Benjamin Zander has two infectious passions: classical music, and helping us all realize our untapped love for it — and by extension, our untapped love for all new possibilities, new experiences, new connections.
Why do humans make art? When did we begin to make our mark on the world? And where? In this film, Britain's most celebrated sculptor Antony Gormley is setting out on a journey to see for himself the very beginnings of art. Once we believed that art began with the cave paintings of Ice Age Europe, tens of thousands of years ago. But now, extraordinary new discoveries around the world are overturning that idea. Antony is going to travel across the globe, and thousands of years back in time, to piece together a new story of how art began. He discovers beautiful, haunting and surprising works of art, deep inside caves across France, Spain and Indonesia, and in Australian rock shelters. He finds images created by hunter-gatherers that surprise him with their tenderness, and affinity with the natural world. He discovers the secrets behind the techniques used by our ancestors to create these paintings. And he meets experts making discoveries that are turning the clock back on when art first began.
2019 • Creativity
How did van Gogh, son of Dutch middle class parents, become Vincent the painter? Is the common perception of him as the ultimate tormented artist the whole story? Explore the roots of his life, and the progress of his incredible talent despite many failures both personal and professional.
This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.
The first in a four-part series exploring the life and works of the 20th century's most important artists: Matisse; Picasso; Dali and Warhol. Art critic Alastair Sooke sets out to discover why these artists are considered so great and how they still influence our lives today. He begins with Andy Warhol, the king of Pop Art. On his journey he parties with Dennis Hopper, has a brush with Carla Bruni and gets to grips with Marilyn. Along the way he uncovers just how brilliantly Andy Warhol pinpointed and portrayed our obsessions with consumerism, celebrity and the media, and then went on to re-invent them.