Benjamin Zander has two infectious passions: classical music, and helping us all realize our untapped love for it — and by extension, our untapped love for all new possibilities, new experiences, new connections.
Our universe seems real. But what if it’s a videogame? Scientists in a variety of fields are taking seriously the possibility that we live in a virtual reality. Maybe the Big Bang was just the moment someone flipped the switch and turned on our universe. Maybe what looks random has already been programmed to happen. If some advanced civilization did design and program our universe, would we ever know? Scientists are looking for glitches in the laws of the universe that may uncover its hidden code.
After 500 years Bosch's paintings still shock and fascinate us, but what inspired the man behind these haunting works? Where did his unconventional and timeless creations come from? How did he bridge the medieval and Renaissance world? Why do his strange and fantastical paintings resonate with people now more than ever? Discover the answers to these questions and more with this remarkable documentary, presented by Tim Marlow.
The first in a four-part series exploring the life and works of the 20th century's most important artists: Matisse; Picasso; Dali and Warhol. Art critic Alastair Sooke sets out to discover why these artists are considered so great and how they still influence our lives today. He begins with Andy Warhol, the king of Pop Art. On his journey he parties with Dennis Hopper, has a brush with Carla Bruni and gets to grips with Marilyn. Along the way he uncovers just how brilliantly Andy Warhol pinpointed and portrayed our obsessions with consumerism, celebrity and the media, and then went on to re-invent them.
Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.