Who are we? • 2013

57:37

Take a time trip to France in the 1960's-- student revolts! Pop Art! -- And meet Georges Pompidou, a bank director who became PM of France. His vision of modernizing France pushed the avant garde design of the Paris art and cultural center which is now home to the modern arts of France.

7 • Behind the Artist • 2016 • Creativity

58:59

Mark begins with one of the most popular genres of all. They are sometimes sneered at by critics, but from the 1930s to the present day, many of our most beloved movies have been romantic comedies. From Bringing Up Baby and The Lady Eve by way of Annie Hall, When Harry Met Sally and Pretty Woman to Love, Actually (a particular Kermode favourite) - as well as recent hits such as The Big Sick and La La Land - Mark examines the cinematic tricks and techniques involved in creating a classic romcom. Mark celebrates old favourites, reveals hidden treasures and springs plenty of surprises. Examining films from Hollywood to Bollywood via other gems of world cinema, he reminds us how, much like love itself, the art of the romantic comedy is international.

Part 1 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

56:54

Pierre Soulages, the painter of the anti-image, who uses a palette of black, is the subject of this fascinating documentary. The preeminent painter of contemporary France, his paintings are stark and plain and painted with unconventional materials.

9 • Behind the Artist • 2016 • Creativity

2:51

Being creative means to let it go...

2013 • Creativity

58:58

This time it is the turn of the heist movie, with its unique combination of suspense and action. Whether it is the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the heist movie plays with our sympathies, encouraging us to identify with characters we would run a mile from in real life. From The Asphalt Jungle to Ocean's Eleven by way of The Italian Job and even The Wrong Trousers, Mark shows how recurring character types, such as the mastermind, and sequences like the planning scene and the getaway, draw us into the big score. And he demonstrates how recent hits like Inception, The Wolf of Wall Street and Baby Driver have pushed the conventions of the heist in thrilling new directions. At the box office, at least, crime really does pay.

Part 2 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

59:01

This time Mark explores the genre that captures the joy and pain of growing up - the coming-of-age movie. It is the most universal of all genres, the one we can all relate to from our own experience, yet it can also be the most autobiographical and personal. Film-makers across the world repeatedly return to core themes such as first love, breaking away from small-town life and grown-ups who don't understand. And wherever and whenever they are set, these stories are vividly brought to life using techniques such as casting non-professional actors, camerawork that captures a child's-eye view and nostalgic pop soundtracks. From Rebel without a Cause to Lady Bird by way of Kes, Boyz n the Hood and This Is England, Mark shows how recurring sequences like the makeover and the group singalong, and characters like the gang and mentor figure, have helped create some of the most moving and resonant films in cinema.

Part 3 • Mark Kermode's Secrets of Cinema • 2018 • Creativity