John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
In-depth documentary investigation into the story of a popular music genre that is often said to be made to be heard but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life. From its emergence in the 50s to its heyday in the 60s, through its survival in the 70s and 80s and its revival in the 90s and beyond, the film traces the hidden history of a music that has reflected society every bit as much as pop and rock - just in a more relaxed way. Invented at the dawn of rock 'n' roll, easy listening has shadowed pop music and the emerging teenage market since the mid-50s. It is a genre that equally soundtracks our modern age, but perhaps for a rather more 'mature' generation and therefore with its own distinct purpose and aesthetic. Contributors include Richard Carpenter, Herb Alpert, Richard Clayderman, Engelbert Humperdinck, Jimmy Webb, Mike Flowers, James Last and others.
2011 • Music
Asif Kapadia's poignant and critically acclaimed documentary portrait of singer-songwriter Amy Winehouse, the English soul, jazz and R 'n' B phenomenon who died tragically before her time. Kapadia traces her volatile life and artistic success over the 13 years preceding her death from alcohol poisoning on 23rd July 2011, aged just 27. The documentary tells Amy's story via her music and autobiographical song lyrics, video footage shot by her friends and family, archive clips from TV appearances, plus voiceover interviews with people who were personally and professionally close to her. But, as the film progresses, the hope and promise of her early career is steadily undermined by the self-destructive chaos of alcohol and drug addiction and the pressures of a life lived under the intense focus of global media attention.
2016 • Music
The composer examines the history of the past 100 years in music, known as the popular age. During this period, classical music - as it is now termed - seemed to be in decline, but Howard argues that while some cutting-edge works proved too challenging to be appreciated by the mainstream audience, the DNA of the genre is alive and well in musical theatre, cinema and popular music.
Part three of this entertaining, behind-the-scenes series about how the music business works, explores the phenomenon of band reunions. With unique revelations, rare archive and backstage access to an impressive line-up of old favourites strutting their stuff once more, music PR legend Alan Edwards tells the story of why so many bands are getting back together, what happens when they do - and how it's changing the music business. Alan Edwards, who has looked after everyone from Prince to The Rolling Stones, from David Bowie to The Spice Girls, is our musical guide. He's been in the business long enough to see countless acts enjoy pop stardom, split up, fall out, only to re-emerge triumphant decades later, to the joy of their fans.
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.