Alastair Sooke charts the decline and fall of the Roman Empire through some of its hidden and most magical artistic treasures. He travels to Leptis Magna in Libya, shortly after the overthrow of Gaddafi, and finds one of the best preserved Roman cities in the world and the cradle of later Roman art. Sooke discovers glorious mosaics which have never been filmed before but also finds evidence of shocking neglect of Libya's Roman heritage by the Gaddafi regime. His artistic tour takes him to Egypt and the northern frontiers of the empire where he encounters stunning mummy paintings and exquisite silver and glassware. As Rome careered from one crisis to another, official art became more hard boiled and militaristic and an obscure cult called Christianity rose up to seize the mantle of Western art for centuries to come.
Today it is easy to see D-Day as inevitable - a straightforward victory against a German army that was already all but defeated. This film explodes that myth. It charts the careful planning of the campaign, the development of specialised equipment needed for the amphibious landing. It reveals the deception plan that wrong footed Hitler. It shows how the Americans were very nearly driven off Omaha beach. If that had happened, the whole operation might have failed. The film ends with the Liberation of Paris, as the Free French forces led by Charles de Gaulle matched down the streets of the capital.