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[Interpreter for Rene] And we're rolling.

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Sue, where are we?

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What are we doing here, what's going on?

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[Interpreter for Sue] We're in(speaks in foreign language)

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We're in northern chile.

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[Interpreter For Rene] It's incredible here.

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[Interpreter for Sue] I'm in the Atacama desert.

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[Interpreter for Rene] With the number of beaches

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we have here, Chile is a privileged country.

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[Interpreter for Sue] We're going to journey through

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the Chivoe Sea and also the Corcovado gulf.

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[Interpreter for Rene] In these extreme areas,

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it's fascinating to see how animals adapt.

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[Interpreter for Sue] Chile never ceases to amaze me.

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(playful music)

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(speaks in foreign language)

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[Interpreter for Rene] As we've searched for wild animals

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throughout Chile, we've had very little contact

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with human settlements.

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We always kept our distance from people.

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(speaks in foreign language)

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A human presence is always going to have some sort

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of impact on animal.

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(speaks in foreign language)

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[Interpreter for Rene] As much as one might know

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about the behavior and anemology of wild animals,

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they always do something that's unforeseen.

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They'll sit still in one place as you walk by them

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so you won't see them but then they'll move somewhere

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completely unexpected.

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It's hard to sneak up and surprise wild animals.

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(speaks in foreign language)

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[Interpreter for Sue] Our goal is never to frighten

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nor disturb the wild life.

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[Interpreter for Rene] Depending on the species,

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there are some animals that allow you to get

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closer than others.

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[Interpreter for Sue] We have to approach them

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very quietly and very slowly.

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(speaks in foreign language)

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[Interpreter for Rene] It gives us an opportunity

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to capture beautiful images of their natural behavior.

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(speaks in foreign language)

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[Interpreter for Sue] You have to have a ton of patience,

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put in a lot of time, look carefully,

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use your binoculars, and just wait.

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But you also need a little bit of luck.

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(slow paced music)

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(speaks in foreign language)

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My name is Susannah, and I'm an oceanographer.

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I feel most comfortable at sea level.

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Maybe that's because I'm British and I come from an island.

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It's how I was raised.

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We're seeing places that I never knew existed.

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Amazing landscapes, an abundance of interesting wildlife.

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It's really been a blessing.

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(speaks in foreign language)

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I'm the only woman on the team but that doesn't bother

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me at all.

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I have to listen to their craft language every once

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in a while but I've gotten used to it.

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It's like (laughs) but seriously, we get a long wonderfully.

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I really get along with all of them.

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(laughs)

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In the team there's Rene, and how I can describe him?

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That's it.

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[Interpreter for Rene] It's like titanic.

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(Rene vocalizing)

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It's like that dancing scene with the girl.

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(laughs)

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[Interpreter for Sue] He's kidding around all day long.

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(speaks in foreign language)

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Come on, row.

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But he's got a great vision and organizes the team

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so, Rene is key.

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Then there's Christian, dry.

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We call him grandpa.

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But he's actually not that old.

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[Interpreter for Christian] Stop fooling around,

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can't you see we're working?

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(laughs)

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[Interpreter for Rene] So Christian, how long has

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it been since you've seen one of these pregnant males?

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[Interpreter for Christian] It's been close to 20 years

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now, maybe more.

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[Interpreter for Rene] It's such a special frog.

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[Interpreter for Christian] Which is more intense

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than filming a puma.

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[Interpreter for Sue] Seriously?

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[Interpreter for Christian] It's way more emotional.

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[Interpreter for Sue] He's overwhelmed.

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[Interpreter for Christian] Definitely.

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[Interpreter for Sue] Christian is also the Munoz

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brothers dad.

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(speaks in foreign language)

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[Interpreter for Rene] There's an important chat

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goin' on right now between the Munoz brothers.

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They're discussing the limitations of the light,

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at either dusk or dawn, and just general philosophy

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about camera work.

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[Interpreter for Sue] There's Toko,

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who's effectively a smarty pants.

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(upbeat music)

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[Interpreter for Rene] Are you ready?

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Is the camera loaded?

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Alright, go.

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[Interpreter for Sue] And Moris, who's our drone pilot.

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(drone buzzes)

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[Interpreter for Rene] Are you sure you can fly

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with all this headwind?

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(drone speaks)

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(speaks in foreign language)

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What's goin' on?

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Can you fly and talk at the same time?

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(speaks in foreign language)

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[Interpreter for Moris] I'm seeing a huge whale.

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The size of it.

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(slow paced music)

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[Interpreter for Sue] Then there's Martin,

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the sound master.

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[Interpreter for Rene] Mic check, can you hear me?

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Can you hear me?

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Martin also studies bioacoustics.

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He's always listening to us vocalize.

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[Interpreter for Sue] That's right, he is.

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[Interpreter for Martin] Technically I am.

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[Interpreter for Rene] Then you should be a part

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of the sequence, please Martins, come over here

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and help us out.

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Put the mic up to your mouth.

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(speaks in foreign language)

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[Interpreter for Sue] Having Mauricio with us has

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been incredible.

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(speaks in foreign language)

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[Interpreter for Mauricio] So we have aerial shots,

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land shots, with all sorts of lenses,

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and the team brought me here to compliment

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those images with underwater filming.

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(speaks in foreign language)

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[Interpreter for Sue] Mauricio is a machine.

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An underwater filming machine.

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(laughs)

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(speaks in foreign language)

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[Interpreter for Martin] We've got the drone in the air,

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filming the big overview, cameras on the boat filming

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the surface scene in slow motion and at the same time,

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I jump out of the boat and I'm filming underwater,

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so now we can create scenes that take place up in the air,

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on the surface of the ocean and below water all

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at the same time.

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That type of production is key to making the best films

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in the world.

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[Interpreter for Sue] So that's our crew, an amazing team.

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(inspirational music)

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[Interpreter for Rene] Since the beginning of time,

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all kids have loved animals and then when you're 14,

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15 years old, we kinda start to forget that.

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I mean it's happened to all of us.

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The world makes you forget but we've grown as a species

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and evolved with animals by our side.

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We hunted them and ate them and vice versa.

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That relationship has always existed

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and should always remain

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and it's disappearing day by day.

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[Interpreter for Sue] It's incredible how animals

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can adapt to survive.

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[Interpreter for Rene] To shape their habitat

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to their advantage, changing it to better their conditions.

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[Interpreter for Sue] I find it so interesting

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that for example, you can compare a whale to a flamingo.

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We've seen two animals that are in

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completely different habitat.

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One's a bird in a plateau and the other a marine mammal.

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Yet they both adapted their feeding strategy so

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they filter small crustaceans.

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[Interpreter for Rene] There are still opportunities

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to experience the wild, in remote places teeming

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with life and animals.

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That's what we need to preserve and that's where

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we come in.

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Getting to know these places from our point of view,

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and our conscience by knowing what's out there and how

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it all works, it's easier to protect it.

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When there's an emotional connection to these places

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and these animals, it's hard for somebody

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to cross their arms and stand by doing nothing.

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It's hard to not feel some empathy and wanna help

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conserve these beautiful locations.

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(inspirational music)

