Alastair Sooke follows in the footsteps of Rome's mad, bad and dangerous emperors in the second part of his celebration of Roman art. He dons a wetsuit to explore the underwater remains of the Emperor Claudius's pleasure palace and ventures into the cave where Tiberius held wild parties. He finds their taste in art chimes perfectly with their obsession with sex and violence. The other side of the coin was the bombastic art the Romans are best remembered for - monumental arches and columns that boast about their conquests. Trajan's Column in Rome reads like the storyboard of a modern-day propaganda film. Sooke concludes with the remarkable legacy of the Emperor Hadrian. He gave the world the magnificent Pantheon in Rome - the eternal image of his lover Antinous, the most beautiful boy in the history of art - and a villa in Tivoli where he created one of the most ambitious art collections ever created.
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The Romans were brilliant engineers and soldiers, but what isn't as well known is that they also gave us wonderful artistic treasures. In this three-part series, Alastair Sooke argues that the old-fashioned view that the Romans didn't do art is nonsense. He traces how the Romans during the Republic went from being art thieves and copycats to pioneering a new artistic style - warts 'n' all realism. Roman portraits reveal what the great names from history, men like Julius Caesar and Cicero, actually looked like. Modern-day artists demonstrate the ingenious techniques used to create these true to life masterpieces in marble, bronze and paint. We can step back into the Roman world thanks to their invention of the documentary-style marble relief and to a volcano called Vesuvius. Sooke explores the remarkable artistic legacy of Pompeii before showing how Rome's first emperor, Augustus, used the power of art to help forge an empire.
2012 • History
Alastair Sooke follows in the footsteps of Rome's mad, bad and dangerous emperors in the second part of his celebration of Roman art. He dons a wetsuit to explore the underwater remains of the Emperor Claudius's pleasure palace and ventures into the cave where Tiberius held wild parties. He finds their taste in art chimes perfectly with their obsession with sex and violence. The other side of the coin was the bombastic art the Romans are best remembered for - monumental arches and columns that boast about their conquests. Trajan's Column in Rome reads like the storyboard of a modern-day propaganda film. Sooke concludes with the remarkable legacy of the Emperor Hadrian. He gave the world the magnificent Pantheon in Rome - the eternal image of his lover Antinous, the most beautiful boy in the history of art - and a villa in Tivoli where he created one of the most ambitious art collections ever created.
2012 • History
Alastair Sooke charts the decline and fall of the Roman Empire through some of its hidden and most magical artistic treasures. He travels to Leptis Magna in Libya, shortly after the overthrow of Gaddafi, and finds one of the best preserved Roman cities in the world and the cradle of later Roman art. Sooke discovers glorious mosaics which have never been filmed before but also finds evidence of shocking neglect of Libya's Roman heritage by the Gaddafi regime. His artistic tour takes him to Egypt and the northern frontiers of the empire where he encounters stunning mummy paintings and exquisite silver and glassware. As Rome careered from one crisis to another, official art became more hard boiled and militaristic and an obscure cult called Christianity rose up to seize the mantle of Western art for centuries to come.
2012 • History
Part One of this epic event special follows these men through war in both the European and Pacific theaters, starting in December 1941 through late 1943, telling the story of their war experiences and how those experiences shaped them as leaders. In the Pacific, Johnson is nearly killed in a twist of fate, and JFK's PT boat is blown up, Reagan becomes the popular face of the American soldier, Carter joins the US Naval Academy and Eisenhower moves from a rookie to a seasoned general as he leads the invasion of North Africa, Italy and prepares for D-Day.
S1E1 • Presidents at War • 2019 • History
Simon explores modern Istanbul in search of the last desperate centuries of Christian Byzantium, in which the once glorious city was buffeted by enemies in both East and West, and yet still produced a golden artistic renaissance. This is story of the Christian crusaders who destroyed the city, and the Ottoman Muslims who restored it to life as an imperial capital after the epic siege of 1453.
Part 2 • Byzantium: A Tale of Three Cities • 2013 • History
Roman Empire examines the life of Caligula from his days as co-heir of the Empire. He smothers Emperor TIberius to death with a pillow and nullifies his will instructing co-emperors. Caligula is made Emperor and works to win over the Senate by offering amnesty to those we sentences under Tiberius. He then wins over the people by putting on elaborate gladiatorial games. He searches out his exiled sisters and enjoys a life of debauchery. Later, he survives brain fever but the illness drives him mad and he kills his heir Gemellus.
S3E2 • Roman Empire • 2019 • History
The encounter between the conquistador and opportunist Hernan Cortes and the indigenous peoples of Central America is one of history's tragic tales of greed, conflict, imperial weakness and superior weaponry.
S2E3 • Butterfly Effect • 2017 • History
Documentary `resurrecting' the city buried under volcanic ash almost 2,000 years ago with the aid of CGI. Michael Buerk takes viewers through 24 hours in the area, from the commute to work in the morning, to brutal sports at noon and a plenitude of vices by night.
2016 • History
The times were turbulent around 1100 AD, when West-Roman Christianity was spreading out in all directions. The Crusades were part of it - perhaps the most important, certainly the best known. The advance of the Islamic Selchuks could not be stopped, especially their attacks on the travel routes of the pilgrims, who were on their way to the holy Christian sites. When news of raids mounted, the Patriarch of the Eastern Roman Church Alexios I asked Rome for help. Even then, Christianity was divided - not into Catholics and Protestants, but into the Eastern Roman (Orthodox) and Western Roman Churches. The Crusades took place in the middle of tension between these different interest groups. The expansion of the West Romans cut a swath through the Islamic territories, which had by then reached the climax of their development. The Byzantine realm increasingly lost its importance. It was not a battle of cultures, not a struggle against Islam, but a chaotic confrontation of warlords and princes. The main goal of the crusades – the conquest of Jerusalem – was soon forgotten, and the first conquest ended with bloodbaths among the civilian population that are still notorious today. The following crusades were equally infamous and far from an honor to Christianity. This program examines the forces behind European determination to capture Palestine, linking the belligerence of medieval Crusaders with their piousness. Drs. Klaus Herbers of Friedrich Alexander University and Patrick Franke of Martin Luther University draw surprising parallels between East and West, focusing on martyrdom as a vital component of the Crusader's motivation, interreligious notions of knightly behavior, and cases of negotiation and cultural exchange despite numerous atrocities and military disasters. Without neglecting the harsh realities of the Crusades, In the Name of Christ presents a fresh perspective on the medieval clash of Christian and Islamic powers.
S1E1 • The Holy Wars: War and Religion • 2004 • History