An investigation into the incident in August 2020 when Russia's opposition leader Alexei Navalny was taken ill during a flight to Moscow, having been poisoned. While world leaders struggled to get Navalny the treatment he needed, investigative journalists began to piece together what had happened, finding that not only was Navalny poisoned by a Russian security service hit squad, but that they had been following him for several years while developing new variants of the banned chemical weapon Novichok - previously used in the attack in Salisbury.
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What makes us good or evil? It's a simple but deeply unsettling question. One that scientists are now starting to answer. Horizon meets the researchers who have studied some of the most terrifying people behind bars - psychopathic killers. But there was a shock in store for one of these scientists, Professor Jim Fallon, when he discovered that he had the profile of a psychopath. And the reason he didn't turn out to be a killer holds important lessons for all of us. We meet the scientist who believes he has found the moral molecule and the man who is using this new understanding to rewrite our ideas of crime and punishment.
In a series about scientists with brilliant minds, James Lovelock explains how his maverick way of thinking led him not only to technical breakthroughs in atmospheric detection systems on Earth and Mars, but also to Gaia - a new way of thinking about the Earth as a holistic, self-regulating system. He tells of his struggle against the scientific consensus of the day, the ridicule of his peers and his belief that the mainstream scientific establishment stifles intellectual creativity.
More than five centuries ago, Michelangelo Buonarroti was the darling of the Catholic Church. Throughout his masterful career, the Papacy commissioned him to create many of its most important pieces, including the frescoes of the Sistine Chapel. He spent his life glorifying the Church, etching Catholic ideals into masterpieces that defined religion for the masses. Yet when he died, his body was secretly shepherded off to Florence, and the Church was denied the opportunity to honor him with a grand funeral in Rome. Historians have long wondered about the mysterious circumstances surrounding his death, but now, five hundred years after his death, new finds are revealing a darker side to the master artisan. While restoring Michelangelo's sculptures in the tomb of Julius II, art historian Antonio Forcellino noticed some strange inconsistencies in the famous statue: "The Moses." Forcellino believes he has pieced together evidence of a deep rift between the Church and the esteemed artist. The cause: Michelangelo's belief in Protestant ideals. The imperfections in the statue started him on a careful scientific and historical investigation that exposed remarkable evidence of Michelangelo's involvement with a clandestine fellowship trying to put an end to the decadence and corruption of the Clergy and reform the Church from within. The group's radical ideas and accusations of corruption were considered heretical and punishable by death. Michelangelo's involvement put him at dangerous odds with powerful officials who held his livelihood - and life - in their hands. "Michelangelo Revealed" takes us back over 500 years to the dangerous political climate of papal Rome, vividly portrayed through dramatic reconstruction. We are thrown into the heart of a fierce battle for religious control between the cardinals, and the resulting injustices of the Inquisition, shedding new light on the angst surrounding Michelangelo's "Last Judgement" in the Sistine Chapel and his previously shrouded connections to a subversive religious group and persecuted religious beliefs. "Secrets of the Dead: Michelangelo Revealed" deconstructs the puzzling discrepancies between the sculptures Michelangelo created and the way he described them, revealing an intricate effort to carve his own beliefs into stone, while protecting himself from the wrath of a powerful Cardinal who viewed him as a heretic. MICHELANGELO REVEALED paints a stunning new picture of brave religious expression, personal vendettas, careful cover-ups and a most gifted artist desperately trying to reconcile his loyalty to the church with his own personal belief about the road to salvation.