:22,149 --> 00:01:24,652 {\an7}LIVE IN SQUATTER COMMUNITIES \h\h\h\h\h\h\h\h\hLIKE THIS. 28 00:01:26,987 --> 00:01:29,923 {\an7}OFTEN MARGINALIZED \hAND WRITTEN OFF, 29 00:01:29,957 --> 00:01:31,292 {\an7}WHEN IN FACT, 30 00:01:31,425 --> 00:01:36,730 {\an7}THESE SETTLEMENTS ARE FILLED \hWITH LIFE AND GREAT IDEAS. 31 00:01:36,830 --> 00:01:39,266 {\an7}Mumo Musava: THEY‘RE THE MOST \h\h\h\h\hVIBRANT COMMUNITIES 32 00:01:39,366 --> 00:01:40,968 {\an7}BECAUSE EVERYBODY KNOWS EACH OTHER, 33 00:01:41,001 --> 00:01:44,771 {\an7}THERE‘S A SENSE OF BELONGING, THERE‘S A SENSE OF OWNERSHIP, 34 00:01:44,805 --> 00:01:47,608 {\an7}THERE IS A SENSE OF \h\hCOMMUNITY THERE. 35 00:01:47,641 --> 00:01:48,909 {\an7}Narrator: AROUND THE WORLD, 36 00:01:48,942 --> 00:01:53,280 {\an7}NEARLY A BILLION PEOPLE LIVE \hIN COMMUNITIES LIKE THESE. 37 00:01:53,313 --> 00:01:56,683 {\an7}THAT NUMBER IS EXPECTED \h\h\hTO DOUBLE BY 2030. 38 00:01:58,418 --> 00:02:01,388 {\an7}IT‘S EASY TO SEE THIS \h\hAS A HUGE PROBLEM. 39 00:02:02,990 --> 00:02:05,326 {\an7}WHAT IF WE LOOKED AT \h\h\hTHE POTENTIAL? 40 00:02:07,361 --> 00:02:10,798 {\an7}IN 2007, THE COOPER-HEWITT \h\h\h\h\h\hDESIGN MUSEUM 41 00:02:10,831 --> 00:02:13,834 {\an7}\h\h\h\h\h\h\h\h\h\hLAUNCHED "DESIGN WITH THE OTHER 90%." 42 00:02:16,003 --> 00:02:19,073 {\an7}\hIT‘S A TIMELY INITIATIVE TO DOCUMENT AND CELEBRATE 43 00:02:19,106 --> 00:02:21,508 {\an7}THE GROUNDSWELL OF DESIGN INNOVATION 44 00:02:21,541 --> 00:02:23,810 {\an7}\h\h\hEMERGING FROM THE OTHER 90% OF US 45 00:02:23,844 --> 00:02:27,514 {\an7}\hTHAT DESIGNERS HAVE TYPICALLY OVERLOOKED. 46 00:02:27,547 --> 00:02:30,350 {\an7}\h\h\h\h\hFOR OUR 2010 FOLLOW-UP EXHIBITION, 47 00:02:30,384 --> 00:02:33,020 {\an7}CURATOR CYNTHIA SMITH \h\hTRAVELED THE GLOBE 48 00:02:33,053 --> 00:02:37,024 {\an7}SEEKING PROJECTS WITH INGENUITY AND IMPACT. 49 00:02:37,157 --> 00:02:39,726 {\an7}SOME ARE LARGE SCALE. 50 00:02:39,826 --> 00:02:42,262 {\an7}OTHERS, BRILLIANTLY SIMPLE. 51 00:02:43,930 --> 00:02:46,399 {\an7}\hBUT IN EVERY CASE, THEY ARE SIGNIFICANT 52 00:02:46,433 --> 00:02:50,304 {\an7}BECAUSE THEY SHOW US A NEW WAY \h\h\h\hTO IMAGINE OUR WORLD-- 53 00:02:50,337 --> 00:02:52,206 {\an7}VISIONARY, 54 00:02:52,239 --> 00:02:53,507 {\an7}REVOLUTIONARY 55 00:02:53,607 --> 00:02:56,577 {\an7}AND INSPIRING. 56 00:02:56,610 --> 00:03:01,014 {\an7}\h\h\h\hTHAT‘S THE HEART OF "DESIGN WITH THE OTHER 90%." 57 00:03:01,048 --> 00:03:04,785 {\an7}\h\hCynthia Smith: WE HAVE THE ABILITY, HAVE A BETTER PLANET, 58 00:03:04,818 --> 00:03:07,587 {\an7}A PLANET WHERE WE HAVE \h\hINCLUSIVE CITIES, 59 00:03:07,621 --> 00:03:09,923 {\an7}\h\h\hWHERE WE HAVE SUSTAINABLE CITIES, 60 00:03:10,023 --> 00:03:14,528 {\an7}ENGINES OF POVERTY REDUCTION, 61 00:03:14,561 --> 00:03:18,165 {\an7}ALL OF US WORKING TOGETHER TO COME UP WITH A BRIGHTER WORLD, 62 00:03:18,198 --> 00:03:21,234 {\an7}\hA BETTER SOLUTION, A SUSTAINABLE WORLD. 63 00:03:23,470 --> 00:03:25,939 {\an7}Narrator: THE POTENTIAL \h\h\h\h\hIS TREMENDOUS. 64 00:03:26,073 --> 00:03:27,575 {\an7}BUT WHERE TO BEGIN? 65 00:03:27,607 --> 00:03:30,110 {\an7}DESIGNERS‘ FIRST STEP \hFOR ANY NEW PROJECT 66 00:03:30,143 --> 00:03:33,246 {\an7}IS TO TAKE A GOOD, HARD LOOK \h\h\h\h\h\h\hAT WHAT EXISTS 67 00:03:33,380 --> 00:03:35,215 {\an7}AND WHAT‘S NEEDED. 68 00:03:37,884 --> 00:03:41,488 {\an7}\hIN KENYA, KIBERA HAD A THRIVING COMMUNITY, 69 00:03:41,521 --> 00:03:43,289 {\an7}BUT THEY NEEDED MANY THINGS. 70 00:03:43,323 --> 00:03:46,626 {\an7}FIRST AMONG THEM, VISIBILITY. 71 00:03:46,660 --> 00:03:48,495 {\an7}Edgar Pieterse: THOSE WITH POWER AND THOSE WITH MONEY, 72 00:03:48,528 --> 00:03:49,929 {\an7}THEY NEED TO SEE THESE PEOPLE, 73 00:03:49,963 --> 00:03:52,632 {\an7}\h\hAND THEY NEED TO RECOGNIZE THE INNOVATION THAT‘S INVOLVED 74 00:03:52,666 --> 00:03:55,335 {\an7}\h\h\hIN JUST BEING ABLE, WITH NOTHING, NO SUPPORT, 75 00:03:55,435 --> 00:03:56,770 {\an7}TO FIGURE OUT A WAY TO LIVE, 76 00:03:56,803 --> 00:04:00,540 {\an7}TO GET A FOOTHOLD IN THE CITY, \h\h\h\h\h\h\h\h\hTO SURVIVE. 77 00:04:00,574 --> 00:04:02,009 {\an7}Narrator: JUST A FEW YEARS AGO, 78 00:04:02,042 --> 00:04:06,113 {\an7}KIBERA WAS UNCHARTED TERRITORY \hON NAIROBI‘S OFFICIAL MAPS. 79 00:04:06,146 --> 00:04:07,514 {\an7}A BLANK SPOT-- 80 00:04:07,547 --> 00:04:11,451 {\an7}BUT A BLANK SPOT THAT‘S HOME \hTO ABOUT A MILLION PEOPLE. 81 00:04:11,551 --> 00:04:12,852 {\an7}Pieterse: AND, OF COURSE, 82 00:04:12,886 --> 00:04:16,022 {\an7}IF A GOVERNMENT CAN‘T SEE \h\hSOMETHING AS A NUMBER, 83 00:04:16,056 --> 00:04:18,258 {\an7}IT DOESN‘T EXIST. 84 00:04:18,291 --> 00:04:21,060 {\an7}\hNarrator: THE CONSEQUENCES OF BEING INVISIBLE TO CITY PLANNERS 85 00:04:21,161 --> 00:04:22,763 {\an7}ARE HUGE. 86 00:04:22,896 --> 00:04:24,398 {\an7}WITHOUT PROPER INFORMATION, 87 00:04:24,431 --> 00:04:27,834 {\an7}\hIT‘S IMPOSSIBLE TO PROVIDE ADEQUATE ROADS, SANITATION, 88 00:04:27,868 --> 00:04:30,738 {\an7}POLICE PROTECTION, OR CITY SERVICES. 89 00:04:33,807 --> 00:04:35,409 {\an7}IN ORDER TO SEE CHANGE, 90 00:04:35,509 --> 00:04:39,513 {\an7}KIBERA NEEDED TO CLAIM ITS PLACE ON THE MAP. 91 00:04:39,546 --> 00:04:43,884 {\an7}IN 2007, VOLUNTEERS FOR A GROUP CALLED MAP KIBERA 92 00:04:43,917 --> 00:04:46,186 {\an7}TOOK TO THE STREETS. 93 00:04:46,286 --> 00:04:49,790 {\an7}THEIR TOOLS--SIMPLE GPS SYSTEMS 94 00:04:49,823 --> 00:04:52,059 {\an7}AND KEEN EYES. 95 00:04:52,225 --> 00:04:55,729 {\an7}THEY BEGAN SYSTEMATICALLY \h\hWALKING THE COMMUNITY, 96 00:04:55,762 --> 00:04:58,665 {\an7}MAPPING KIBERA STEP BY STEP. 97 00:05:07,107 --> 00:05:08,575 {\an7}Narrator: AFTER MONTHS OF WORK, 98 00:05:08,608 --> 00:05:12,912 {\an7}THE BLANK SPOT THAT WAS KIBERA \h\h\h\h\h\hBEGAN FILLING IN. 99 00:05:12,946 --> 00:05:14,347 {\an7}Kevin Otleno: LIKE YOU CAN SEE \h\h\h\h\h\h\h\h\hOVER THERE, 100 00:05:14,381 --> 00:05:17,217 {\an7}THERE IS A BIOCENTER, \h\h\h\hIT‘S A TOILET. 101 00:05:17,250 --> 00:05:20,754 {\an7}AS YOU CAN SEE THE OTHER SIDE \h\h\hTHERE IS A BIG HOSPITAL. 102 00:05:23,190 --> 00:05:28,362 {\an7}Narrator: MAP KIBERA PINPOINTED WATER AND SANITATION LOCATIONS, 103 00:05:28,395 --> 00:05:30,497 {\an7}CRIME AREAS, 104 00:05:30,530 --> 00:05:32,832 {\an7}AND HEALTH CLINICS-- 105 00:05:32,866 --> 00:05:34,668 {\an7}INFORMATION CRITICAL \h\h\h\hTO THE LIVES 106 00:05:34,701 --> 00:05:36,336 {\an7}OF THE PEOPLE LIVING THERE. 107 00:05:36,369 --> 00:05:39,572 {\an7}AND INFORMATION IS POWER. 108 00:05:39,606 --> 00:05:42,676 {\an7}\h\hSmith: YOU CAN THEN GO TO YOUR LOCAL GOVERNMENT AND SAY, 109 00:05:42,709 --> 00:05:48,281 {\an7}"LOOK, WE KNOW THERE‘S \h\h\h750,000 PEOPLE, 110 00:05:48,315 --> 00:05:51,351 {\an7}ONE MILLION PEOPLE, 1.5 MILLION PEOPLE." 111 00:05:51,384 --> 00:05:54,454 {\an7}IT ALLOWS THEM TO TAKE \h\h\hTHAT INFORMATION 112 00:05:54,487 --> 00:05:56,456 {\an7}AND BRING IT FORWARD TO \hTHE PROPER AUTHORITIES 113 00:05:56,489 --> 00:06:00,026 {\an7}AND SAY, "LOOK, THERE ARE \h\hSOME REAL NEEDS HERE." 114 00:06:00,060 --> 00:06:01,962 {\an7}THEY ARE CREATING \hTHEIR OWN VOICE. 115 00:06:01,995 --> 00:06:04,097 {\an7}[WOMEN SINGING] 116 00:06:07,267 --> 00:06:10,303 {\an7}\hNarrator: WITH A VOICE AND IDENTITY ONE MILLION STRONG, 117 00:06:10,337 --> 00:06:14,675 {\an7}\hKIBERA‘S PEOPLE CAN NOW TRANSFORM THEIR COMMUNITY. 118 00:06:14,708 --> 00:06:16,743 {\an7}AN IMPORTANT FIRST STEP-- 119 00:06:16,776 --> 00:06:19,812 {\an7}\h\hFINDING THE BEST USE FOR THEIR CROWDED SPACE. 120 00:06:26,686 --> 00:06:29,289 {\an7}IBRAHIM MAINA LIVES IN KIBERA. 121 00:06:29,322 --> 00:06:31,057 {\an7}HE IS A MANAGER FOR KDI, 122 00:06:31,091 --> 00:06:34,061 {\an7}A GROUP THAT DESIGNS AND BUILDS COMMUNITY AREAS. 123 00:06:38,632 --> 00:06:41,301 {\an7}\h\hTODAY, THE TEAM WORKS ON A MULTI-PURPOSE CENTER 124 00:06:41,334 --> 00:06:45,038 {\an7}\h\hTHAT WILL HOUSE A SCHOOL AND COMMUNITY MEETING HALL. 125 00:07:02,088 --> 00:07:03,189 {\an7}\h\h\h\h\h\h\hJulius Muiru: HOW WE NORMALLY GO ABOUT IT, 126 00:07:03,223 --> 00:07:05,258 {\an7}WE JUST COME TO THE COMMUNITY, 127 00:07:05,358 --> 00:07:07,627 {\an7}WE HEAR THE PROPOSALS \hFROM THE COMMUNITY, 128 00:07:07,661 --> 00:07:09,396 {\an7}\h\h\h\hTHEN WE GATHER ALL THIS INFORMATION, 129 00:07:09,429 --> 00:07:12,966 {\an7}WHICH EVERYBODY CAN \h\hTHEN UNDERSTAND. 130 00:07:13,099 --> 00:07:14,667 {\an7}\h\h\h\h\h\h\h\hNarrator: ONCE THE PLANS ARE FINAL, 131 00:07:14,701 --> 00:07:18,038 {\an7}LOCAL ARTISANS PROVIDE BOTH SKILL AND LABOR. 132 00:07:20,373 --> 00:07:22,976 {\an7}Man: YEAH, YOU HAVE TO BE VERY CAREFUL. 133 00:07:25,645 --> 00:07:29,149 {\an7}\h\h\h\h\hNarrator: IN 2007, KIBERA PUBLIC SPACE PROJECT 134 00:07:29,182 --> 00:07:32,752 {\an7}BEGAN RECLAIMING LAND AROUND \hKIBERA‘S MAIN TRIBUTARIES. 135 00:07:34,955 --> 00:07:37,124 {\an7}CUT OFF FROM CITY SERVICES, 136 00:07:37,157 --> 00:07:40,460 {\an7}RESIDENTS USED THE WATERWAYS \h\h\h\h\h\h\h\h\hAS A DUMP. 137 00:07:40,493 --> 00:07:44,964 {\an7}AND WITH ONLY ONE TOILET \hFOR EVERY 250 PEOPLE, 138 00:07:44,998 --> 00:07:46,633 {\an7}A SEWAGE SYSTEM. 139 00:07:48,601 --> 00:07:50,403 {\an7}THE COMMUNITY MOBILIZED 140 00:07:50,437 --> 00:07:53,573 {\an7}AND BEGAN THE MESSY JOB OF RECLAIMING THE LAND. 141 00:07:56,509 --> 00:07:59,679 {\an7}KIBERA HAS NO HEAVY MACHINERY, 142 00:07:59,713 --> 00:08:02,382 {\an7}SO THE WORK GETS DONE BY HAND. 143 00:08:14,894 --> 00:08:16,863 {\an7}\h\hMugendi M‘Rithaa: IN AFRICA, WE BELIEVE THAT ALL HUMAN BEINGS 144 00:08:16,896 --> 00:08:18,431 {\an7}ARE OUR BROTHERS AND SISTERS. 145 00:08:18,498 --> 00:08:20,033 {\an7}THAT‘S THE SPIRIT OF UBUNTU. 146 00:08:20,200 --> 00:08:22,769 {\an7}AND ONE PARTICULAR \hCALL OF UBUNTU, 147 00:08:22,802 --> 00:08:25,972 {\an7}\h\hTHE FAMOUS ONE IS "I AM BECAUSE WE ARE." 148 00:08:26,006 --> 00:08:28,976 {\an7}BUT THE ONE I‘D LIKE TO CITE \h\h\h\hIN THIS INSTANCE IS 149 00:08:29,009 --> 00:08:32,179 {\an7}"I PARTICIPATE, THEREFORE I AM." 150 00:08:32,212 --> 00:08:34,981 {\an7}Narrator: AS THE TONS OF WASTE \h\h\h\h\h\h\h\h\hDISAPPEARED, 151 00:08:35,015 --> 00:08:38,018 {\an7}KIBERA‘S PUBLIC SPACE DESIGN \h\h\h\h\h\h\hMATERIALIZED. 152 00:08:39,552 --> 00:08:41,120 {\an7}COMMUNITY GARDENS SPRANG UP 153 00:08:41,154 --> 00:08:44,157 {\an7}ALONG WITH PLAYGROUNDS, 154 00:08:44,190 --> 00:08:46,092 {\an7}A SOCCER FIELD, 155 00:08:46,126 --> 00:08:48,562 {\an7}AND A PUBLIC SANITATION BLOCK. 156 00:08:52,632 --> 00:08:55,435 {\an7}[WOMEN SINGING] 157 00:08:55,468 --> 00:08:59,906 {\an7}THE PUBLIC SPACE PROJECT GOAL IS TO BECOME SELF-SUSTAINING. 158 00:08:59,939 --> 00:09:02,809 {\an7}ONE WOMEN‘S GROUP RAISES FUNDS \h\h\h\h\h\hBY SELLING BASKETS 159 00:09:02,842 --> 00:09:06,479 {\an7}WOVEN FROM PLANTS GROWING WILD \h\h\h\hON THE EDGE OF KIBERA. 160 00:09:08,648 --> 00:09:12,285 {\an7}MARY NASIMIYU IS A GROUP LEADER. 161 00:09:12,318 --> 00:09:14,987 {\an7}\h\h\h\h\h\h\hMary Nasimiyu: MY DREAMS FOR THE CHILDREN, 162 00:09:15,021 --> 00:09:17,156 {\an7}I WANT THEM TO LEARN VERY HARD, 163 00:09:17,190 --> 00:09:22,095 {\an7}\hBECAUSE EVEN ME, I AM JUST WORKING VERY HARD FOR THEM. 164 00:09:22,128 --> 00:09:27,467 {\an7}AFTER SCHOOL, THEY CAN FIND, \hMAYBE THEY CAN FIND A JOB. 165 00:09:27,500 --> 00:09:33,272 {\an7}\hAFTER A JOB, THEY CAN GO AND STAY IN A GOOD PLACE, 166 00:09:33,440 --> 00:09:36,810 {\an7}AND THEN THEY CAN TAKE ME FROM HERE. 167 00:09:38,711 --> 00:09:41,681 {\an7}Narrator: WITHIN THE HUBBUB \h\h\h\hOF KIBERA‘S CROWDS, 168 00:09:41,714 --> 00:09:44,183 {\an7}\hMARY AND HER FRIENDS USE THIS PUBLIC SPACE 169 00:09:44,317 --> 00:09:49,656 {\an7}TO RUN THEIR OWN BUSINESS AND HELP SUPPORT THEIR COMMUNITY. 170 00:09:49,689 --> 00:09:52,559 {\an7}THAT‘S THE KIND OF RESULT \hTHAT DESIGNERS HOPE FOR. 171 00:09:54,227 --> 00:09:56,463 {\an7}M‘Rithaa: BY CREATING \hA SENSE OF COMMUNITY 172 00:09:56,496 --> 00:10:00,066 {\an7}\h\hTHROUGH THE ARCHITECTURAL PLANNING OF THE PUBLIC SPACES, 173 00:10:00,100 --> 00:10:01,168 {\an7}THERE IS A SENSE IN WHICH 174 00:10:01,201 --> 00:10:04,171 {\an7}\h\hPEOPLE ARE ABLE TO RECONNECT WITH OTHERS 175 00:10:04,204 --> 00:10:05,605 {\an7}AND THEN ALSO CREATE \h\h\hOPPORTUNITIES 176 00:10:05,638 --> 00:10:07,607 {\an7}FOR COLLECTIVE WORK. 177 00:10:09,576 --> 00:10:11,078 {\an7}Narrator: IBRAHIM MAINA IS HAPPY 178 00:10:11,111 --> 00:10:13,747 {\an7}WITH WHAT HE AND HIS NEIGHBORS \h\h\h\h\h\hHAVE ACCOMPLISHED, 179 00:10:13,780 --> 00:10:16,049 {\an7}BUT KNOWS IT‘S JUST THE START. 180 00:10:38,371 --> 00:10:41,040 {\an7}\h\h\h\h\h\h\hNarrator: CREATIVITY IS THE SPARK, 181 00:10:41,074 --> 00:10:43,877 {\an7}GOOD DESIGN IS THE ENGINE, 182 00:10:43,910 --> 00:10:47,180 {\an7}AND COMMUNITY IS THE FUEL, 183 00:10:47,213 --> 00:10:49,982 {\an7}EMPOWERING PEOPLE TO IMPROVE THEIR LIVES. 184 00:10:53,153 --> 00:10:55,889 {\an7}THOUSANDS OF MILES FROM KIBERA, 185 00:10:55,922 --> 00:10:59,492 {\an7}\h\h\hANOTHER COMMUNITY FACES A DIFFERENT SET OF CHALLENGES. 186 00:11:01,594 --> 00:11:04,697 {\an7}AND A GROUP OF YOUNG DESIGNERS \h\h\h\hSETS OUT ON A MISSION 187 00:11:04,764 --> 00:11:06,266 {\an7}TO UNDERSTAND. 188 00:11:08,201 --> 00:11:09,502 {\an7}IN 2009, 189 00:11:09,536 --> 00:11:12,572 {\an7}\h\hSTUDENTS FROM CALIFORNIA ART CENTER COLLEGE OF DESIGN 190 00:11:12,605 --> 00:11:15,208 {\an7}\h\h\h\h\hTRAVELED TO CAMPAMENTO, SAN JOSE, 191 00:11:15,241 --> 00:11:18,845 {\an7}\hAN INFORMAL SETTLEMENT ON THE OUTSKIRTS OF SANTIAGO, CHILE... 192 00:11:20,780 --> 00:11:23,549 {\an7}...TO SEE FIRSTHAND HOW RESIDENTS THERE 193 00:11:23,583 --> 00:11:25,051 {\an7}MANAGED THEIR WATER. 194 00:11:39,132 --> 00:11:41,968 {\an7}Narrator: THE STUDENTS WORKED \hWITH A CHILEAN ORGANIZATION, 195 00:11:42,001 --> 00:11:44,036 {\an7}UN TECHO PARA CHILE. 196 00:11:56,115 --> 00:11:59,752 {\an7}\hPenny Herscovitch: WE EXPECTED THERE TO BE A SCARCITY OF WATER, 197 00:11:59,786 --> 00:12:03,123 {\an7}\h\hBUT WATER TRUCKS THAT IRRIGATE THE STREET TREES 198 00:12:03,156 --> 00:12:05,191 {\an7}\hTHEN DELIVER WATER TO THESE COMMUNITIES 199 00:12:05,225 --> 00:12:08,428 {\an7}AFTER THEY‘RE FINISHED \h\h\h\h\hDELIVERING. 200 00:12:08,461 --> 00:12:11,130 {\an7}IT‘S THEN STORED IN BARRELS \h\h\h\hOUTSIDE OF THE HOME. 201 00:12:11,164 --> 00:12:13,933 {\an7}AND THEN, FOR EVERY TASK, 202 00:12:13,967 --> 00:12:17,504 {\an7}\hWOMEN WILL THEN FILL UP THESE TYPES OF CONTAINERS, 203 00:12:17,637 --> 00:12:20,573 {\an7}\h\h\hAND THEY‘LL MOVE WATER BUCKET TO BUCKET TO BUCKET. 204 00:12:20,607 --> 00:12:23,643 {\an7}AND STARTING TO UNDERSTAND THAT AS DESIGNERS 205 00:12:23,676 --> 00:12:29,415 {\an7}HELPED US THEN DESIGN PRODUCTS \hAROUND MANAGING THAT WATER. 206 00:12:29,449 --> 00:12:31,217 {\an7}Bill Moggridge: I THINK DESIGNERS ALWAYS HAVE TO 207 00:12:31,251 --> 00:12:34,454 {\an7}\h\hTRY AND UNDERSTAND WHAT IT‘S LIKE FOR SOMEBODY ELSE, 208 00:12:34,487 --> 00:12:38,658 {\an7}\hAND THE EASIEST WAY TO DO THAT IS TO EXPERIENCE IT THEMSELVES. 209 00:12:38,691 --> 00:12:41,093 {\an7}\h\h\hSO IF YOU ARE DESIGNING SOMETHING, 210 00:12:41,261 --> 00:12:43,163 {\an7}JUST GO AND TRY AND DO IT. 211 00:12:45,265 --> 00:12:47,768 {\an7}Narrator: AFTER TWO WEEKS \h\hOF LIVING IN SAN JOSE, 212 00:12:47,800 --> 00:12:51,304 {\an7}\hTHE STUDENTS COLLABORATED WITH DESIGNERS AND COMMUNITY MEMBERS 213 00:12:51,337 --> 00:12:53,139 {\an7}TO COMPILE THEIR IDEAS, 214 00:12:53,172 --> 00:12:56,642 {\an7}\h\hSPAWNING SOME SIMPLE YET INGENIOUS SOLUTIONS. 215 00:12:57,910 --> 00:12:59,512 {\an7}KC Cho: WE‘RE GONNA SEE \h\h\h\h\hTWO PROJECTS, 216 00:12:59,612 --> 00:13:01,981 {\an7}"GOTA A GOTA" AND "RELAVA," 217 00:13:02,015 --> 00:13:04,551 {\an7}AND THEY‘RE THE PROJECTS \h\h\h\h\h\h\hOVER HERE. 218 00:13:04,584 --> 00:13:06,853 {\an7}SO "GOTA A GOTA" WAS DESIGNED \h\h\h\h\h\hBY THREE STUDENTS, 219 00:13:06,886 --> 00:13:09,856 {\an7}AND IT‘S A GRAVITY FED \h\h\h\hWATER SYSTEM. 220 00:13:09,889 --> 00:13:11,991 {\an7}THIS IS A PRESSURIZED \h\hWATER PUMP SYSTEM 221 00:13:12,025 --> 00:13:13,460 {\an7}THAT PUMPS THE WATER \h\hFROM THE GROUND 222 00:13:13,493 --> 00:13:16,596 {\an7}INTO THIS GRAVITY FED \h\h\h\h\hSYSTEM HERE, 223 00:13:16,696 --> 00:13:18,798 {\an7}AND THAT IN TAIL FLOWS THE WATER 224 00:13:18,831 --> 00:13:23,235 {\an7}BACK TO THE KITCHEN WATER SYSTEM HERE, INTO THIS RELAVA. 225 00:13:23,269 --> 00:13:25,438 {\an7}Narrator: PLANS ARE UNDER WAY TO MANUFACTURE AND DISTRIBUTE 226 00:13:25,471 --> 00:13:27,707 {\an7}THESE PRODUCTS WORLDWIDE. 227 00:13:29,575 --> 00:13:31,977 {\an7}WHAT MAKES THE STUDENT DESIGNS \h\h\h\h\h\h\h\h\h\h\hSO GREAT 228 00:13:32,011 --> 00:13:36,082 {\an7}\h\hIS THAT THEY USE INEXPENSIVE AND READILY AVAILABLE MATERIALS 229 00:13:36,215 --> 00:13:38,517 {\an7}TO SOLVE COMMON PROBLEMS. 230 00:13:40,920 --> 00:13:42,188 {\an7}IN SOUTH AFRICA, 231 00:13:42,221 --> 00:13:45,291 {\an7}DESIGNERS EMPLOY THAT SAME \hBASIC DESIGN PHILOSOPHY 232 00:13:45,325 --> 00:13:47,527 {\an7}TO TACKLE YET ANOTHER CHALLENGE. 233 00:13:49,362 --> 00:13:53,600 {\an7}FREEDOM PARK IS A TYPICAL \hSOUTH AFRICAN TOWNSHIP. 234 00:13:53,633 --> 00:13:55,268 {\an7}AN INFORMAL SETTLEMENT, 235 00:13:55,301 --> 00:14:01,040 {\an7}\h\h\hGRADUALLY SPREADING ONE SINGLE-STORY SHACK AT A TIME. 236 00:14:01,140 --> 00:14:02,808 {\an7}AS THE POPULATION GROWS, 237 00:14:02,842 --> 00:14:05,278 {\an7}AVAILABLE LAND FOR HOUSING \h\h\h\h\h\h\h\h\hSHRINKS, 238 00:14:05,311 --> 00:14:08,047 {\an7}AND THAT‘S A PROBLEM. 239 00:14:08,081 --> 00:14:09,983 {\an7}Luyanda Mpahlwa: AS AN ARCHITECT AND A DESIGNER, 240 00:14:10,016 --> 00:14:12,519 {\an7}THE MOST IMPORTANT THING FOR ME FOR ANY PROJECT I DO 241 00:14:12,552 --> 00:14:14,854 {\an7}\h\h\h\h\hIS TO ACTUALLY UNDERSTAND THE PROBLEM. 242 00:14:14,887 --> 00:14:17,356 {\an7}AND WHEN YOU UNDERSTAND \h\h\h\h\h\hTHE PROBLEM, 243 00:14:17,390 --> 00:14:21,561 {\an7}\h\hTHEN YOU TRY AND FIND VARIOUS WAYS TO SOLVE IT. 244 00:14:21,594 --> 00:14:24,363 {\an7}SO WE STARTED A PROCESS \hOF FIRST UNDERSTANDING 245 00:14:24,397 --> 00:14:26,366 {\an7}WHAT KIND OF SITES DO WE HAVE. 246 00:14:26,399 --> 00:14:31,304 {\an7}\hTHESE SITES ARE VERY NARROW, 7.5 METERS BY 50 METERS DEEP. 247 00:14:31,337 --> 00:14:33,573 {\an7}\h\hWHAT DO YOU DO IN THAT SITUATION? 248 00:14:33,606 --> 00:14:36,542 {\an7}Narrator: THE OBVIOUS ANSWER-- \h\h\h\h\h\h\h\h\h\hBUILD UP. 249 00:14:36,576 --> 00:14:39,913 {\an7}BUT TRADITIONAL TWO-STORY HOMES WOULD BE COST PROHIBITIVE, 250 00:14:39,946 --> 00:14:42,515 {\an7}REQUIRING TOO MUCH WOOD AND CONCRETE. 251 00:14:44,050 --> 00:14:48,655 {\an7}LUYANDA AND AN ENGINEER CAME UP WITH AN INGENIOUS DESIGN-- 252 00:14:48,688 --> 00:14:52,025 {\an7}\h\hTWO-STORY HOUSES MADE FROM SANDBAGS. 253 00:14:54,193 --> 00:14:56,095 {\an7}\h\h\h\hMichael Tremeer: I WAS AN ARMY ENGINEER. 254 00:14:56,129 --> 00:14:58,698 {\an7}AND ONE OF THE CHALLENGES \h\h\h\h\h\hTHAT WE FACED, 255 00:14:58,731 --> 00:15:01,467 {\an7}WE HAD VERY LITTLE MATERIALS, 256 00:15:01,501 --> 00:15:05,238 {\an7}\hAND OVER TIME WE REALIZED THAT WE HAD TO BE FAIRLY INNOVATIVE. 257 00:15:05,271 --> 00:15:07,874 {\an7}\h\h\h\hAND THE ONE THING THAT YOU GET PLENTY OF IN THE ARMY 258 00:15:07,907 --> 00:15:09,709 {\an7}IS SANDBAGS. 259 00:15:09,742 --> 00:15:12,478 {\an7}THERMALLY AND ACOUSTICALLY, \h\h\h\h\h\hIT‘S FANTASTIC. 260 00:15:12,512 --> 00:15:15,448 {\an7}IT IS REALLY, REALLY, \h\h\h\hREALLY TOUGH. 261 00:15:15,481 --> 00:15:18,217 {\an7}THIS IS A SANDBAG. 262 00:15:18,251 --> 00:15:23,389 {\an7}BECAUSE IT‘S A STITCH BOND BAG, IT CAN‘T SPREAD IN ITS WIDTH. 263 00:15:23,423 --> 00:15:26,326 {\an7}BUT IT CAN SPREAD ENORMOUSLY \h\h\h\h\h\h\hIN ITS LENGTH 264 00:15:26,359 --> 00:15:29,128 {\an7}\hAND THAT ENABLES THE BAG TO FORCE ITSELF BETWEEN THE BEAMS 265 00:15:29,162 --> 00:15:31,498 {\an7}AND GIVE YOU A MORE \hSTABLE STRUCTURE. 266 00:15:33,032 --> 00:15:36,936 {\an7}Narrator: THE KEY TO THIS DESIGN IS THE ECOBEAM, 267 00:15:36,969 --> 00:15:40,940 {\an7}A STRONG AND LIGHT LATTICE MADE FROM TWO TIMBER BEAMS 268 00:15:40,973 --> 00:15:43,876 {\an7}AND A ZIGZAG STRIP OF METAL. 269 00:15:43,910 --> 00:15:48,281 {\an7}A HOUSE BUILT WITH ECOBEAMS NEEDS ABOUT 80% LESS TIMBER. 270 00:15:48,314 --> 00:15:50,550 {\an7}IT‘S COST EFFECTIVE, 271 00:15:50,583 --> 00:15:52,285 {\an7}USES LOCAL MATERIALS, 272 00:15:52,318 --> 00:15:54,620 {\an7}AND IS EASY TO WORK WITH. 273 00:15:56,355 --> 00:15:59,558 {\an7}\h\h\h\h\h\hA GREAT IDEA, BUT PEOPLE WERE SKEPTICAL. 274 00:16:00,993 --> 00:16:03,629 {\an7}\h\h\h\h\h\h\hMpahlwa: FOR ME, ONE OF THE MOST MOVING THINGS 275 00:16:03,663 --> 00:16:05,965 {\an7}WAS FIRSTLY TO NEGOTIATE \h\h\h\hWITH THE PEOPLE 276 00:16:05,998 --> 00:16:08,200 {\an7}THAT I AM GOING TO BE BUILDING \h\h\h\h\h\hA DIFFERENT HOUSE, 277 00:16:08,234 --> 00:16:10,069 {\an7}WE‘RE GOING TO BUILD IT \h\h\h\h\hWITH SANDBAGS. 278 00:16:10,102 --> 00:16:11,704 {\an7}SO WE HAD TO TAKE THEM \hTHROUGH THE PROCESS 279 00:16:11,737 --> 00:16:14,473 {\an7}\h\h\hOF GETTING THEM TO BUY IN, TO ACCEPT, 280 00:16:14,507 --> 00:16:17,110 {\an7}THAT THIS WILL BE \hA DECENT HOUSE. 281 00:16:17,143 --> 00:16:18,444 {\an7}THE OTHER CRITICAL THING 282 00:16:18,478 --> 00:16:21,581 {\an7}WAS THAT WE GOT THE PEOPLE INVOLVED IN THE BUILDING. 283 00:16:21,614 --> 00:16:23,850 {\an7}AND THEY TAKE A DIFFERENT \h\h\h\hKIND OF OWNERSHIP 284 00:16:23,883 --> 00:16:25,518 {\an7}THAN PEOPLE WHO ARE JUST \h\hSITTING AND WAITING 285 00:16:25,551 --> 00:16:28,521 {\an7}FOR A HOUSE TO BE \hBUILT FOR THEM. 286 00:16:28,554 --> 00:16:30,256 {\an7}Tremeer: IT LITERALLY TAKES \h\hABOUT AN HOUR AND A HALF 287 00:16:30,289 --> 00:16:32,391 {\an7}PROBABLY TO TEACH SOMEBODY \h\h\hTO USE THIS SYSTEM, 288 00:16:32,425 --> 00:16:34,327 {\an7}IT REALLY IS THAT SIMPLE. 289 00:16:34,360 --> 00:16:36,929 {\an7}THE HEAVIEST COMPONENT ON \hTHE SITE IS SEVEN KILOS, 290 00:16:36,963 --> 00:16:39,599 {\an7}ONCE THE BAG IS FULL OF SAND. 291 00:16:39,632 --> 00:16:42,602 {\an7}AND THAT‘S A VERY EASILY \h\h\hMANEUVERED WEIGHT. 292 00:16:44,837 --> 00:16:45,971 {\an7}GREAT FUN TO BUILD. 293 00:16:46,005 --> 00:16:47,907 {\an7}GRANNY CAN HELP. 294 00:16:47,940 --> 00:16:49,241 {\an7}ALL THE KIDS CAN HELP. 295 00:16:49,275 --> 00:16:52,411 {\an7}AND WE CAN LITERALLY \h\hBUILD ANYWHERE. 296 00:16:52,445 --> 00:16:53,613 {\an7}Wahieba Naaidco: AT THE BEGINNING 297 00:16:53,646 --> 00:16:58,317 {\an7}EVERYBODY WAS EXCITED TO SEE SOMETHING NEW. 298 00:16:58,351 --> 00:17:00,286 {\an7}\h\h\hIF YOU SHOULD SEE THE SAND ON THEIR FACES, 299 00:17:00,319 --> 00:17:03,022 {\an7}\h\h\hWITH THE WIND BLOWING, AND THEY FILL THE SANDBAGS, 300 00:17:03,055 --> 00:17:05,391 {\an7}AND YOU SEE HOW THEIR FACES \h\h\h\h\hARE FULL OF SAND. 301 00:17:05,424 --> 00:17:07,559 {\an7}\h\hTHE CHILDREN COME, THE CHILDREN ASSISTED. 302 00:17:07,593 --> 00:17:09,995 {\an7}\h\hSO EVERY DAY WAS EXCITEMENT FOR THEM. 303 00:17:10,029 --> 00:17:13,332 {\an7}TO COME HERE EVEN IF IT MEANS THERE IS NO FOOD ON THE TABLE, 304 00:17:13,366 --> 00:17:16,736 {\an7}BUT TO BE HERE WAS IMPORTANT TO THEM. 305 00:17:16,769 --> 00:17:19,939 {\an7}Mpahlwa: I TOOK A LOT OF LESSONS EVEN TO DESIGN THIS, 306 00:17:19,972 --> 00:17:22,141 {\an7}BECAUSE I WENT INTO \h\hTHE SHANTY TOWNS 307 00:17:22,174 --> 00:17:25,611 {\an7}\h\h\hAND UNDERSTOOD HOW DO PEOPLE LIVE. 308 00:17:25,645 --> 00:17:28,448 {\an7}OBVIOUSLY, THERE IS A BIGGER \h\h\h\h\hSENSE OF DECENCY, 309 00:17:28,481 --> 00:17:31,017 {\an7}\h\hDIGNITY THEY FIND WHEN THEY OWN A HOUSE 310 00:17:31,050 --> 00:17:33,719 {\an7}WHICH IS OF THIS KIND OF QUALITY. 311 00:17:35,922 --> 00:17:40,160 {\an7}Elizabeth Kolizza: THIS, FOR ME, IT‘S PRECIOUS YOU KNOW. 312 00:17:40,192 --> 00:17:44,363 {\an7}I CHERISH IT, BECAUSE I‘VE NEVER HAD A HOUSE OF MY OWN. 313 00:17:46,232 --> 00:17:47,366 {\an7}Mpahlwa: AND YOU WILL SEE 314 00:17:47,400 --> 00:17:49,836 {\an7}THAT MOST OF THE HOUSES \hTHAT WE HAVE DEVELOPED 315 00:17:49,869 --> 00:17:54,841 {\an7}ARE ACTUALLY DOUBLE STORY \hWITH A NARROW FOOTPRINT, 316 00:17:54,874 --> 00:17:56,442 {\an7}SO THAT YOU CAN ACTUALLY \h\h\h\hGIVE THE PEOPLE 317 00:17:56,475 --> 00:17:58,978 {\an7}\h\h\hA LITTLE BIT OF A PLAY AREA, YOU KNOW, 318 00:17:59,011 --> 00:18:01,514 {\an7}ALSO TO EXPAND THE HOUSE. 319 00:18:01,547 --> 00:18:04,450 {\an7}YOU CAN SEE THAT EACH ONE HAS GOT A DIFFERENT COLOR, 320 00:18:04,483 --> 00:18:06,185 {\an7}BECAUSE FOR US, IT WAS IMPORTANT 321 00:18:06,218 --> 00:18:09,788 {\an7}TO MAKE SURE THAT \hEACH INDIVIDUAL 322 00:18:09,822 --> 00:18:12,925 {\an7}ACTUALLY HAS IDENTITY \h\hWITH THEIR HOUSE. 323 00:18:15,461 --> 00:18:16,963 {\an7}WE‘LL BE DOING A LOT MORE 324 00:18:16,996 --> 00:18:19,599 {\an7}TO TAKE THE ACHIEVEMENTS \h\h\h\h\h\h\hTO A LEVEL 325 00:18:19,632 --> 00:18:22,902 {\an7}WHERE PEOPLE START FEELING THAT THEIR LIVES ARE BECOMING BETTER. 326 00:18:22,935 --> 00:18:29,375 {\an7}\h\h\hTHE QUALITY OF LIFE IS TAKING A TRAJECTORY UPWARDS. 327 00:18:29,408 --> 00:18:32,544 {\an7}Moggridge: SO THE IDEA OF APPLYING DESIGN PROCESSES 328 00:18:32,578 --> 00:18:36,082 {\an7}\hTO THESE NEW COMPLICATED SITUATIONS AND CHALLENGES, 329 00:18:36,115 --> 00:18:39,986 {\an7}USING INTERDISCIPLINARY TEAMS \h\h\h\hWITH DESIGN THINKING, 330 00:18:40,019 --> 00:18:42,288 {\an7}IS SOMETHING THAT PROMISES A LOT 331 00:18:42,321 --> 00:18:45,858 {\an7}TOWARDS HELPING THE WORLD \h\h\h\h\hTO MOVE FORWARD. 332 00:18:45,891 --> 00:18:48,527 {\an7}\hNarrator: THE SUCCESSES IN FREEDOM PARK AND KIBERA 333 00:18:48,561 --> 00:18:53,433 {\an7}SHOW HOW GOOD DESIGN CAN BENEFIT INDIVIDUALS AND COMMUNITIES. 334 00:18:53,466 --> 00:18:56,703 {\an7}BUT SOME DESIGNERS ARE THINKING EVEN BIGGER-- 335 00:18:56,736 --> 00:18:59,372 {\an7}TO TRANSFORM ENTIRE CITIES. 336 00:19:03,075 --> 00:19:06,078 {\an7}MEDELLIN, COLOMBIA. 337 00:19:06,112 --> 00:19:07,914 {\an7}THE BARRIO OF SANTO DOMINGO 338 00:19:07,947 --> 00:19:12,118 {\an7}CLINGS TO THE STEEP MOUNTAIN \h\h\hSLOPES ABOVE THE CITY. 339 00:19:12,151 --> 00:19:17,657 {\an7}\h\h\hFOR DECADES, GANGS OF DRUG TRAFFICKERS RULED THESE STREETS, 340 00:19:17,690 --> 00:19:22,094 {\an7}WHICH BECAME SOME OF THE MOST \h\h\hDANGEROUS IN THE WORLD. 341 00:19:22,128 --> 00:19:25,365 {\an7}CRIME AND GEOGRAPHY CONSPIRED \h\h\h\hTO SEVER THE RESIDENTS 342 00:19:25,398 --> 00:19:27,233 {\an7}FROM THE CITY BELOW. 343 00:19:30,236 --> 00:19:31,938 {\an7}BUT IN 2004, 344 00:19:31,971 --> 00:19:35,641 {\an7}\h\h\h\hCITY PLANNERS DECIDED IT WAS TIME TO UNITE MEDELLIN. 345 00:19:37,677 --> 00:19:39,145 {\an7}Alejandro Echeverri: \h\h\h15 YEARS AGO, 346 00:19:39,178 --> 00:19:41,313 {\an7}YOU CAN‘T BE OUTSIDE, 347 00:19:41,347 --> 00:19:45,918 {\an7}\h\h\h\h\h\hYOU CAN‘T BE AFTER 5:00 PM, 6:00 PM. 348 00:19:45,951 --> 00:19:49,822 {\an7}THIS WAS A VERY, VERY \h\h\h\hCOMPLEX PLACE. 349 00:19:49,855 --> 00:19:51,256 {\an7}Narrator: FROM THE CITY BELOW, 350 00:19:51,290 --> 00:19:55,461 {\an7}THE BARRIO OF SANTO DOMINGO WAS SEEN AS DANGEROUS AND DISTANT. 351 00:19:57,496 --> 00:19:59,898 {\an7}BUT ECHEVERRI COULD ONLY \h\hSEE ITS POTENTIAL-- 352 00:19:59,932 --> 00:20:01,867 {\an7}A VIBRANT COMMUNITY... 353 00:20:01,901 --> 00:20:04,470 {\an7}Man: UN, DOS, TRES, VA! 354 00:20:04,503 --> 00:20:08,273 {\an7}Narrator: ...SPARKLING WITH \h\h\h\h\hCULTURE AND LIFE. 355 00:20:08,307 --> 00:20:12,411 {\an7}ECHEVERRI AND HIS COLLEAGUES HAD A VISION FOR A NEW CITY. 356 00:20:17,583 --> 00:20:19,618 {\an7}THEY DECIDED TO TURN \h\h\hSANTO DOMINGO 357 00:20:19,652 --> 00:20:21,554 {\an7}INTO A CULTURAL MECCA 358 00:20:21,587 --> 00:20:24,390 {\an7}AND ENTICE COMMERCE AND \h\hTHE REST OF MEDELLIN 359 00:20:24,423 --> 00:20:26,425 {\an7}TO COME TO THESE NEIGHBORHOODS. 360 00:20:28,761 --> 00:20:32,331 {\an7}THE PROJECT BEGAN BY BUILDING \h\hPUBLIC PARKS, PLAYGROUNDS, 361 00:20:32,364 --> 00:20:34,333 {\an7}AND EVEN INTERNATIONALLY \h\h\h\h\h\h\hRECOGNIZED 362 00:20:34,366 --> 00:20:37,202 {\an7}STATE-OF-THE-ART LIBRARIES. 363 00:20:37,236 --> 00:20:39,605 {\an7}BUT GETTING PEOPLE TO VISIT \h\h\hFROM THE VALLEY BELOW 364 00:20:39,638 --> 00:20:42,107 {\an7}WAS LITERALLY AN UPHILL BATTLE. 365 00:20:43,843 --> 00:20:46,713 {\an7}\h\hMEDELLIN‘S STREETS ARE NARROW AND STEEP, 366 00:20:46,746 --> 00:20:50,416 {\an7}DIFFICULT AND TIME-CONSUMING \h\h\hFOR BUSES TO NAVIGATE. 367 00:20:50,449 --> 00:20:54,486 {\an7}\h\h\hTHE HILL AND THE VALLEY FELT LIKE TWO SEPARATE WORLDS. 368 00:21:34,527 --> 00:21:36,529 {\an7}Narrator: ECHEVERRI AND \h\hHIS FELLOW DESIGNERS 369 00:21:36,562 --> 00:21:39,498 {\an7}LOOKED TO THE SKY FOR AN ANSWER. 370 00:21:39,532 --> 00:21:42,935 {\an7}ENTER METROCABLE. 371 00:21:42,968 --> 00:21:46,738 {\an7}\h\h\h\h\h\h\h\h\hEcheverri: THE TRANSPORT SYSTEM IS ONE OF THE MOST POWERFUL THINGS 372 00:21:46,772 --> 00:21:49,775 {\an7}\h\h\hTO CHANGE THINGS, TO CONNECT THE SOCIETY, 373 00:21:49,809 --> 00:21:54,480 {\an7}TO PUT IN CONTACT THE DIFFERENT PLACES OF THE CITY. 374 00:21:54,513 --> 00:21:56,949 {\an7}THE CABLE CAR SYSTEM \h\hUNITED THE CITY, 375 00:21:56,982 --> 00:21:58,383 {\an7}WHILE BRIDGES LINKED \h\h\hNEIGHBORHOODS 376 00:21:58,417 --> 00:22:01,887 {\an7}ACROSS MOUNTAIN STREAMS. 377 00:22:01,921 --> 00:22:04,323 {\an7}\hPARKS, LIBRARIES, AND CULTURAL EVENTS 378 00:22:04,356 --> 00:22:07,659 {\an7}SOON BEGAN TO ATTRACT PEOPLE \h\hFROM AROUND THE REGION. 379 00:22:09,562 --> 00:22:11,964 {\an7}LIKE THE RIVERA FAMILY, 380 00:22:11,997 --> 00:22:15,000 {\an7}WHO NOW MAKE WEEKLY TRIPS \h\h\h\hTO SANTO DOMINGO. 381 00:22:33,385 --> 00:22:35,354 {\an7}Narrator: METROCABLE‘S LINE \h\h\h\h\h\hTO SANTO DOMINGO 382 00:22:35,387 --> 00:22:40,626 {\an7}CARRIES SOME 18,000 \hPASSENGERS A DAY, 383 00:22:40,659 --> 00:22:44,463 {\an7}CLIMBING MORE THAN A MILE \hIN LESS THAN 15 MINUTES 384 00:22:44,496 --> 00:22:45,831 {\an7}TO WHAT WAS ONCE CONSIDERED 385 00:22:45,865 --> 00:22:49,202 {\an7}THE MOST DANGEROUS BARRIO \h\h\h\h\h\h\hIN MEDELLIN. 386 00:22:49,235 --> 00:22:53,005 {\an7}SANTO DOMINGO IS NOW BUSTLING. 387 00:22:53,038 --> 00:22:56,174 {\an7}LINA MARIA TORO AND FAMILY MIGRATED TO SANTO DOMINGO 388 00:22:56,208 --> 00:22:57,710 {\an7}SEVERAL YEARS AGO. 389 00:22:59,678 --> 00:23:02,080 {\an7}\hSHE HAS WITNESSED THE TRANSFORMATION. 390 00:23:34,780 --> 00:23:36,615 {\an7}\h\hNarrator: MEDELLIN‘S ARCHITECTS AND PLANNERS 391 00:23:36,649 --> 00:23:39,952 {\an7}\h\h\hHAVE GIVEN THEIR NEIGHBORS A NEW PERSPECTIVE ON THEIR CITY. 392 00:24:00,940 --> 00:24:04,444 {\an7}\h\h\hEcheverri: I AM HAPPY WITH THE WORK THAT WE STARTED TO DO. 393 00:24:04,476 --> 00:24:10,749 {\an7}BUT THE THING IS THAT WE ALWAYS ARE THINKING HOW TO GO ON. 394 00:24:10,783 --> 00:24:12,184 {\an7}WHAT IS THE NEXT STEP? 395 00:24:12,217 --> 00:24:15,220 {\an7}AND IF YOU SEE MEDELLIN, \h\h\h\h\h\h\hIT‘S HUGE. 396 00:24:17,122 --> 00:24:20,258 {\an7}\h\h\h\h\h\hNarrator: METROCABLE DEMONSTRATES THE POWER OF DESIGN 397 00:24:20,292 --> 00:24:23,629 {\an7}TO CHANGE LIVES AND COMMUNITIES. 398 00:24:23,662 --> 00:24:28,000 {\an7}AND IT SHOWS US A NEW VISION \h\h\h\h\h\h\hOF THE FUTURE. 399 00:24:28,033 --> 00:24:30,369 {\an7}AS OUR GLOBAL POPULATION GROWS, 400 00:24:30,402 --> 00:24:34,439 {\an7}AND MORE PEOPLE FLOCK TO CITIES FOR JOBS AND OPPORTUNITIES, 401 00:24:34,473 --> 00:24:38,043 {\an7}INFORMAL SETTLEMENTS COULD POSE HUGE CHALLENGES 402 00:24:38,077 --> 00:24:42,014 {\an7}OR LIMITLESS POSSIBILITIES. 403 00:24:42,047 --> 00:24:43,148 {\an7}\h\h\h\h\h\h\hMoggridge: THE PEOPLE ARE FLOODING 404 00:24:43,182 --> 00:24:46,585 {\an7}TO THESE HUGELY GROWING, \h\hFAST GROWING CITIES, 405 00:24:46,618 --> 00:24:49,187 {\an7}\h\hMOSTLY IN THE SOUTHERN HEMISPHERE AT THE MOMENT, 406 00:24:49,221 --> 00:24:51,924 {\an7}\hARE THE ONES WHO ARE GOING TO HAVE THIS SORT OF ENERGY 407 00:24:51,957 --> 00:24:53,826 {\an7}OF INNOVATION, 408 00:24:53,859 --> 00:24:57,796 {\an7}ENERGY OF NEW PEOPLE COMING \h\h\hFROM DIFFERENT PLACES. 409 00:24:57,830 --> 00:25:00,733 {\an7}THE OVERCROWDING IN ITSELF \h\h\hPRODUCING SOMETHING 410 00:25:00,766 --> 00:25:04,503 {\an7}WHICH HAS GOT AN EXCITEMENT \h\hAND A RICHNESS ABOUT IT. 411 00:25:04,536 --> 00:25:07,072 {\an7}SO PERHAPS OUR FUTURE \h\h\hWORLD-CLASS CITY 412 00:25:07,106 --> 00:25:10,776 {\an7}\h\hIS GOING TO BE THE ONE THAT COMBINES THE INFORMAL SETTLEMENT 413 00:25:10,809 --> 00:25:16,214 {\an7}WITH THE TRADITION OF THE CITY AS WE‘VE KNOWN IT IN THE PAST. 414 00:25:16,248 --> 00:25:18,016 {\an7}Smith: SO THERE‘S \hTHIS REAL EFFORT 415 00:25:18,050 --> 00:25:20,853 {\an7}BY VISIONARY MAYORS \h\h\hAND DESIGNERS 416 00:25:20,886 --> 00:25:25,124 {\an7}\h\h\hWORKING WITH THE COMMUNITY TO CREATE MORE INCLUSIVE CITIES. 417 00:25:29,428 --> 00:25:32,731 {\an7}[WOMEN SINGING]