Ian Hislop and John Eliot Gardiner reveal the story behind Beethoven's Fifth Symphony. Described as the 'greatest 'great' piece ever written,' its opening notes are among the most recognisable in history. But no one really knows what Beethoven was trying to express with this piece. The traditional wisdom is that he is railing against fate and his deafness. But John Eliot believes the music expresses Beethoven's belief in the French Revolution. This is turbulent music from a turbulent man living in a turbulent age. John Eliot and Ian Hislop bring to life the exciting and dangerous times that shaped Beethoven personally and creatively.
The composer examines the age of Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Schumann and Chopin. This period from 1750 to 1850 saw composers going from being paid, liveried servants of princes and archbishops to working as freelancers required to appeal to a new, middle-class audience. The era also saw tremendous social upheaval, including the American, French and Industrial revolutions, but until around the turn of the 19th century, the music that was being written bore little relevance to the tumultuous changes in society.
Behind-the-scenes archive documentary following Queen's Freddie Mercury, Brian May, Roger Taylor and John Deacon as they record their sixth album News of the World and embark on a groundbreaking tour of North America. By 1977, Queen had become a major headlining act in the UK, releasing chart-topping albums and singles as well as playing sell-out concerts in all the country's major venues. However, they were facing an increasingly hostile music press, who had a new favourite in punk and had turned against the elaborate, multi-layered recording techniques that had become the hallmark of the band's previous albums. But an unfazed Queen had their sights set on greater things. As the band announced plans to record their next album, the expectation was it would be another production extravaganza, but Freddie, Brian, Roger and John already had other ideas. News of the World showcased them at their most raw, simple and best, returning to their roots as a live act. With a self-imposed limit on studio time and produced entirely on their own for the first time, this stripped-back album took the fans and press by surprise and demonstrated Queen's ability to transcend fashions. It was to prove a seminal moment in the band's history. At the time, BBC music presenter Bob Harris was given exclusive and extensive access to the band to cover this period. Conducting insightful interviews with all four band members as well as filming them at work in the studio as they were planning and rehearsing their forthcoming North American tour, and then following them as they performed across the US, Bob captured a band attempting to replicate their huge domestic success on the global stage. Curiously, the documentary he set out to make was never completed, and the footage lay unused in the archive until now. To mark the 40th anniversary of the release of the News of the World album, the footage has now been carefully restored and revisited to compile this hour-long portrait of a group setting out to take the next step on their remarkable journey to becoming one of the biggest bands on the planet. Armed with an array of new songs, including the monster hits We Will Rock You and We Are the Champions, Queen dazzled the American audience and laid the foundations of a relationship that endures to this very day. Coming full circle, this film is bookended by footage shot in the summer of 2017 as Brian May and Roger Taylor took Queen back to the US with Adam Lambert as lead singer. Revisiting many of the cities they had performed in 40 years previously and including many of the songs from that 1977 album, they prove that despite the tragic loss of Freddie Mercury over 25 years ago, Queen can still rock the world.
2017 • Music
Composer and musician Neil Brand presents a series which explores the magical elements that come together to create our favourite songs, and how music changed forever the moment it was recorded. Recording radically changed music performance itself, and became an integral part of the artistic process. Told through archive clips and interviews series tells the story of popular song, covering hundred years from Tin Pan Alley song-publishing industry and jazz era singers to modern-day pop artist. Songs are the soundtrack of our lives and it takes a kind of genius to create a true pop masterpiece. But, as Neil Brand argues, there is more to consider in the story of what makes a great song. Neil looks at every moment in the life cycle of a song - how they are written, performed, recorded and the changing ways we have listened to them. He reveals how it is the wonderful alchemy of all of these elements that makes songs so special to us. To open the series, Neil investigates how songs were recorded for the first time, the listening revolution in the home that followed and the birth of a new style of singing that came with the arrival of the microphone - crooning. He also looks at the songwriting genius of Irving Berlin and the interpretative power of singers Bessie Smith, Louis Armstrong and Bing Crosby.
Kurt Cobain, legendary lead singer, guitarist and songwriter of Nirvana, “the flagship band of Generation X,” remains an object of reverence and fascination for music fans around the world. His story is told for the first time in KURT COBAIN: MONTAGE OF HECK
2015 • Music
Suzy Klein takes us back to the volatile years following the Russian Revolution and World War I, when music was seen as a tool to change society. Suzy explores the gender-bending cabarets of 1920s Berlin and smashes a piano in the spirit of the Bolshevik revolution. She also reveals why one orchestra decided to work without a conductor, uncovers the dark politics behind Mack the Knife and probes the satirical songs which tried to puncture the rise of the Nazis. Suzy's musical stories are brought to life with the help of the BBC National Orchestra of Wales and its Chorus, as well as solo performers. This was a golden age for music, and its jazz, popular songs, experimental symphonies and classics like Rachmaninoff all provoke debate - what kind of culture do we want? Is music for the elite or for the people? Was this a new age of liberal freedom to be relished - or were we hurtling towards the apocalypse?