Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
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Stewart Copeland explores the drums as the founding instrument of popular modern music. Beats that travelled from Africa via New Orleans and across the world are the consistent force behind musical evolution. Stewart plays with some of the most inspiring drummers of the last 50 years, including John Densmore of The Doors, Chad Smith of The Red Hot Chilli Peppers, Prince’s musical director Sheila E, New Order’s Stephen Morris and Foo Fighters’ Taylor Hawkins. He goes dancing in New Orleans, builds his own bass drum pedal and checks out hot new bands on Santa Monica beach.
2019 • Music
Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
2019 • Music
Lenny Kaye, Patti Smith’s guitarist, explains how the quest for new guitar sounds has driven the history of popular music, from Les Paul’s first guitar to Bo Diddley’s tremolo, Duane Eddy’s whammy bar, Keith Richards’s fuzz pedal, The Who’s feedback, The Byrds’ 12-string, Hendrix’s wah-wah pedal, Uli Roth and Van Halen’s shredding, The Edge’s digital delay, Ry Cooder’s slide, and KT Tunstall and Ed Sheeran’s looper pedals. With Duane Eddy, Roger McGuinn, The Edge, Bonnie Raitt, Seasick Steve, KT Tunstall, Joe Bonamassa, Uli Roth, Vernon Reid, Heart’s Nancy Wilson, The Runaways’ Lita Ford and producer Shel Talmy.
2019 • Music
The series concludes with Be My Baby, which reflects on the evolution of rock 'n' roll music and its impact in America, including Buddy Holly's tragic death in a plane crash in 1959 at the age of 22, the game-changing arrival of The Beatles in America in 1964, and everything in between. Philadelphia produced 'teen idols' like Fabian who were beamed around the country by the daily TV show Bandstand. Rock 'n' roll even fuelled the Motown sound in Detroit and soundtracked the sunshiny west coast dream from guitar instrumental groups like The Ventures to LA's emerging Beach Boys. In the early 60s, rock 'n' roll was birthing increasingly polished pop sounds across the States, but American teens seemed to have settled back into sensible young adulthood. Enter the long-haired boys from Liverpool, Newcastle and London.
S1E3 • Rock and Roll America • 2015 • Music
How many times does the chorus repeat in your favorite song? How many times have you listened to that chorus? Repetition in music isn’t just a feature of Western pop songs, either; it’s a global phenomenon. Why? Elizabeth Hellmuth Margulis walks us through the basic principles of the ‘exposure effect,’ detailing how repetition invites us into music as active participants, rather than passive listeners.
DJ and broadcaster Rita Ray travels to Mali in West Africa, home to a deep musical culture and ancient instruments that are the hallmark of their sound. Mali has produced more Grammy-winning artists than any other African country, and this well of talent has drawn in artists and producers from around the world to collaborate with the local musicians. Whilst the country has been rocked by Islamist insurgency, leading to a ban on music in some areas, Rita finds out how a traditional way of life and rich musical culture have endured.
3 • Africa: A Journey into Music • 2018 • Music
Behind-the-scenes archive documentary following Queen's Freddie Mercury, Brian May, Roger Taylor and John Deacon as they record their sixth album News of the World and embark on a groundbreaking tour of North America. By 1977, Queen had become a major headlining act in the UK, releasing chart-topping albums and singles as well as playing sell-out concerts in all the country's major venues. However, they were facing an increasingly hostile music press, who had a new favourite in punk and had turned against the elaborate, multi-layered recording techniques that had become the hallmark of the band's previous albums. But an unfazed Queen had their sights set on greater things. As the band announced plans to record their next album, the expectation was it would be another production extravaganza, but Freddie, Brian, Roger and John already had other ideas. News of the World showcased them at their most raw, simple and best, returning to their roots as a live act. With a self-imposed limit on studio time and produced entirely on their own for the first time, this stripped-back album took the fans and press by surprise and demonstrated Queen's ability to transcend fashions. It was to prove a seminal moment in the band's history. At the time, BBC music presenter Bob Harris was given exclusive and extensive access to the band to cover this period. Conducting insightful interviews with all four band members as well as filming them at work in the studio as they were planning and rehearsing their forthcoming North American tour, and then following them as they performed across the US, Bob captured a band attempting to replicate their huge domestic success on the global stage. Curiously, the documentary he set out to make was never completed, and the footage lay unused in the archive until now. To mark the 40th anniversary of the release of the News of the World album, the footage has now been carefully restored and revisited to compile this hour-long portrait of a group setting out to take the next step on their remarkable journey to becoming one of the biggest bands on the planet. Armed with an array of new songs, including the monster hits We Will Rock You and We Are the Champions, Queen dazzled the American audience and laid the foundations of a relationship that endures to this very day. Coming full circle, this film is bookended by footage shot in the summer of 2017 as Brian May and Roger Taylor took Queen back to the US with Adam Lambert as lead singer. Revisiting many of the cities they had performed in 40 years previously and including many of the songs from that 1977 album, they prove that despite the tragic loss of Freddie Mercury over 25 years ago, Queen can still rock the world.
2017 • Music
In 1969, 500,000 people descended on a small field in a little-known town in upstate New York called Woodstock. The documentary that captured the iconic event, chronicled in unflinching detail this moment in history. But how was this groundbreaking film actually made?
2019 • Music
We don't know much about the human brain on music. Do people instinctively know the sound patterns of the pentatonic scale? Is there a base level of musical knowledge in all of us, just waiting to be tapped? Or is the pentatonic scale simply so common in Western music that it has become ingrained in all of our minds? Improvisational genius Bobby McFerrin uses audience participation to demonstrate the power of the pentatonic scale - or at least the audience's familiarity with it.
2011 • Music