Tracing the origins of Egypt's unique visual style, he treks across the Sahara and travels the Nile to find the rarely-seen art of its earliest peoples. Exploring how this civilisation's art reflected its religion, he looks anew at the Great Pyramid, and the statuary and painting of the Old Kingdom. Sooke is amazed by the technical prowess of ancient artists whose skills confound contemporary craftsmen.
After examining the evidence presented in the series, it seems clear the dates given by traditional Egyptology don t fit. Carefully considering cycles of time through gold, silver, bronze and iron ages of Plato's Great Year, a new chronology emerges that illuminates Ancient Egypt.
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.