We each spend three years of our lives on the toilet, but how happy are we talking about this essential part of our lives? This film challenges that mindset by uncovering its role in our culture and exploring the social history of the toilet in Britain and abroad - as well as exploring many of our cultural toilet taboos. Starting in Merida, Spain with some of the the earliest surviving Roman toilets, we journey around the world - from the UK to China, Japan and Bangladesh - visiting toilets, ranging from the historically significant to the beautiful, from the functional and sometimes not-so-functional to the downright bizarre. Leading the journey is Everyman figure, Welsh poet and presenter Ifor ap Glyn, who has a passionate interest in the toilet, its history and how it has evolved over the centuries, right up to the development of the current design. Finally, there's a glimpse of the future and a possible solution to the global sanitation issues we now face.
Industrial designer Helen Kerr works on everything from soap pumps to geo-mapping the island of Manhattan. Her team uses materials that can be broken down at the end of an object’s life, so each piece can be put back into the recycling stream.
Monet, Cezanne, Degas and Renoir are some of the world's most popular artists. Their works, and that of their contemporaries, fetch tens of millions of dollars around the globe. Who were they and how exactly did they paint? To help answer these questions, this film focuses on the man credited with inventing impressionism as we know it - 19th-century Parisian art collector Paul Durand-Ruel. It was his brave decision to back these radical artists and then, on the verge of bankruptcy, to exhibit them in New York in 1886 that created impressionism as we know it. Thanks to his sales to enlightened wealthy Americans that subsequently filled US galleries with impressionist masterworks, Durand-Ruel kept impressionism alive at a time when it faced complete failure. This film tells his remarkable story, along with that of the impressionists themselves.
Cities are growing at a faster rate than any other habitat on Earth. They may seem an unlikely place for animals to thrive, but they can be a world of surprising opportunity. Leopards prowl the streets of Mumbai, peregrine falcons hunt amongst New York's skyscrapers, and a million starlings perform spectacular aerial dances over Rome. In Jodhpur, langurs are revered as religious deities and in Harar, locals live in harmony with wild hyenas. Many animals, however, struggle to cope in the urban jungle. As the architects of this environment, can humans choose to build cities that are homes for both them and wildlife?