The Most Dangerous Band in the World: The Story of Guns N' Roses • 2016

52:42

Scientists are now finally discovering what thinkers, musicians, or even any of us with a Spotify account and a set of headphones could have told you on instinct: music lights up multiple corners of the brain, strengthening our neural networks, firing up memory and emotion, and showing us what it means to be human. In fact, music is as essential to being human as language and may even predate it. Can music also repair broken networks, restore memory, and strengthen the brain?

World Science Festival • 2019 • Music

59:33

In the 1970s, Jamaica came alive to the sounds of roots reggae. British rapper, poet and political commentator Akala tells the story of this golden period in the island's musical history, a time when a small group of musicians took songs of Rastafari, revolution and hope to the international stage.

2016 • Music

59:30

Tom Service plunges into the life and times of Mozart to try and rediscover the greatness and humanity of the living man in his moment.

Music

59:28

Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.

S1E2 • Guitar, Drum and Bass • 2019 • Music

59:14

Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.

S1E3 • Tunes for Tyrants • 2017 • Music

92:49

This documentary brings Hollywood's premier composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world's most widely known music genre: the film score.

2016 • Music