For two millennia, great artists set the standard for beauty. Now those standards are gone. Modern Art is a competition between the ugly and the twisted; the most shocking wins. What happened?
Piers Taylor and Caroline Quentin visit an island in Norway, spending two days in a house built on a footprint of just 100 square metres. In Spain, the pair head to a home built into a steep cliff face overlooking the Mediterranean, featuring a cantilevered terrace offering maximum sea views and a swimming pool as well as an unusual tiled roof. After viewing a house in New Zealand crafted from two separate wooden cladded structures, the duo explore a home in Canada inspired by two ships in dry dock, designed to peer over the coast, allowing the sea to pass underneath.
In the crisis-stricken decades of the 1920s and 1930s, with the world at the tipping point between two global wars, design suggested dramatically different ideas about the shape of things to come, from the radical futurism of the Bauhaus to the British love affair with mock-Tudor architecture and the three-piece suite.
Sarah Hall designs architectural glass for buildings around the world. Now she installs one of her most ambitious designs to date, a series of giant solar energy collecting windows in a cathedral. It will be the first Cathedral in the world to incorporate solar energy into its design.