Film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution, revealing two artists on a permanent quest for creativity, independence and freedom. Between fiction and reality, magic and secret, future and reinvention, theatricality and humility, The Robots have built a unique world. The film combines rare archive footage as well as exclusive interviews with their closest collaborators who talk about their work with Daft Punk, including Pharrell Williams, Giorgio Moroder, Nile Rodgers and Michel Gondry.
Part one, Sweet Little Sixteen, focuses on the origins of the sound in 1950s America - a rhythm-driven mix of blues, boogie woogie and vocal harmony championed by young music pioneers such as Fats Domino and Little Richard, which was nurtured by small independent record labels and, pre-Civil Rights Act, drew young white and black kids together. This episode also discusses the start of Elvis Presley's career as a local singer in Memphis and examines the impact the film industry had on the movement. In particular, bad boy heartthrob Marlon Brando's iconic performance in 1953's The Wild One as the biker that ignited a rebellious spirit and style in teens across America, and 1955's Blackboard Jungle, which featured Bill Haley & His Comets' Rock Around The Clock, which went on to become the first rock 'n' roll number one and an anthem for the country's disaffected youth.
Music promoter John Giddings takes us on an entertaining ride behind the stage lights to tell the story of how live performance has become a billion-pound industry. As the founder and promoter of the modern Isle of Wight festival and one of the world's biggest live promoters, John knows more than most how to put a show on the road. And how the world of live performance has changed. Where once bands would tour to promote an album, in the age of downloads and disappearing record sales, the live arena is a huge business. Bigger than ever before.
Part three of this entertaining, behind-the-scenes series about how the music business works, explores the phenomenon of band reunions. With unique revelations, rare archive and backstage access to an impressive line-up of old favourites strutting their stuff once more, music PR legend Alan Edwards tells the story of why so many bands are getting back together, what happens when they do - and how it's changing the music business. Alan Edwards, who has looked after everyone from Prince to The Rolling Stones, from David Bowie to The Spice Girls, is our musical guide. He's been in the business long enough to see countless acts enjoy pop stardom, split up, fall out, only to re-emerge triumphant decades later, to the joy of their fans.
A journey into the BBC archives unearthing glorious performances and candid interviews from the golden age of jazz. Featuring some of the greatest names in American music, including the godfather of New Orleans jazz Louis Armstrong, the King of Swing Count Basie, Duke Ellington, Oscar Peterson, Dizzy Gillespie and Ella Fitzgerald. Broadcasted as part of the Old Masters, Rising Stars: Jazz On BBC Four season, this film unlocks the BBC archives to explore the words and music of some of the greatest names in jazz. The BBC soon moved on from Lord Reith's proclamation, made in the 1930s, that jazz was "a filthy product of modernity", and invited some of the legends from the golden age of American jazz to perform and talk on British television. This film is a series of revealing portraits, from Louis Armstrong, jazz's first great soloist and global ambassador, to Duke Ellington, the ever-suave bandleader and composer who brought a new sophistication and ambition to the music. Count Basie is sheer swing, Dizzy Gillespie provoked a musical revolution with bebop, and Ella Fitzgerald is just incomparable. Through long-forgotten archive and specially shot interviews, Jazz Legends In Their Own Words tells the story of an art form that has been called "America's gift to the world".
2014 • Music
A chance to see the BBC Symphony Orchestra perform British composer Gustav Holst's The Planets at the London Barbican, in a concert from last September timed to celebrate the centenary of the premiere. But there's a special scientific twist to this concert, as before each movement, Professor Brian Cox discusses what modern science reveals about each of the planets.
2019 • Music
Behind-the-scenes archive documentary following Queen's Freddie Mercury, Brian May, Roger Taylor and John Deacon as they record their sixth album News of the World and embark on a groundbreaking tour of North America. By 1977, Queen had become a major headlining act in the UK, releasing chart-topping albums and singles as well as playing sell-out concerts in all the country's major venues. However, they were facing an increasingly hostile music press, who had a new favourite in punk and had turned against the elaborate, multi-layered recording techniques that had become the hallmark of the band's previous albums. But an unfazed Queen had their sights set on greater things. As the band announced plans to record their next album, the expectation was it would be another production extravaganza, but Freddie, Brian, Roger and John already had other ideas. News of the World showcased them at their most raw, simple and best, returning to their roots as a live act. With a self-imposed limit on studio time and produced entirely on their own for the first time, this stripped-back album took the fans and press by surprise and demonstrated Queen's ability to transcend fashions. It was to prove a seminal moment in the band's history. At the time, BBC music presenter Bob Harris was given exclusive and extensive access to the band to cover this period. Conducting insightful interviews with all four band members as well as filming them at work in the studio as they were planning and rehearsing their forthcoming North American tour, and then following them as they performed across the US, Bob captured a band attempting to replicate their huge domestic success on the global stage. Curiously, the documentary he set out to make was never completed, and the footage lay unused in the archive until now. To mark the 40th anniversary of the release of the News of the World album, the footage has now been carefully restored and revisited to compile this hour-long portrait of a group setting out to take the next step on their remarkable journey to becoming one of the biggest bands on the planet. Armed with an array of new songs, including the monster hits We Will Rock You and We Are the Champions, Queen dazzled the American audience and laid the foundations of a relationship that endures to this very day. Coming full circle, this film is bookended by footage shot in the summer of 2017 as Brian May and Roger Taylor took Queen back to the US with Adam Lambert as lead singer. Revisiting many of the cities they had performed in 40 years previously and including many of the songs from that 1977 album, they prove that despite the tragic loss of Freddie Mercury over 25 years ago, Queen can still rock the world.
2017 • Music