This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
2012 • Design
We each spend three years of our lives on the toilet, but how happy are we talking about this essential part of our lives? This film challenges that mindset by uncovering its role in our culture and exploring the social history of the toilet in Britain and abroad - as well as exploring many of our cultural toilet taboos. Starting in Merida, Spain with some of the the earliest surviving Roman toilets, we journey around the world - from the UK to China, Japan and Bangladesh - visiting toilets, ranging from the historically significant to the beautiful, from the functional and sometimes not-so-functional to the downright bizarre. Leading the journey is Everyman figure, Welsh poet and presenter Ifor ap Glyn, who has a passionate interest in the toilet, its history and how it has evolved over the centuries, right up to the development of the current design. Finally, there's a glimpse of the future and a possible solution to the global sanitation issues we now face.
2012 • Design
Nicholas Kennedy works with the ghosts of printing’s past, by using salvaged equipment. His style of “anti-design” or “found design” insists that you don’t have to reinvent the wheel every time you create. He suddenly makes the dying art of bookmaking seem very much alive.