The composer examines the middle to late 19th century, exploring the European craze for opera and music that dealt with death and destiny. He suggests that composers were inspired by Berlioz's Symphonie Fantastique to write about witches, ghouls, trolls and hellish torment, and that the death of the heroine in Verdi's La Traviata was a comment on the hypocrisies of wider society. Howard also argues that the image of the composer as a misunderstood genius was cemented in the public imagination during this period.
In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.
2014 • Music