Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique perform the world's most iconic piece of classical music, Beethoven's Fifth Symphony. Bringing out all the revolutionary fervour that Gardiner believes underpins the work and performing on period instruments of Beethoven's day, this performance brings us an authentic re-imagination of the sounds Beethoven's original audiences would have heard. Shot on location in St John's Smith Square, the performance looks and sounds stunning. Ahead of the performance, Gardiner and the principals of the orchestra discuss the issues in trying to breathe new life into such a famous piece and how their period instruments transform the symphony's sound.
Like an actor's script, a sheet of music instructs a musician on what to play (the pitch) and when to play it (the rhythm). Sheet music may look complicated, but once you've gotten the hang of a few simple elements like notes, bars and clefs, you're ready to rock.
In the 1970s, Jamaica came alive to the sounds of roots reggae. British rapper, poet and political commentator Akala tells the story of this golden period in the island's musical history, a time when a small group of musicians took songs of Rastafari, revolution and hope to the international stage.
2016 • Music
In the first programme of the series, music agent Emma Banks looks at how the music business finds talent and creates superstars. Over 25 years as one of the top agents in the business, Emma has worked with some of the world's most famous artists, including Katy Perry, Kanye West and Red Hot Chili Peppers. She's seen first-hand the fine line between success and failure, following the careers of hundreds of acts - from geniuses who never quite made it to megastars who conquered the world.
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
A journey into the BBC archives unearthing glorious performances and candid interviews from the golden age of jazz. Featuring some of the greatest names in American music, including the godfather of New Orleans jazz Louis Armstrong, the King of Swing Count Basie, Duke Ellington, Oscar Peterson, Dizzy Gillespie and Ella Fitzgerald. Broadcasted as part of the Old Masters, Rising Stars: Jazz On BBC Four season, this film unlocks the BBC archives to explore the words and music of some of the greatest names in jazz. The BBC soon moved on from Lord Reith's proclamation, made in the 1930s, that jazz was "a filthy product of modernity", and invited some of the legends from the golden age of American jazz to perform and talk on British television. This film is a series of revealing portraits, from Louis Armstrong, jazz's first great soloist and global ambassador, to Duke Ellington, the ever-suave bandleader and composer who brought a new sophistication and ambition to the music. Count Basie is sheer swing, Dizzy Gillespie provoked a musical revolution with bebop, and Ella Fitzgerald is just incomparable. Through long-forgotten archive and specially shot interviews, Jazz Legends In Their Own Words tells the story of an art form that has been called "America's gift to the world".
2014 • Music
Composer and musician Neil Brand's series exploring the alchemy that creates great songs reaches the modern era, when a revolution in how they were made took place. From the synthesisers of symphonic rock to the mixes of disco and the samplings of hip hop, music was transformed by the arrival of digital technology and the computer, which gave some songwriters more power but others much less. Along the way Neil talks synths with Rick Wakeman from Yes, samples with Public Enemy's Hank Shocklee, uncovers the surprising lo-fi origins of Bruce Springsteen's stadium-busting Born in the USA, and finds out how Cher changed the sound of her voice on the smash hit Believe.