The transformative power of classical music • 2008

1:44

thehumanproject.us

2013 • Creativity

72:28

Why do humans make art? When did we begin to make our mark on the world? And where? In this film, Britain's most celebrated sculptor Antony Gormley is setting out on a journey to see for himself the very beginnings of art. Once we believed that art began with the cave paintings of Ice Age Europe, tens of thousands of years ago. But now, extraordinary new discoveries around the world are overturning that idea. Antony is going to travel across the globe, and thousands of years back in time, to piece together a new story of how art began. He discovers beautiful, haunting and surprising works of art, deep inside caves across France, Spain and Indonesia, and in Australian rock shelters. He finds images created by hunter-gatherers that surprise him with their tenderness, and affinity with the natural world. He discovers the secrets behind the techniques used by our ancestors to create these paintings. And he meets experts making discoveries that are turning the clock back on when art first began.

2019 • Creativity

59:06

This programme is the second in a series looking at four great modern artists: Warhol, Matisse, Picasso and Dali. Tracing the biography of this fascinating artist, and travelling through France, America and Russia, the programme explores some of the painter's greatest works. Sooke explains why Matisse's art is considered so great and also looks at how Matisse's brilliant use of colour and simplification of form continues to inspire illustrators, designers and of course artists today. Acknowledging the debt the famous couturier Yves St Laurent owed the painter, Sooke also talks to British designers Sir Paul Smith and Tricia Guild about their passion for Matisse, he travels to Utrecht to discover how even children's character Miffy the rabbit owes its origin to art, and reveals how logos and images as diverse as Apple's iPod advertising and even the 2012 olympic logo are inspired by the modern master.

S1E2 • Modern Masters • 2015 • Creativity

58:59

This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

Part 4 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

59:08

Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.

Part 5 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

10:25

Animated on location at a beach, in snow, and underwater, this stop-motion short details a transoceanic conversation between two characters via objects in a bottle.

Creativity