Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
Suzy Klein reaches the 1930s, when the totalitarian dictators sought to use and abuse music for ideological ends. Suzy looks at the lives of Richard Strauss, Dmitri Shostakovich and Sergei Prokofiev, who produced some of the 20th-century's best-loved music whilst working for Hitler and Stalin. The political message of Peter and the Wolf is revealed as well as the secret code hidden in Shostakovich's quartets and Strauss's personal reasons for trying to please the Nazis. Suzy also uncovers why Hitler adored Wagner but banned Mendelssohn's Wedding March; how Stalin used music to subtly infiltrate minds; and why Carl Orff's Carmina Burana, a Nazi favourite, appeals to our most primitive senses. Suzy also raises some intriguing questions: Can we pin meaning onto music? What are the moral responsibilities of artists? And did the violence and tyranny of those regimes leave an indelible stain on the music they produced?
2017 • Music
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
2017 • Music
Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
2/3 • Guitar, Drum and Bass • 2019 • Music
In 1969, 500,000 people descended on a small field in a little-known town in upstate New York called Woodstock. The documentary that captured the iconic event, chronicled in unflinching detail this moment in history. But how was this groundbreaking film actually made?
2019 • Music
Asif Kapadia's poignant and critically acclaimed documentary portrait of singer-songwriter Amy Winehouse, the English soul, jazz and R 'n' B phenomenon who died tragically before her time. Kapadia traces her volatile life and artistic success over the 13 years preceding her death from alcohol poisoning on 23rd July 2011, aged just 27. The documentary tells Amy's story via her music and autobiographical song lyrics, video footage shot by her friends and family, archive clips from TV appearances, plus voiceover interviews with people who were personally and professionally close to her. But, as the film progresses, the hope and promise of her early career is steadily undermined by the self-destructive chaos of alcohol and drug addiction and the pressures of a life lived under the intense focus of global media attention.
2016 • Music
How many times does the chorus repeat in your favorite song? How many times have you listened to that chorus? Repetition in music isn’t just a feature of Western pop songs, either; it’s a global phenomenon. Why? Elizabeth Hellmuth Margulis walks us through the basic principles of the ‘exposure effect,’ detailing how repetition invites us into music as active participants, rather than passive listeners.
'My personal lullaby for a frenetic world. A manifesto for a slower pace of existence' - Max Richter. Max Richter's Sleep is a meditative respite from the rush and chaos of modern life that studies a universal experience. This documentary film follows acclaimed composer and musician Max Richter and his creative partner, artist and Bafta-winning film-maker Yulia Mahr, as they navigate an ambitious performance of his celebrated eight-hour opus Sleep at an open-air concert in Los Angeles. Emmy-nominated director Natalie Johns weaves in Mahr's personal archive and performance footage from Berlin, Sydney and Paris to create a rich portrait of a shared artistic process, along with contributions that illuminate both the science and the story behind the work.
2020 • Music
The Distortion of Sound is a documentary about the decline of sound quality and how technology has changed the way we listen to music. It will open your ears and inspire you to reach for richer, more soul-stirring musical experiences.