Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.
Hope you're finding these documentaries fascinating and eye-opening. It's just me, working hard behind the scenes to bring you this enriching content.
Running and maintaining a website like this takes time and resources. That's why I'm reaching out to you. If you appreciate what I do and would like to support my efforts, would you consider "buying me a coffee"?
BTC: bc1q8ldskxh4x9qnddhcrgcun8rtvddeldm2a07r2v
ETH: 0x5CCAAA1afc5c5D814129d99277dDb5A979672116
With your donation through , you can show your appreciation and help me keep this project going. Every contribution, no matter how small, makes a significant impact. It goes directly towards covering server costs.
A look at the formative role art and imagination have played in the forging of humanity.
2018 • History
In this episode of Civilisations, Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China.
2018 • History
Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
Professor Mary Beard broaches the controversial, sometimes dangerous, topic of religion and art. For millennia, art has inspired religion as much as religion has inspired art.
2018 • History
Think Renaissance and you think of Italy. But in the 15th and 16th centuries, the great Islamic empires experienced their own extraordinary cultural flowering.
2018 • History
In the 15th and 16th centuries distant and disparate cultures met, often for the first time. These encounters provoked wonder, awe, bafflement and fear.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
Where and when does the history of Europe begin? The traces lead to ancient Greece, more precisely to Crete: Here we not only found the first high culture of the continent, but also the founding myth, to which it owes its name: the kidnapping of the princess Europa by the Greek god Zeus.
S1E1 • The Story of Europe • 2018 • History
Interested in becoming a tyrant? There are rules, and the playbook for a rise to dictatorship starts with one of history's most brutal: Adolf Hitler.
S1E1 • How to Become a Tyrant • 2021 • History
In the second of this three-part series, Professor Robert Bartlett explores the impact of the Norman conquest of Britain and Ireland. Bartlett shows how William the Conqueror imposed a new aristocracy, savagely cut down opposition and built scores of castles and cathedrals to intimidate and control. He also commissioned the Domesday Book, the greatest national survey of England that had ever been attempted. England adapted to its new masters and both the language and culture were transformed as the Normans and the English intermarried. Bartlett shows how the political and cultural landscape of Scotland, Wales and Ireland were also forged by the Normans and argues that the Normans created the blueprint for colonialism in the modern world.
S1E2 • The Normans • 2010 • History
Bettany Hughes recalls eight pivotal days that defined the Roman Empire and its establishment as the world's first superpower. She begins by exploring the day in 202BC when Rome defeated the might of Carthage under Hannibal at the Battle of Zama in modern-day Tunisia "Eight Days That Made Rome is a docu-drama that leaves behind the conventional chronologies of Rome's thousand-year history and brings razor-sharp focus to eight days that created, tested and defined its greatness. Each programme works as a stand-alone, as strong in its own right as part of a series and reveals a Rome relevant to us today, with its noblest and darkest instincts still resonating in the world around us."
S1E1 • Eight Days That Made Rome • 2017 • History
At the end of the 9th century, the Vikings returned to France, but this time they traded raiding for something completely different: integration. Through diplomacy and political marriages, they were increasingly accepted into Frankish society, and even abandoned their old religion and converted to Christianity. A new duchy was soon established and the Vikings became Normans.
S1E3 • The Last Journey of the Vikings • 2019 • History
Jago begins by journeying through southern Mexico to investigate the rise and fall of America's oldest civilisation, the Olmec, who thrived over 3,000 years ago. He encounters colossal stone heads and the oldest rubber balls in the world and descends deep inside an ancient cave network in search of a were-jaguar.
S1E1 • Lost Kingdoms of Central America • 2014 • History