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On January 1947, Al Capone, the most notorious gangster in America is dead at the age of 48. After serving ten years prison sentence Paul Ricca takes his place alongside Tony Accardo as co-head of The Outfit, which is making more money than before thanks to the numbers racket. In order to hide their profits, the answer is a growing city in the middle of the Mojave Desert where gambling is legal—Las Vegas, Nevada. But for the mafia from Chicago it is difficult to get into the gambling paradise of Las Vegas, because the New York mafia is already there. But it turns out to be a well-organized partnership. The leadership around Tony Accardo expands rapidly and finances the construction of new casinos in the city. The money for this is provided, among others, by the boss of one of the country's largest unions, Jimmy Hoffa. But the connection flies.
S1E7 • The Making of the Mob: Chicago • 2016 • People
More than five centuries ago, Michelangelo Buonarroti was the darling of the Catholic Church. Throughout his masterful career, the Papacy commissioned him to create many of its most important pieces, including the frescoes of the Sistine Chapel. He spent his life glorifying the Church, etching Catholic ideals into masterpieces that defined religion for the masses. Yet when he died, his body was secretly shepherded off to Florence, and the Church was denied the opportunity to honor him with a grand funeral in Rome. Historians have long wondered about the mysterious circumstances surrounding his death, but now, five hundred years after his death, new finds are revealing a darker side to the master artisan. While restoring Michelangelo's sculptures in the tomb of Julius II, art historian Antonio Forcellino noticed some strange inconsistencies in the famous statue: "The Moses." Forcellino believes he has pieced together evidence of a deep rift between the Church and the esteemed artist. The cause: Michelangelo's belief in Protestant ideals. The imperfections in the statue started him on a careful scientific and historical investigation that exposed remarkable evidence of Michelangelo's involvement with a clandestine fellowship trying to put an end to the decadence and corruption of the Clergy and reform the Church from within. The group's radical ideas and accusations of corruption were considered heretical and punishable by death. Michelangelo's involvement put him at dangerous odds with powerful officials who held his livelihood - and life - in their hands. "Michelangelo Revealed" takes us back over 500 years to the dangerous political climate of papal Rome, vividly portrayed through dramatic reconstruction. We are thrown into the heart of a fierce battle for religious control between the cardinals, and the resulting injustices of the Inquisition, shedding new light on the angst surrounding Michelangelo's "Last Judgement" in the Sistine Chapel and his previously shrouded connections to a subversive religious group and persecuted religious beliefs. "Secrets of the Dead: Michelangelo Revealed" deconstructs the puzzling discrepancies between the sculptures Michelangelo created and the way he described them, revealing an intricate effort to carve his own beliefs into stone, while protecting himself from the wrath of a powerful Cardinal who viewed him as a heretic. MICHELANGELO REVEALED paints a stunning new picture of brave religious expression, personal vendettas, careful cover-ups and a most gifted artist desperately trying to reconcile his loyalty to the church with his own personal belief about the road to salvation.
Secrets of the Dead • 2008 • People
Hank Green talks about the issues of rising global population.
2012 • People
Thirty years after the collapse of the USSR, the martial rhetoric and other trappings of the "strong men" of the totalitarian era are making a comeback. Why? The film's director Ivo Briedis and the journalist Rita Rudusa were both born in the Soviet Union. Together, they embark on a journey to explore the phenomenon of HOMO SOVIETICUS. They want to know if a totalitarian mindset can still be found in countries that were formerly part of the Soviet Union. The thinker Alexander Zinoviev defined as Homo Sovieticus as a person who is, at their core, an opportunist. They do not rebel against their leadership, and want to take as little individual responsibility as possible. Did these characteristics develop specifically as a result of growing up in the Soviet Union, or can they develop in any society? To find out, they speak with people who lived under the Soviet regime, as well as with members of the first post-Soviet generation.
2021 • People