John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
Suzy Klein takes us back to the volatile years following the Russian Revolution and World War I, when music was seen as a tool to change society. Suzy explores the gender-bending cabarets of 1920s Berlin and smashes a piano in the spirit of the Bolshevik revolution. She also reveals why one orchestra decided to work without a conductor, uncovers the dark politics behind Mack the Knife and probes the satirical songs which tried to puncture the rise of the Nazis. Suzy's musical stories are brought to life with the help of the BBC National Orchestra of Wales and its Chorus, as well as solo performers. This was a golden age for music, and its jazz, popular songs, experimental symphonies and classics like Rachmaninoff all provoke debate - what kind of culture do we want? Is music for the elite or for the people? Was this a new age of liberal freedom to be relished - or were we hurtling towards the apocalypse?
Filmed over the course of four years, award-winning director Phil Grabsky follows one of the world's greatest pianists, Leif Ove Andsnes, as he attempts, in a series of sold-out worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos.
2015 • Music
Howard Goodall examines the ways in which modernism and the birth of recorded sound in the late 19th century changed the way music was played, heard and distributed. He reveals how the works of Mussorgsky made a huge impression on European composers when aired at the 1889 Paris World Fair, and discusses how increasingly disparate musical influences were woven together to create groundbreaking new sounds.
Part three of this entertaining, behind-the-scenes series about how the music business works, explores the phenomenon of band reunions. With unique revelations, rare archive and backstage access to an impressive line-up of old favourites strutting their stuff once more, music PR legend Alan Edwards tells the story of why so many bands are getting back together, what happens when they do - and how it's changing the music business. Alan Edwards, who has looked after everyone from Prince to The Rolling Stones, from David Bowie to The Spice Girls, is our musical guide. He's been in the business long enough to see countless acts enjoy pop stardom, split up, fall out, only to re-emerge triumphant decades later, to the joy of their fans.
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
Musician Neil Brand explores the magical elements that come together to create great songs by recreating some of the most memorable and innovative recording sessions in music history - from Elvis's slapback echo in Memphis and the Beatles' tape loops at Abbey Road to Phil Spector's Wall of Sound and the Beach Boys' pop symphonies. He shows that all this was made possible by the discovery of magnetic tape by an American soldier in the ruins of WWII Germany, the invention that, more than any other, drove the emergence of the music studio as a compositional tool and the rise of the producer as a new creative force shaping the sound of song.