Showcases five of Soviet Europe's most grandiose architectural enterprises. Created to embody the 'collective good', the buildings, made with courage and a bit of lunacy, were used to remind the people of the power and brighter future that awaited them. Each building was designed to be either the tallest or the largest, or to have the biggest clock on earth or the most advanced technology of its time. Now that socialism is over, film-makers Missirkov and Bogdanov revisit five of communism’s most splendid palaces to reveal their hidden secrets through the eyes of the people who designed, built and worked in them. Featuring the National Palace of Culture in Sofia, Moscow State University, the Palace of the Parliament in Bucharest, the Palace of Serbia in Belgrade and the Palace of the Republic in Berlin.
Counting down from 75 to 63 we showcase great works of art and scientific feats in space, civil wars, sieges and environmental crises. In Episode Three we see the construction of the Panama Canal that created a passage between two continents, the invention of genetically modified crops that changed the future of food, the kidnapping of Lindbergh's baby, and a Battle of the Sexes on the tennis court.
Archaeologists investigate Hatshepsut, one of the greatest female pharaohs in history; a discovery inside one of Hatshepsut's quarries sparks an investigation which leads to the temple of Karnak; an archaeologist excavates mummy parts.
He continues his personal account of Britain's Empire by tracing the growth of a peculiarly British type of hero - adventurer, gentleman, amateur, sportsman and decent chap - and a peculiarly British type of obsession - sport, the empire at play. He travels to East Africa in the footsteps of Victorian explorers in search of the source of the Nile; to Khartoum in Sudan to tell the story of General Gordon - a half-crazed visionary who 'played the game' to the hilt; to Hong Kong where the British indulged their passion for horse racing by building a spectacular race course; and to Jamaica where the greatest imperial game of all - cricket - became a battleground for racial equality.
Albert Speer - Hitler's architect, arms minister and only friend. After the war, he became the Nazi who said sorry, even for the crimes he claimed had been kept secret from him. Was his remorse genuine, or did he know more than he admitted, still proud of his meteoric career under Hitler?