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Howard Goodall examines the ways in which modernism and the birth of recorded sound in the late 19th century changed the way music was played, heard and distributed. He reveals how the works of Mussorgsky made a huge impression on European composers when aired at the 1889 Paris World Fair, and discusses how increasingly disparate musical influences were woven together to create groundbreaking new sounds.
5/6 • Howard Goodall's Story of Music • 2013 • Music
A film about the sound of Australian rock and the emergence of one of the world's greatest rock bands - AC/DC, or Acca Dacca as they are known in Australia, and the legendary music company, Albert Music (Alberts) that helped launched them on to the global rock scene. Through the 1960s, 70s and 80s, Alberts created a house of hits in Australia that literally changed the sound of Australian popular music. It started with the Easybeats and their international hit Friday On My Mind back in the 60s. In the 1970s when Australia was in the midst of a deep recession, a rough and ready pub rock sound emerged, characterised by bands like Rose Tattoo who were promoted by family-run company, Alberts. The raw power and fat guitar sound that characterised Aussie rock was pioneered by the Alberts and took Australia and the world by storm.
2016 • Music
Suzy Klein takes us back to the volatile years following the Russian Revolution and World War I, when music was seen as a tool to change society. Suzy explores the gender-bending cabarets of 1920s Berlin and smashes a piano in the spirit of the Bolshevik revolution. She also reveals why one orchestra decided to work without a conductor, uncovers the dark politics behind Mack the Knife and probes the satirical songs which tried to puncture the rise of the Nazis. Suzy's musical stories are brought to life with the help of the BBC National Orchestra of Wales and its Chorus, as well as solo performers. This was a golden age for music, and its jazz, popular songs, experimental symphonies and classics like Rachmaninoff all provoke debate - what kind of culture do we want? Is music for the elite or for the people? Was this a new age of liberal freedom to be relished - or were we hurtling towards the apocalypse?
1/3 • Tunes for Tyrants • 2017 • Music
A portrait of the artist through interviews and performances, some previously unseen.
2015 • Music
The composer examines the middle to late 19th century, exploring the European craze for opera and music that dealt with death and destiny. He suggests that composers were inspired by Berlioz's Symphonie Fantastique to write about witches, ghouls, trolls and hellish torment, and that the death of the heroine in Verdi's La Traviata was a comment on the hypocrisies of wider society. Howard also argues that the image of the composer as a misunderstood genius was cemented in the public imagination during this period.
4/6 • Howard Goodall's Story of Music • 2013 • Music
