La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.
Monet, Cezanne, Degas and Renoir are some of the world's most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. Who were they and how exactly did they paint? To help answer these questions, this film focuses on the man credited with inventing impressionism as we know it - 19th-century Parisian art collector Paul Durand-Ruel. It was his brave decision to back these radical artists and then, on the verge of bankruptcy, to exhibit them in New York in 1886 that created impressionism as we know it. Thanks to his sales to enlightened wealthy Americans that subsequently filled US galleries with impressionist masterworks, Durand-Ruel kept impressionism alive at a time when it faced complete failure. This film tells his remarkable story, along with that of the impressionists themselves.
Explores more than a century of animation in Britain, including the creative and technical inventiveness of the UK's greatest animation pioneers. The defining characteristic of British animation has always been ingenuity. Unable to compete with the big American studios, animators in Britain were forced to experiment, developing their own signature styles. The documentary uncovers the trade secrets of animation legends like Bob Godfrey, John Halas and Joy Batchelor, Len Lye and Bristol's world-renowned Aardman Animations. Tracing the development of British animation from the end of the Victorian era to contemporary blockbusters, Secrets of British Animation shows the perseverance and determination that are part of the animator's mind-set. Focusing on the handmade tradition of animation in the UK, the programme includes newly-remastered early films from the archive of the British Film Institute.
2018 • Design
Nicholas Kennedy works with the ghosts of printing’s past, by using salvaged equipment. His style of “anti-design” or “found design” insists that you don’t have to reinvent the wheel every time you create. He suddenly makes the dying art of bookmaking seem very much alive.