The Genius of Design examines the Second World War through the prism of the rival war machines designed and built in Germany, Britain, the USSR and the USA, with each casting a fascinating sidelight on the ideological priorities of the nations and regimes which produced them.
Every Rembrandt exhibition is eagerly anticipated, but a once-in-a-lifetime show at London's National Gallery and Amsterdam's Rijksmuseum that took 15 years to prepare was remarkable. With exclusive and privileged access to both galleries, this film documents this landmark exhibition while interweaving Rembrandt's life story with behind-the-scenes preparations at these world-famous institutions. Rembrandt is the greatest artist that ever lived to many, and this film seeks to explore the truth.
This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
2012 • Design
The work of these street artists arises out of their love for the urban jungle. Their selected materials are intended to naturally grow, die, melt, or blow away in the wind. Their clever creations add dignity to derelict sites and beautify the city landscape, especially in areas of decay.
In the crisis-stricken decades of the 1920s and 1930s, with the world at the tipping point between two global wars, design suggested dramatically different ideas about the shape of things to come, from the radical futurism of the Bauhaus to the British love affair with mock-Tudor architecture and the three-piece suite.