If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
A look at the formative role art and imagination have played in the forging of humanity.
2018 • History
In this episode of Civilisations, Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China.
2018 • History
Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
Professor Mary Beard broaches the controversial, sometimes dangerous, topic of religion and art. For millennia, art has inspired religion as much as religion has inspired art.
2018 • History
Think Renaissance and you think of Italy. But in the 15th and 16th centuries, the great Islamic empires experienced their own extraordinary cultural flowering.
2018 • History
In the 15th and 16th centuries distant and disparate cultures met, often for the first time. These encounters provoked wonder, awe, bafflement and fear.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
After finding strands of human hair buried in Greenland's permafrost, scientists are attempting the impossible: to be the first to reconstruct the identity of a Stone Age human being through nothing but his ancient locks. From scraps of DNA an ancient face appears. Further discoveries in the genetic code threaten to overturn long-held beliefs of how humans populated the earth. How much does your hair say about you? Scratch that. How much will your hair say about you, in say, 4,000 years? After finding tufts of human hair buried in Greenlands permafrost, scientists will assemble a remarkable human blueprint that details the life of one early human down to the color of his eyes, the shape of his teeth...even his receding hairline. But as the research team, lead by evolutionary biologist Eske Willerslev, break into this genetic code, they find far more than they bargained for, and the discovery threatens to turn our long held concept of how humans populated the earth on its head. In the ultimate cold case, National Geographic will obtain exclusive access to the international team of genetic scientists, archaeologists and paleo- artists who are breathing life into a man dead for 4,000 years, learning everything about him and even the way he and his people lived... through his hair.
Louis XI of France faced a formidable range of enemies when he ascended the throne. English kings and Burgundian dukes had eyes for the monarchy of France. This is the story of how Louis battled, schemed, bribed and even arranged marriages, all in a quest to keep his kingdom.
S1E3 • The Real War of Thrones: The True History of Europe • 2017 • History
Professor Darius Arya uses scanning technology to reveal the hidden secrets of ancient Athens. From the buildings on the Acropolis to the silver mines and quarries beyond the city, he investigates the story of the city that gave the world democracy.
1/3 • Ancient Invisible Cities • 2018 • History
Alastair explores the extraordinary afterlife of the Greek masterpieces that changed the course of western culture. Succeeding centuries have found in ancient Greek art inspiration for their own ideals and ambitions. Filming in Italy, Germany, France and Britain, Alastair's investigation includes The Venus of Knidos, the first naked woman in Western art, the bronze horses of St Mark's in Venice which became a pawn in an imperial game and the naked discus thrower, the Discobolus, personally bought by Adolf Hitler and used by him as a symbol of Aryan supremacy.
3/3 • Treasures of Ancient Greece • 2015 • History
From D-Day to the final Pacific Island hopping campaigns, we see what they experience and how that shapes them as leaders. Nixon faces a barrage of live fire, Bush is shot down in the Pacific, Ford faces kamikazes on the USS Monterey and Eisenhower takes on perhaps the greatest invasion in world history the invasion of Normandy.
2/2 • Presidents at War • 2019 • History
Landmark documentary-maker Philomena Cunk traces the history of Britain and the world, from the Big Bang to Brexit. Chapter 1: In the Beginnings Philomena Cunk travels the world, heading down caves and up mountains in her search for mankind's first moments. With the help of a variety of experts, she explains how the earliest societies were formed: from the easier ones to spell, like Rome and Greece, to the ones that are harder to spell, like Egypt and Mesopotamia. Chapter 2: Faith/Off Philomena Cunk tells the story of the birth of two of the world's great religions and learns what came next: the fall of the Roman Empire, the Dark Ages, the Crusades and Genghis Khan. So a bit of a rough patch for mankind, if we're honest. Along the way, Philomena asks experts hard-hitting questions about humanity's progress and stands on or near impressive old ruins and inside museums, before the shot cuts away to some archive footage of the bits that don't exist anymore or were too expensive to film at. Chapter 3: The Renaissance Will Not Be Televised Philomena Cunk visits the allegedly beautiful city of Florence to explore the Renaissance and interrogates experts and historians about the revolutions that went on to shape the modern world, including the American War of Independence and, to a lesser extent, the French Revolution. Chapter 4: Rise of the Machines Cunk continues her ambitious march across the face of mankind into an age of industry and science. With the help of historians, she explains the scientific breakthroughs of Marie Curie and Albert Einstein. She demonstrates the inventions that changed the world and covers how the American Civil War, World War I and World War II taught humanity how to use its new grasp of technology to shoot, blow up and irradiate itself in huge numbers. Chapter 5: War(s) of the World(s)? Philomena Cunk takes us from 1945 to the present day. She travels the world and meets top experts to examine the Cold War, the space race, globalisation and social media. The world's recent history is one of polarisation and division, as humanity divided itself down the middle – communism v capitalism, Apple v Microsoft, Beatles v Stones. Is humanity doomed to repeat the mistakes of history? Cunk does her best to find out.
2022 • History