In this episode of Civilisations, Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China.
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Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
Academy Award winner Peter Jackson's poignant WWI documentary 'They Shall Not Grow Old' to commemorate the centennial of the end of the first World War. The acclaimed documentary is an extraordinary look at the soldiers and events of the Great War, using film footage captured at the time, now presented as the world has never seen. By utilizing state-of-the-art restoration, colorization and 3D technologies, and pulling from 600 hours of BBC archival interviews, Jackson puts forth an intensely gripping, immersive and authentic experience through the eyes and voices of the British soldiers who lived it. Jackson recorded a special introduction to the film offering his perspective on why the film is important for audiences, who have never experienced WWI footage as anything but grainy black & white, and silent. Jackson opens a window to the past in a way that has never been seen or heard before, noting, "Restoration is a humanizing process."
S1E3 • 2018 • History
Summer 1945. Leaving the atrocities of World War II behind, the Allied nations wholeheartedly celebrate victory and enjoy a return to world peace. But, behind the scenes of the post-war era, a more drawn-out, insidious confrontation is in the making between those who must build the world of tomorrow. In the West, the Americans and the British are concerned about Stalin's growing power in the East. He no longer hides his expansionist designs. Communist ideology continues to spread, especially in Indochina, where one of the twentieth century's longest conflicts is in the works. In this former French colony, Ho Chi Minh will emerge as the great figure of the Vietnamese struggle for independence. This convinced Communist clandestinely formed a small army which was going to fight the French troops sent to reconquer the territory in 1946. But behind this seemingly isolated conflict lie other issues, through which the Western world and the Communist bloc will soon clash. Especially since the Americans experimented in the summer of 1945 with a new extremely effective and terribly destructive weapon: the atomic bomb. It is the cold war, the war of the worlds, that threatens mankind with a new apocalypse.
George W. Bush's doctrine of endless war in Iraq and Afghanistan and the continued cannibalization of the U.S. economy. Squandered chances given by the end of the Cold War. A new USA, the National Security Fortress.
S1E9 • Oliver Stone's Untold History of the United States • 2013 • History