Cas Holman: Design for Play • 2019 • episode "S2E4" • Abstract: The Art of Design

45:21

Olafur Eliasson creates sensory-rich immersive installations, including a lamp-lit sun at the Tate Modern and chunks of Arctic ice on city streets.

S2E1 • Abstract: The Art of Design • 2019 • Design

22:21

The work of these street artists arises out of their love for the urban jungle. Their selected materials are intended to naturally grow, die, melt, or blow away in the wind. Their clever creations add dignity to derelict sites and beautify the city landscape, especially in areas of decay.

1/6 • Great Minds of Design • 2012 • Design

49:43

Every Rembrandt exhibition is eagerly anticipated, but a once-in-a-lifetime show at London's National Gallery and Amsterdam's Rijksmuseum that took 15 years to prepare was remarkable. With exclusive and privileged access to both galleries, this film documents this landmark exhibition while interweaving Rembrandt's life story with behind-the-scenes preparations at these world-famous institutions. Rembrandt is the greatest artist that ever lived to many, and this film seeks to explore the truth.

S1E4 • Great Art • 2018 • Design

58:56

For over fifty years, Dieter Rams has left an indelible mark on the field of product design with his iconic work at Braun and Vitsoe, and his influence on Apple. So, at 87 years old, why does he now regret being a designer? Rams is a design documentary, but it is also a rumination on consumerism, sustainability and the future of design. Dieter's philosophy is about more than just design. It is about a way to live. The film also features an original score by pioneering musician Brian Eno.

2019 • Design

75:42

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

2009 • Design

37:00

This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”

2012 • Design