Filmed over the course of four years, award-winning director Phil Grabsky follows one of the world's greatest pianists, Leif Ove Andsnes, as he attempts, in a series of sold-out worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos.
Suzy Klein reaches the 1930s, when the totalitarian dictators sought to use and abuse music for ideological ends. Suzy looks at the lives of Richard Strauss, Dmitri Shostakovich and Sergei Prokofiev, who produced some of the 20th-century's best-loved music whilst working for Hitler and Stalin. The political message of Peter and the Wolf is revealed as well as the secret code hidden in Shostakovich's quartets and Strauss's personal reasons for trying to please the Nazis. Suzy also uncovers why Hitler adored Wagner but banned Mendelssohn's Wedding March; how Stalin used music to subtly infiltrate minds; and why Carl Orff's Carmina Burana, a Nazi favourite, appeals to our most primitive senses. Suzy also raises some intriguing questions: Can we pin meaning onto music? What are the moral responsibilities of artists? And did the violence and tyranny of those regimes leave an indelible stain on the music they produced?
They defined music and popular culture like no other band ever will. But how did The Beatles make the journey from Merseyside teenagers to international pop stars in the 1960s? The Beatles: Made on Merseyside recounts how American rock ‘n’ roll and rhythm and blues dragged post-war Liverpool into one of the most vibrant music cities ever with the Mersey Sound. Featuring unique archive and revealing interviews from those involved in the early years of The Beatles in Liverpool and Hamburg, we discover the story of The Beatles’ previous band formations and why it took so long for them to achieve success. From school bands to colleges, Hamburg to The Cavern Club, The Beatles moved from skiffle to rock ‘n’ roll before creating their unique sound.
2019 • Music
The series concludes with Be My Baby, which reflects on the evolution of rock 'n' roll music and its impact in America, including Buddy Holly's tragic death in a plane crash in 1959 at the age of 22, the game-changing arrival of The Beatles in America in 1964, and everything in between. Philadelphia produced 'teen idols' like Fabian who were beamed around the country by the daily TV show Bandstand. Rock 'n' roll even fuelled the Motown sound in Detroit and soundtracked the sunshiny west coast dream from guitar instrumental groups like The Ventures to LA's emerging Beach Boys. In the early 60s, rock 'n' roll was birthing increasingly polished pop sounds across the States, but American teens seemed to have settled back into sensible young adulthood. Enter the long-haired boys from Liverpool, Newcastle and London.
A chance to see the BBC Symphony Orchestra perform British composer Gustav Holst's The Planets at the London Barbican, in a concert from last September timed to celebrate the centenary of the premiere. But there's a special scientific twist to this concert, as before each movement, Professor Brian Cox discusses what modern science reveals about each of the planets.
2019 • Music
The composer examines the middle to late 19th century, exploring the European craze for opera and music that dealt with death and destiny. He suggests that composers were inspired by Berlioz's Symphonie Fantastique to write about witches, ghouls, trolls and hellish torment, and that the death of the heroine in Verdi's La Traviata was a comment on the hypocrisies of wider society. Howard also argues that the image of the composer as a misunderstood genius was cemented in the public imagination during this period.