Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
World War II was one of the definitive events of the 20th century, if not all of human history. John Green takes a look at the causes of World War II, the key event, as well as, both the short and long term effects of the war. For those interested in looking at World War II from a world perspective, this video focuses on the war before United States involvement.
2012 • History
In these two 2-hour specials, HISTORY channel digs deep beneath the surface of our collective understanding of the Third Reich to unearth what we don't know about the individuals who comprised one of the most fascinating and complex regimes of recent history. Part 2: The Fall How did the Germans experience the Allied victory in WWII? Rarely-and never-before-seen amateur films recount the catastrophic downfall of the Third Reich through the eyes of the people who lived it: the Germans themselves.
1916. The war is raging in Europe and stretches from the trenches in France to the Italian Alps and the Balkans, and beyond to the gates of the Eastern world. The conflict becomes industrial, and millions of shells rain down on the battlefields; Verdun and the Somme are the deadliest battles in this second year of the war. Who can stop this infernal machine?
By January 1916 the war had become a stalemate. Millions had died and yet no side had achieved a decisive breakthrough. Austria-Hungary tripled the size of its armies to five million men. Germany doubled its forces to seven million. And in Britain men were volunteering to fight at the rate of up to 33,000 a day.
In the heart of a metropolitan city of 15 million people and among the construction of a new billion-dollar transportation network, an archaeological sensation has been discovered: the ancient harbour of Theodosious. Theodosious was the last ruler over both Eastern and Western portions of a unified Roman Empire; the harbour has been buried and shrouded in mystery for over 800 years…until now. Istanbul, Turkey, is situated exactly between Europe and Asia. It has, since prehistoric times, bridged the gap between these continents, their cultures and its people. Engineers are working to connect East to West through a spectacular 1.4 kilometer railway tunnel, 60 meters below the surface, but they've been stalled by the discovery of the Emperor's Lost Harbor.
Alastair explores the surprising roots of Greek art, beginning his journey in Crete at the palace of Knossos, legendary home of the Minotaur. He travels to Santorini to the 'Greek Pompeii', and finds gold in the fabled stronghold of Mycenae and dazzling remains from Greece's Dark Ages. Alastair discovers the beginnings of a defining spirit in Greek art, embracing mythology, a passion for symmetry, and an obsession with the human body.