Animated on location at a beach, in snow, and underwater, this stop-motion short details a transoceanic conversation between two characters via objects in a bottle.
Salvador Dali was art's greatest clown, but was he also one of its great geniuses? Journalist Alastair Sooke traces the life and work of the popular surrealist artist travelling throughout Europe and America. From his origins in turn of the century Spain, to his high jinx in New York in the 1970s, Sook reveals this artist's fascinating life story and explains the thinking behind and impact of his most famous works. Talking to Dali fans from Mighty Boosh comedian Noel Fielding to contemporary artist Jeff Koons, Sooke reveals the pervading influence of Dali and his brand of surrealism. Featuring testimonies from film giant Alfred Hitchcock and excerpts from the film Dali made with Walt Disney, Destino, as well as looking at contemporary advertising, this programme shows how the hand of Dali has touched almost every aspect of popular culture.
Approaching 40 years of age, Roy Lichtenstein finally finds his artistic inspiration for his unique works in his son's comic books and begins the Pop Art movement. With interviews and footage from the mid-twentieth century, see the evolution of this influential modern artist.
Alastair Sooke champions pop art as one of the most important art forms of the 20th century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.
2015 • Creativity
Federico Fellini coined the term "paparazzi". The curse of celebrities, the bane of existence of the indiscreet, do photographers like Ron Galella contribute to our understanding of the lives of the famous or are they voyeurs? And do they influence and create art? Is there a paparazzi aesthetic?
This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.