All seems lost for the Allies. The Italians are defeated at Caporette, and a Bolshevik Russia pulls out of the war. But the American reinforcements are decisive, and the Allies emerge victorious. The Allies are unable to negotiate an honorable peace agreement, and the Treaty of Versailles, 20 years later, will have disastrous consequences.
North Korea is like no other tyranny on earth. It is Orwell's 1984 made reality. The regime controls the flow of information to its citizens, pouring relentless propaganda through omnipresent loud speakers. Free speech is an illusion: one word out of line and the gulag awaits. State spies are everywhere, ready to punish disloyalty and the slightest sign of discontent.
When Homo sapiens turned up in prehistoric Europe, they ran into the Neanderthals. The two types of human were similar enough to interbreed — and both created artifacts of similar complexity. But as more and more Homo sapiens moved into Europe, the balance of power shifted. Neanderthals were overwhelmed. Ever since, we’ve had Europe and the rest of the world to ourselves.
The Romans were brilliant engineers and soldiers, but what isn't as well known is that they also gave us wonderful artistic treasures. In this three-part series, Alastair Sooke argues that the old-fashioned view that the Romans didn't do art is nonsense. He traces how the Romans during the Republic went from being art thieves and copycats to pioneering a new artistic style - warts 'n' all realism. Roman portraits reveal what the great names from history, men like Julius Caesar and Cicero, actually looked like. Modern-day artists demonstrate the ingenious techniques used to create these true to life masterpieces in marble, bronze and paint. We can step back into the Roman world thanks to their invention of the documentary-style marble relief and to a volcano called Vesuvius. Sooke explores the remarkable artistic legacy of Pompeii before showing how Rome's first emperor, Augustus, used the power of art to help forge an empire.