The story of design enters the 50s and 60s, when a revolutionary new material called plastic combined with the miracles of electronic miniaturisation to allow designers to offer post-war consumers something new: liberation.
Picking up the story of design from the drab days of the late 70s, the final episode tracks the explosion of wild creativity that defined the 'designer decades' of the 80s and early 90s. By addressing wants rather than needs and allying themselves to the blatant consumerism of 'retail culture' designers emerged from the backrooms to claim a starring role in the shaping of modern life.
This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
2012 • Design
Patty Johnson has worked in South America, The Philippines, and South Africa, collaborating with indigenous groups in the creation of high-end design products that are sustainable in communities with low employment. For her current project, Patty travels to the devastated country of Haiti.
Trevor McIvor and his partners design buildings that take advantage of the innate heating and cooling characteristics of nature. From an off the grid “cottage” that requires no artificial cooling, to a green-roofed sound studio rising out of the earth, nature dictates the design flow.