The story of design enters the 50s and 60s, when a revolutionary new material called plastic combined with the miracles of electronic miniaturisation to allow designers to offer post-war consumers something new: liberation.
They begin in California, viewing a property built from the wings and tail fins of a Boeing 747. In Arizona, the pair stay in a modern house with an innovative take on an ancient technique of absorbing the heat during the day and releasing it at night. In New Zealand, Caroline and Piers view a house camouflaged using cedar cladding, while their last stop takes them to a hexagonal alpine chalet with a steel chimney core that anchors it to the mountain.
Architect Piers Taylor and actress Caroline Quentin explore unusual homes built in or near areas of forest. After trips to properties near Madrid and the Catskill Mountains in New York State, they arrive in Piha, New Zealand, to a house built within an indigenous forest of pohutukawa trees. Navigating very strict environmental laws, this wooden-cladded and glass-roofed property mimics the branches of the surrounding trees, while its huge sliding glass walls open up to allow the surrounding forest to become an intrinsic part of the house itself.