Documentary in which artist and writer Matthew Collings explores the concept of beauty in art. Is beauty only in the eye of the beholder, or is there something more universal we can say about it?
Architect Piers Taylor and actress Caroline Quentin explore unusual homes built in or near areas of forest. After trips to properties near Madrid and the Catskill Mountains in New York State, they arrive in Piha, New Zealand, to a house built within an indigenous forest of pohutukawa trees. Navigating very strict environmental laws, this wooden-cladded and glass-roofed property mimics the branches of the surrounding trees, while its huge sliding glass walls open up to allow the surrounding forest to become an intrinsic part of the house itself.
The spectacular sculptures and paintings of Michelangelo seem so familiar to us, but what do we really know about this Renaissance genius, and who was this ambitious and passionate man? A virtuoso craftsman, Michelangelo's artistry is evident in everything that he touched. Spanning his 89 years, this episode takes a cinematic journey from the print and drawing rooms of Europe through the great chapels and museums of Florence, Rome and the Vatican to explore the tempestuous life of Michelangelo.
We start with an immersive journey into the life and art of Venice's famous view-painter Canaletto. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle - to learn more about the artist and Joseph Smith, the man who introduced Canaletto to Britain. The programme visits some of the sites immortalised in Canaletto's views, from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Featuring contributions from Royal Collection curators and the world's leading experts in Venetian history.
This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
2012 • Design