Julius Caesar is the most famous Roman of them all: brutal conqueror, dictator and victim of a gruesome assassination on the Ides of March 44 BC. 2,000 years on, he still shapes the world. He has given us some political slogans we still use today (Crossing the Rubicon), his name lives on in the month of July, and there is nothing new about Vladmir Putin's carefully cultivated military image and no real novelty in Donald Trump's tweets and slogans. Mary Beard is on a mission to uncover the real Caesar, and to challenge public perception. She seeks the answers to some big questions. How did he become a one-man ruler of Rome? How did he use spin and PR on his way to the top? Why was he killed? And she asks some equally intriguing little questions. How did he conceal his bald patch? Did he really die, as William Shakespeare put it, with the words Et tu, Brute on his lips? Above all, Mary explores his surprising legacy right up to the present day. Like it or not, Caesar is still present in our everyday lives, our language, and our politics. Many dictators since, not to mention some other less autocratic leaders, have learned the tricks of their trade from Julius Caesar.
1942. After blocking the Germans right outside of Moscow, Stalin now faces Hitler's second assault. The world's fate will be decided in Stalingrad. Like in Leningrad, men, women and children, plunged into hell, are sacrificed. Will Stalin become Master of the World?
A look at how Hitler calculated that to fight on long enough to fulfil his aim of eradicating Europe's Jews he needed to capture the Caucasus, and to do that he had to take Stalingrad. There is also a look at how the US rebuilt its navy and took itself from the 18th-ranked army in the world to be second only to the Soviet Union, a tale of ingenuity and enterprise that turned the vast resources of America into the numbers that could win a war.
Neil follows the rise of Clan Stewart to become Scotland’s Royal dynasty. It’s the blood soaked tale of a bitter family feud. In a vicious contest, using clan power to plot, manoeuvre and murder their way to power, the story culminates with the dramatic assassination of King James I below a tennis court in Perth, 1437. Neil traces this family feud through clan combat, royal romances and spectacular Renaissance courts to the brutal torture and execution of the last rival Stewart, Walter Atholl, when the king’s widowed Queen Joan wreaks a terrible revenge for his treachery.
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
A treasure map leads to the discovery of a lost fortress; a sacred altar is unearthed, revealing secrets of the legendary Maya Snake King uprising; Albert Lin travels to a remote jungle, where technology reveals evidence of a forgotten war.