It is a feeling we all know - the moment when a light goes on in your head. In a sudden flash of inspiration, a new idea is born. Today, scientists are using some unusual techniques to try to work out how these moments of creativity - whether big, small or life-changing - come about. They have devised a series of puzzles and brainteasers to draw out our creative behaviour, while the very latest neuroimaging technology means researchers can actually peer inside our brains and witness the creative spark as it happens. What they are discovering could have the power to make every one of us more creative.
The adult brain is the apotheosis of the human intellect, but what of emotion? The study of emotion was once relegated to the backwaters of neuroscience, a testament to the popular conception that what we feel exists outside our brains, acting only to intrude on normal thought. The science has changed: Emotion is now considered integral to our over-all mental health. In mapping our emotions, scientists have found that our emotional brain overlays our thinking brain: The two exist forever intertwined.
Neuroscientist David Eagleman explores the human brain in an epic series that reveals the ultimate story of us, why we feel and think the things we do. This ambitious project blends science with innovative visual effects and compelling personal stories, and addresses some big questions. By understanding the human brain, we can come close to understanding humanity. Part 4: How Do I Decide The human brain is the most complex object we’ve discovered in the universe, and every day much of its neural circuitry is taken up with the tens of thousands of decisions we need to make. ‘How do I decide?’ is a journey through the unseen world of decisions, and how they get made.
Professor Shapiro shows us how some images can prompt two, or even three, equally valid interpretations. Rather than settling on one interpretation, our brains tend to switch among all of them – leading to some baffling and astonishing visual experiences.
Imagine a world in which you can think but cannot speak. For many stroke survivors, like former football star Junior and landlord Barry, this nightmare is a reality. Inspired by the experience of his brother-in-law, filmmaker Richard Alwyn has made an intensely moving, personal film about language and its loss. Alwyn's brother-in-law, journalist Dennis Barker, had a stroke in 2011 which left him speaking a bizarre, fluent gibberish – just one manifestation of the condition ‘aphasia' in which people lose or have a severely impaired ability to use language. Speechless tells the powerful stories of two men who can no longer take language for granted. Much of the film is made on the Neuro Rehab Unit of the National Hospital for Neurology and Neurosurgery in London's Queen Square. There, Alwyn meets 55 year old Barry who has been in hospital for 4 months since a stroke left him barely able to speak. Courageous and determined, Barry's personality constantly triumphs where his language fails. And two years after his stroke when just 35 years-old, former Premier League and international footballer Junior Agogo is still visiting the Unit as he battles to find his way in the world with depleted language. “I had thoughts but I'm saying, where was my voice? I was baffled, man.” Speechless raises questions that straddle philosophy and science. Can we understand the world if we don't have language to name and describe it? Can we think without language? How much is our identity wrapped up in language? These questions are at the heart of conversations that Alwyn has with clinicians and therapists working to get Barry and Junior back into the world. Speechless is fascinating and moving, upsetting and uplifting in its depiction of the isolating and estranging condition, aphasia.
2017 • Brain