There was nothing predictable about David Bowie. Everything was designed to intrigue, to challenge, to defy all expectations. But perhaps no period in David Bowie's extraordinary career raised more fascination, more surprise, and more questions than the last five years. This is an intimate portrait of one of the defining artists of the twentieth and early twenty first centuries, told by the people who knew him best - his friends and artistic collaborators. This film takes a detailed look at Bowie's last albums, The Next Day and Blackstar, and his play Lazarus. In his final five years, Bowie not only began producing music again, but returned to the core and defining themes of his career. This film explores how Bowie was a far more consistent artist than many interpretations of his career would have us believe. It traces the core themes from his final works and relates them to his incredible back catalogue. His urge to communicate feelings of spirituality, alienation and fame underpin his greatest works from the 1960s to 2016. This is what lies at the heart of his success and appeal - music that deals with what it means to be human in a way that goes far beyond the normal palette of a rock star. The film is not a comprehensive overview of his entire career, but an in-depth exploration of pivotal moments that show how the themes, the narrative and the approach is consistent - it is simply the palette that changes. The film includes every key member of the Next Day band, the Blackstar band and those who worked with him on the stage play Lazarus. In addition, old friends and colleagues are on hand to explore how the work of the last five years relates to Bowie's back catalogue. And, as in David Bowie: Five Years, there is a wealth of unseen and rare archive footage.
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In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.
2014 • Music
Tells the story of the Queen frontman's life and career, from the early days of the band to their show-stopping performance at Live Aid and their dominance of music charts around the world. From Killer Queen and Bohemian Rhapsody, through to The Show Must Go On, the film uncover the stories behind the songs through archive interviews with Freddie himself.
2020 • Music
It was 1985. Guns N' Roses were soon to be known as the last mammoth rock entity to come out of LA after selling over 100 million albums. Jon Brewer brings alive never-before-seen video footage of Guns N' Roses in their earliest days as a fledgling band, filmed and meticulously archived over the years by their close friend. They became known as 'the most dangerous band in the world' and retained the title for reasons this film portrays, via interviews with band members and those who were there on, and off, tour. Venture down seedy Sunset Strip to the Whiskey, the Rainbow and the Roxy, all known as 'the Jungle'.
2016 • Music
Composer and musician Neil Brand's series exploring the alchemy that creates great songs reaches the modern era, when a revolution in how they were made took place. From the synthesisers of symphonic rock to the mixes of disco and the samplings of hip hop, music was transformed by the arrival of digital technology and the computer, which gave some songwriters more power but others much less. Along the way Neil talks synths with Rick Wakeman from Yes, samples with Public Enemy's Hank Shocklee, uncovers the surprising lo-fi origins of Bruce Springsteen's stadium-busting Born in the USA, and finds out how Cher changed the sound of her voice on the smash hit Believe.
S1E3 • Sound of Song • 2015 • Music
Ritchie Blackmore is beyond doubt one of the all-time great guitar players. The Ritchie Blackmore Story traces the long and winding road of the guitar legend — from his early days as a session player (with legendary producer Joe Meek) and his early '60s combo the Outlaws up through his years guiding one of hard rock's finest bands, Deep Purple, the formation of Rainbow and into his recent work with Blackmore's Night. Ritchie has proven to be a master of the guitar across a multitude of styles. The 'man in black' helped invent neo-classical heavy metal with his medieval-oriented guitar solos. He gave the world perhaps the most played guitar riff ever with the opening notes to "Smoke on the Water." For the first time his story is told in this extraordinary rockumentary. "The Ritchie Blackmore Story" tells the career through some of it's historical performance and extensive specially recorded new interviews with Ritchie himself and many of his colleagues and admirers including: Brian May, Glenn Hughes, Lars Ulrich, Steve Lukather, Joe Satriani, the late Jon Lord, David Coverdale, Gene Simmons, Joe Lynn Turner, Steve Vai, Graham Bonnet and Ian Anderson. This is the definitive story of a true guitar legend.
2015 • Music
In standard notation, rhythm is indicated on a musical bar line. But there are other ways to visualize rhythm that can be more intuitive. John Varney describes the ‘wheel method’ of tracing rhythm and uses it to take us on a musical journey around the world.