Alastair Sooke follows in the footsteps of Rome's mad, bad and dangerous emperors in the second part of his celebration of Roman art. He dons a wetsuit to explore the underwater remains of the Emperor Claudius's pleasure palace and ventures into the cave where Tiberius held wild parties. He finds their taste in art chimes perfectly with their obsession with sex and violence. The other side of the coin was the bombastic art the Romans are best remembered for - monumental arches and columns that boast about their conquests. Trajan's Column in Rome reads like the storyboard of a modern-day propaganda film. Sooke concludes with the remarkable legacy of the Emperor Hadrian. He gave the world the magnificent Pantheon in Rome - the eternal image of his lover Antinous, the most beautiful boy in the history of art - and a villa in Tivoli where he created one of the most ambitious art collections ever created.
He continues his personal account of Britain's empire by looking at how traders, conquerors and settlers spread the British way of doing things around the world - in particular how they created a very British idea of home. He begins in India, where early traders wore Indian costume and took Indian wives. Their descendants still cherish their mixed heritage. Victorian values put a stop to that as inter racial mixing became taboo. In Singapore he visits a club where British colonials gathered together, in Canada he finds a town whose inhabitants are still fiercely proud of the traditions of their Scottish ancestors, in Kenya he meets the descendants of the first white settlers - men whose presence came to be bitterly resented as pressure for African independence grew. And he traces the story of an Indian family in Leicester whose migrations have been determined by the changing fortunes of the British empire.
The transformation of a political leader of the French to Emperor and global statesman, from a son of the French Revolution to husband of the daughter of the Holy Roman Emperor, the most powerful, conservative, monarchist nation on earth. It features the Battle of Austerlitz, one of the greatest military encounters of the 19th century, the rise of a Napoleonic Empire - at its peak numbered over 40 million people - and the supreme meritocracy that was the Napoleonic regime.
Jago begins by journeying through southern Mexico to investigate the rise and fall of America's oldest civilisation, the Olmec, who thrived over 3,000 years ago. He encounters colossal stone heads and the oldest rubber balls in the world and descends deep inside an ancient cave network in search of a were-jaguar.
The 'Barbarians' are often blamed for the collapse of the Roman Empire, but in reality they were fascinating civilisations that produced magnificent art. Focusing on the Huns, Vandals and Goths, Waldemar follows each tribe's journey across Europe and discovers the incredible art they produced along the way.
Historian Michael Wood looks back at the start of China's history from the creation legend to the first 3 recorded dynasties Xia, Shang and Zhou, to the unification of 7 states under Qin Shi Huang. The name China comes from this Qin Dynasty, although the Chinese people refer to themselves as The Han.
He continues his personal account of Britain's Empire by tracing the growth of a peculiarly British type of hero - adventurer, gentleman, amateur, sportsman and decent chap - and a peculiarly British type of obsession - sport, the empire at play. He travels to East Africa in the footsteps of Victorian explorers in search of the source of the Nile; to Khartoum in Sudan to tell the story of General Gordon - a half-crazed visionary who 'played the game' to the hilt; to Hong Kong where the British indulged their passion for horse racing by building a spectacular race course; and to Jamaica where the greatest imperial game of all - cricket - became a battleground for racial equality.