Stewart Copeland explores the drums as the founding instrument of popular modern music. Beats that travelled from Africa via New Orleans and across the world are the consistent force behind musical evolution. Stewart plays with some of the most inspiring drummers of the last 50 years, including John Densmore of The Doors, Chad Smith of The Red Hot Chilli Peppers, Prince’s musical director Sheila E, New Order’s Stephen Morris and Foo Fighters’ Taylor Hawkins. He goes dancing in New Orleans, builds his own bass drum pedal and checks out hot new bands on Santa Monica beach.
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Stewart Copeland explores the drums as the founding instrument of popular modern music. Beats that travelled from Africa via New Orleans and across the world are the consistent force behind musical evolution. Stewart plays with some of the most inspiring drummers of the last 50 years, including John Densmore of The Doors, Chad Smith of The Red Hot Chilli Peppers, Prince’s musical director Sheila E, New Order’s Stephen Morris and Foo Fighters’ Taylor Hawkins. He goes dancing in New Orleans, builds his own bass drum pedal and checks out hot new bands on Santa Monica beach.
2019 • Music
Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
2019 • Music
Lenny Kaye, Patti Smith’s guitarist, explains how the quest for new guitar sounds has driven the history of popular music, from Les Paul’s first guitar to Bo Diddley’s tremolo, Duane Eddy’s whammy bar, Keith Richards’s fuzz pedal, The Who’s feedback, The Byrds’ 12-string, Hendrix’s wah-wah pedal, Uli Roth and Van Halen’s shredding, The Edge’s digital delay, Ry Cooder’s slide, and KT Tunstall and Ed Sheeran’s looper pedals. With Duane Eddy, Roger McGuinn, The Edge, Bonnie Raitt, Seasick Steve, KT Tunstall, Joe Bonamassa, Uli Roth, Vernon Reid, Heart’s Nancy Wilson, The Runaways’ Lita Ford and producer Shel Talmy.
2019 • Music
Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
S1E2 • Guitar, Drum and Bass • 2019 • Music
We don't know much about the human brain on music. Do people instinctively know the sound patterns of the pentatonic scale? Is there a base level of musical knowledge in all of us, just waiting to be tapped? Or is the pentatonic scale simply so common in Western music that it has become ingrained in all of our minds? Improvisational genius Bobby McFerrin uses audience participation to demonstrate the power of the pentatonic scale - or at least the audience's familiarity with it.
2011 • Music
Film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution, revealing two artists on a permanent quest for creativity, independence and freedom. Between fiction and reality, magic and secret, future and reinvention, theatricality and humility, The Robots have built a unique world. The film combines rare archive footage as well as exclusive interviews with their closest collaborators who talk about their work with Daft Punk, including Pharrell Williams, Giorgio Moroder, Nile Rodgers and Michel Gondry.
2016 • Music
When you listen to music, multiple areas of your brain become engaged and active. But when you actually play an instrument, that activity becomes more like a full-body brain workout. What's going on? Anita Collins explains the fireworks that go off in musicians' brains when they play, and examines some of the long-term positive effects of this mental workout.
In 1969, 500,000 people descended on a small field in a little-known town in upstate New York called Woodstock. The documentary that captured the iconic event, chronicled in unflinching detail this moment in history. But how was this groundbreaking film actually made?
2019 • Music
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
S1E3 • Tunes for Tyrants • 2017 • Music