If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
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A look at the formative role art and imagination have played in the forging of humanity.
2018 • History
In this episode of Civilisations, Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China.
2018 • History
Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
Professor Mary Beard broaches the controversial, sometimes dangerous, topic of religion and art. For millennia, art has inspired religion as much as religion has inspired art.
2018 • History
Think Renaissance and you think of Italy. But in the 15th and 16th centuries, the great Islamic empires experienced their own extraordinary cultural flowering.
2018 • History
In the 15th and 16th centuries distant and disparate cultures met, often for the first time. These encounters provoked wonder, awe, bafflement and fear.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
Hitler's military decisions become disastrous, the defeats increase, fronts break apart. After Stalingrad, the military leadership realizes that the war is lost. The western allies defeat the German troops in Italy and Africa. The Russians push back the German army in the East. But even after D-Day, Hitler refuses any idea of surrender. After the failed assassination attempt, he feels invulnerable
12/13 • The Hitler Chronicles • 2018 • History
The Teutonic Knights were one of the great chivalric orders that emerged from the Crusades, alongside the Hospitallers and Templars. The Teutonic Knights evolved out of a "fraternity" of German crusaders who took part in the siege of Acre during the Third Crusade. 'Help, defend, Heal' was the motto of the 'Order of Brothers of the German House of Saint Mary in Jerusalem', the Teutonic Order. It was formed to aid Christians on their pilgrimages to the Holy Land and to establish hospitals.
S1E2 • The Crusaders • 2019 • History
A disastrous grain shortage reveals Cleander's treachery and leaves Commodus isolated, inspiring him to train as a gladiator in a bid to unite Rome.
S1E5 • Roman Empire • 2016 • History
Alastair unpicks the reasons behind the dazzling revolution that gave birth to classical Greek art, asking how the Greeks got so good so quickly. He travels to the beautiful Valley of the Temples in Agrigento, and to the island of Mozia to see the astonishing charioteer found there in 1979, and marvels at the athletic bodies of the warriors dragged from the seabed - the Riace Bronzes. It was a creative explosion that covered architecture, sculpting in marble, casting in bronze, even painting on vases. Perhaps the most powerful factor was also its greatest legacy - a fascination with the naked human body.
S1E2 • Treasures of Ancient Greece • 2015 • History
13th Century: After a unique triumph, Islam became the religion of many peoples - from Spain to Indonesia. But there was no Islamic empire, just as there was no Christian empire. Middle Ages meant: small states, wars of princes and tribes against each other. This episode covers the spreading of Islamic and Arabic culture, which was based on the use of military slaves: children of non-Muslim Turkic peoples were trained to become Islamic elite warriors. Their military triumph not only spread war and the new faith, but also advanced culture: medicine, art, architecture, astronomy - a unique blossoming of knowledge, culture and intellectual freedom penetrated as far as Spain. The real threat to Allah's earthly kingdom came not from Europe, but from the steppes of Asia. The Mongols attacked their enemies ruthlessly, devastatingly and invincible. In 1258 AD, Baghdad, the center of Islamic civilization, fell into their hands. Military conflict accompanied the spread of Islam during the Middle Ages. This program reveals the ironies of that union between war and faith: how Islam was adopted rather than marginalized by invading Mongols; how the rise of strict Islamic orthodoxy countered the scholarly advances of Arabic culture, weakening the empire; and how European appreciation of Islamic culture grew after the Christian 'Reconquista' of the Iberian peninsula. Interviews with respected scholars—including Drs. Raif Georges Khoury of the University of Heidelberg and Patrick Franke of Martin Luther University, Halle-Wittenberg—illuminate key developments in Islam's Mediterranean dominance.
S1E3 • The Holy Wars: War and Religion • 2004 • History
Victory in Europe seems imminent, but in Holland, the Vosges Mountains, and the Hurtgen Forest, GIs learn painful lessons as old as war itself--that generals make plans, plans go wrong and soldiers die. Meanwhile, on the island of Peleliu, the Marines fight one of the most brutal, and unnecessary, battles of the Pacific.