A film about the sound of Australian rock and the emergence of one of the world's greatest rock bands - AC/DC, or Acca Dacca as they are known in Australia, and the legendary music company, Albert Music (Alberts) that helped launched them on to the global rock scene. Through the 1960s, 70s and 80s, Alberts created a house of hits in Australia that literally changed the sound of Australian popular music. It started with the Easybeats and their international hit Friday On My Mind back in the 60s. In the 1970s when Australia was in the midst of a deep recession, a rough and ready pub rock sound emerged, characterised by bands like Rose Tattoo who were promoted by family-run company, Alberts. The raw power and fat guitar sound that characterised Aussie rock was pioneered by the Alberts and took Australia and the world by storm.
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Bob Marley's musical (and cultural) shadow is so large that the man clearly needed an authoritative documentary portrait--and Marley steps in with all the right stuff to fill the role. Working with official rights to the music and access to Marley's family and friends, Oscar-winning documentarian Kevin Macdonald (One Day in September) creates a thorough account that hits the major points, not stinting on some of the less admirable aspects of Marley's life (including his brood of children fathered with women other than his patient wife, Rita, whose presence indicates just how much she puts Marley's legacy above his personal infidelities). Especially interesting is the sketch of Bob Marley's youth, as a mixed-race--and thus socially ostracized--kid from the village of Nine Mile who began to put together a reggae sound with a group of like-minded musicians in Jamaica in the late '50s and early '60s. That period comes to life, and the account of Marley's ascent, while familiar from such sagas, has its share of offbeat incidents. His death, at age 36 in 1981, does not dominate the movie, but Macdonald does a good job of getting that story laid out. In the meantime, the music and the concert footage are more than enough to justify the movie's existence, and Macdonald makes time to include thoughts about politics, ganja smoking, and Rastafarianism, too. If it's not the final word on Marley, it's an excellent start.
2012 • Music
Filmed over the course of four years, award-winning director Phil Grabsky follows one of the world's greatest pianists, Leif Ove Andsnes, as he attempts, in a series of sold-out worldwide performances, to interpret one of the greatest sets of works for piano ever written - Beethoven's five piano concertos.
2015 • Music
The series concludes with Be My Baby, which reflects on the evolution of rock 'n' roll music and its impact in America, including Buddy Holly's tragic death in a plane crash in 1959 at the age of 22, the game-changing arrival of The Beatles in America in 1964, and everything in between. Philadelphia produced 'teen idols' like Fabian who were beamed around the country by the daily TV show Bandstand. Rock 'n' roll even fuelled the Motown sound in Detroit and soundtracked the sunshiny west coast dream from guitar instrumental groups like The Ventures to LA's emerging Beach Boys. In the early 60s, rock 'n' roll was birthing increasingly polished pop sounds across the States, but American teens seemed to have settled back into sensible young adulthood. Enter the long-haired boys from Liverpool, Newcastle and London.
S1E3 • Rock and Roll America • 2015 • Music
Music promoter John Giddings takes us on an entertaining ride behind the stage lights to tell the story of how live performance has become a billion-pound industry. As the founder and promoter of the modern Isle of Wight festival and one of the world's biggest live promoters, John knows more than most how to put a show on the road. And how the world of live performance has changed. Where once bands would tour to promote an album, in the age of downloads and disappearing record sales, the live arena is a huge business. Bigger than ever before.
S1E2 • Hits Hype and Hustle: An Insiders Guide to the Music Business • 2018 • Music
Suzy Klein explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and from ballads to ballets. The war, she demonstrates, wasn't just a military fight but an ideological battle where both sides used music as a weapon to secure their vision for civilisation. Suzy reveals how the forces' sweetheart Vera Lynn was taken off air by the BBC for fear her sentimental songs undermined the British war effort. She reveals the war work of two British composers. Walton's Spitfire Prelude became the archetype for a particularly British form of patriotic music. By contrast, Tippett was sent to prison for being a conscientious objector, but his anti-war oratorio A Child of Our Time was showcased at the Royal Albert Hall. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written in a POW camp. At Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes.
S1E3 • Tunes for Tyrants • 2017 • Music
Tina Weymouth of Talking Heads and Tom Tom Club celebrates the extraordinary contribution of bass to popular music, tracing its progress from street-corner doo-wop and the overlooked ‘guy at the back’ in rock ‘n’ roll, via Paul McCartney, the anonymous James Jamerson and Carol Kaye - whose genius bass lines underpinned The Beatles, Motown and LA sound respectively - British jazzer Herbie Flowers’s immortal line in Walk on the Wild Side, the emergence of 70s funky bass stars Bootsy Collins and Chic’s Bernard Edwards, the driving lead bass of postpunk maverick Peter Hook in both Joy Division and New Order, through to the growth of bass culture in reggae, whose sound systems sparked whole new genres in drum and bass, grime and beyond. With Bootsy Collins, Dizzee Rascal, Ray Parker Jr, Nile Rodgers, Peter Hook, Carol Kaye, Herbie Flowers, Valerie Simpson, The Marcels’ Fred Jonson, DJ Aphrodite and Gail Ann Dorsey.
S1E2 • Guitar, Drum and Bass • 2019 • Music