Andrew Marr sets off on an epic journey through 70,000 years of human history. Using dramatic reconstructions, documentary filming around the world and cutting-edge computer graphics, he reveals the decisive moments that shaped the world we live in today, telling stories we thought we knew and others we were never told. (Part 6: Revolution) Andrew Marr explores the Age of Revolution. In the 17th and 18th centuries, people across the world rose up in the name of freedom and equality against the power of the church and monarchy. In America, people fought a war to be free from British rule. In France, bloody revolution saw the king and aristocracy deposed. And in Haiti, the slaves revolted against their masters. The world was also gripped by a scientific revolution, sweeping away old dogmas and superstition. Galileo revolutionized the way we saw humanity's place in the universe, while Edward Jenner used science to help save the lives of millions.
In this first episode, the unlikely roots of the Ottomans are revealed. From nomadic horsemen, in a rural backwater of modern day Turkey, they became rulers of a vast empire spanning three continents. At an incredible speed they came to rule over Baghdad and Cairo in the south, where they controlled the holiest sites of Islam - Mecca, Medina and Jerusalem, and they reached deep into Europe.
The German Democratic Republic was created out of the Soviet Zone of occupied Germany in 1949 to build a democratic, anti-fascist Germany. One of the East Germany's greatest achievements was the creation of a more egalitarian society, but he other side of the coin was that there was also the Stalinist bureaucracy and East Germany is mostly remembered as "Stasiland". In the first episode we examine how the collapse of communism affected people in the 'socialist paradise' of East Germany.
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.