We humans love to build, create, and organize. So why do we also love to destroy things? Can violently breaking stuff really help to calm us down, or does it just make us more angry? In this episode of Mind Field, I take a hard look at our urge to destroy.
Memory is the glue that binds our mental lives. Without it, we’d be prisoners of the present, unable to use the lessons of the past to change our future. From our first kiss to where we put our keys, memory represents who we are and how we learn and navigate the world. But how does it work? Neuroscientists using cutting-edge techniques are exploring the precise molecular mechanisms of memory. By studying a range of individuals ranging—from an 11-year-old whiz-kid who remembers every detail of his life to a woman who had memories implanted—scientists have uncovered a provocative idea. For much of human history, memory has been seen as a tape recorder that faithfully registers information and replays intact. But now, researchers are discovering that memory is far more malleable, always being written and rewritten, not just by us but by others. We are discovering the precise mechanisms that can explain and even control our memories. The question is—are we ready?
Brains and nervous systems do a lot of things, but overall their purpose seems to be to allow cells to communicate and behave together. But because gene's generally code for things that help reproduction, you can start to see harsh patterns in behavior.
Through interviews with leading psychologists and scientists, Neurons to Nirvana explores the history of four powerful psychedelic substances (LSD, Psilocybin, MDMA and Ayahuasca) and their previously established medicinal potential. Strictly focusing on the science and medicinal properties of these drugs, Neurons to Nirvana looks into why our society has created such a social and political bias against even allowing research to continue the exploration of any possible positive effects they can present in treating some of today's most challenging afflictions.
2013 • Brain
Imagine a world in which you can think but cannot speak. For many stroke survivors, like former football star Junior and landlord Barry, this nightmare is a reality. Inspired by the experience of his brother-in-law, filmmaker Richard Alwyn has made an intensely moving, personal film about language and its loss. Alwyn's brother-in-law, journalist Dennis Barker, had a stroke in 2011 which left him speaking a bizarre, fluent gibberish – just one manifestation of the condition ‘aphasia' in which people lose or have a severely impaired ability to use language. Speechless tells the powerful stories of two men who can no longer take language for granted. Much of the film is made on the Neuro Rehab Unit of the National Hospital for Neurology and Neurosurgery in London's Queen Square. There, Alwyn meets 55 year old Barry who has been in hospital for 4 months since a stroke left him barely able to speak. Courageous and determined, Barry's personality constantly triumphs where his language fails. And two years after his stroke when just 35 years-old, former Premier League and international footballer Junior Agogo is still visiting the Unit as he battles to find his way in the world with depleted language. “I had thoughts but I'm saying, where was my voice? I was baffled, man.” Speechless raises questions that straddle philosophy and science. Can we understand the world if we don't have language to name and describe it? Can we think without language? How much is our identity wrapped up in language? These questions are at the heart of conversations that Alwyn has with clinicians and therapists working to get Barry and Junior back into the world. Speechless is fascinating and moving, upsetting and uplifting in its depiction of the isolating and estranging condition, aphasia.
2017 • Brain