Who are we? • 2013

49:43

Pablo Picasso is one of the greatest artists of all time. But where did this all begin? What made Picasso in the first place? Young Picasso visits Malaga, Barcelona and Paris, and explores their influence on Picasso, focusing on specific artworks from these early years - up to the ground-breaking and hugely significant Les Demoiselles d'Avignon. How did he rise to such great heights?

S3E1 • Great Art • 2019 • Creativity

54:36

"Monumenta" is an ephemeral art construction happening yearly since 2007, with art filling the vast space of the Grand Palais in Paris in a unique moment. This year the exhibit is the imaginary, complex world of two Russian artists, Ilya and Emilia Kabakov.

10 • Behind the Artist • 2016 • Creativity

51:50

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

2007 • Creativity

58:59

This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

Part 4 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

57:37

Take a time trip to France in the 1960's-- student revolts! Pop Art! -- And meet Georges Pompidou, a bank director who became PM of France. His vision of modernizing France pushed the avant garde design of the Paris art and cultural center which is now home to the modern arts of France.

7 • Behind the Artist • 2016 • Creativity

19:24

Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.

TED • 2006 • Creativity