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The Genius of Design examines the Second World War through the prism of the rival war machines designed and built in Germany, Britain, the USSR and the USA, with each casting a fascinating sidelight on the ideological priorities of the nations and regimes which produced them.
S1E3 • The Genius of Design • 2010 • Design
They begin in California, viewing a property built from the wings and tail fins of a Boeing 747. In Arizona, the pair stay in a modern house with an innovative take on an ancient technique of absorbing the heat during the day and releasing it at night. In New Zealand, Caroline and Piers view a house camouflaged using cedar cladding, while their last stop takes them to a hexagonal alpine chalet with a steel chimney core that anchors it to the mountain.
S1E1 • The World's Most Extraordinary Homes • 2017 • Design
Caroline and Piers visit Japan to see a V-shaped home, an eccentric gathering place, a Zen-like escape, and a glass and concrete marvel
S2E4 • The World's Most Extraordinary Homes • 2018 • Design
Piers and Caroline travel to Norway to see a charming family cottage, a summer house built around a rock, a daring concrete home and a rugged retreat.
S2E7 • The World's Most Extraordinary Homes • 2019 • Design
Monet, Cezanne, Degas and Renoir are some of the world's most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. Who were they and how exactly did they paint? To help answer these questions, this film focuses on the man credited with inventing impressionism as we know it - 19th-century Parisian art collector Paul Durand-Ruel. It was his brave decision to back these radical artists and then, on the verge of bankruptcy, to exhibit them in New York in 1886 that created impressionism as we know it. Thanks to his sales to enlightened wealthy Americans that subsequently filled US galleries with impressionist masterworks, Durand-Ruel kept impressionism alive at a time when it faced complete failure. This film tells his remarkable story, along with that of the impressionists themselves.
This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
2012 • Design