It is one of the greatest and bloodiest mysteries in art: what happened on the December night in 1888 when Vincent van Gogh took a blade to his own ear? Jeremy Paxman joins art sleuth Bernadette Murphy on her amazing quest to discover the truth - what exactly did the artist do, why did he do it and who was the unknown girl he is said to have handed his severed ear to, her real identity kept secret by her family for over a century? It is an event that defines van Gogh, who created his greatest masterpieces including the sunflowers at the same moment as suffering mental torture, but what are the real facts? This revealing detective story travels from Vincent's home in the south of France to the Van Gogh Museum in Amsterdam, and uncovers key evidence hidden in a Californian library that has created an art-world sensation, as we finally solve the mystery of Van Gogh's ear.
Can we find a way to distribute power so that everyone has their say? A U.S. president explains the challenges of making decisions that affect hundreds of millions of lives, and Freeman learns about an African woman who has created a society without men. He explores how the rise of the internet may fundamentally change how democracy works.
He saved the future from Evil Robots! Isaac Asimov dreamed a better future where we need not fear our own technology. His I, Robot stories of a sci-fi future where robots can do our jobs for us lead to the creation of real-life industrial robots and paved the way for a robo-friendly world.
Man on Wire is a 2008 documentary film directed by James Marsh. The film chronicles Philippe Petit's 1974 high-wire walk between the Twin Towers of New York's World Trade Center and is based on Philippe Petit's book, To Reach the Clouds, which has recently been released in paperback with the new title Man on Wire. The film is crafted like a heist film, presenting rare footage of the preparations for the event and still photographs of the walk, alongside reenactments (with Paul McGill as the young Petit) and modern-day interviews with the participants. Native New Yorkers know to expect the unexpected, but who among them could've predicted that a man would stroll between the towers of the World Trade Center? French high-wire walker Philippe Petit did just that on August 7th, 1974. Petit’s success may come as a foregone conclusion, but British filmmaker James Marsh’s pulse-pounding documentary still plays more like a thriller than a non-fiction entry--in fact, it puts most thrillers to shame. Marsh (Wisconsin Death Trip, The King) starts by looking at Petit's previous stunts. First, he took on Paris's Notre Dame Cathedral, then Sydney's Harbour Bridge before honing in on the not-yet-completed WTC. The planning took years, and the prescient Petit filmed his meetings with accomplices in France and America. Marsh smoothly integrates this material with stylized re-enactments and new interviews in which participants emerge from the shadows as if to reveal deep, dark secrets which, in a way, they do, since Petit's plan was illegal, "but not wicked or mean." The director documents every step they took to circumvent security, protocol, and physics as if re-creating a classic Jules Dassin or Jean-Pierre Melville caper. Though still photographs capture the feat rather than video, the resulting images will surely blow as many minds now as they did in the 1970s when splashed all over the media. Not only did Petit walk, he danced and even lay down on the cable strung between the skyscrapers. It competed in the World Cinema Documentary Competition at the 2008 Sundance Film Festival, where it won the Grand Jury Prize: World Cinema Documentary and the World Cinema Audience Award: Documentary. In February 2009, the film won the BAFTA for Outstanding British Film, the Independent Spirit Awards and the Academy Award for Best Documentary.
2008 • People
In previous decades, most news with global reach came from several major newspapers and networks with the resources to gather information directly. The speed with which information spreads now, however, has created the ideal conditions for something called circular reporting. Noah Tavlin sheds light on this phenomenon.