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This programme is the second in a series looking at four great modern artists: Warhol, Matisse, Picasso and Dali. Tracing the biography of this fascinating artist, and travelling through France, America and Russia, the programme explores some of the painter's greatest works. Sooke explains why Matisse's art is considered so great and also looks at how Matisse's brilliant use of colour and simplification of form continues to inspire illustrators, designers and of course artists today. Acknowledging the debt the famous couturier Yves St Laurent owed the painter, Sooke also talks to British designers Sir Paul Smith and Tricia Guild about their passion for Matisse, he travels to Utrecht to discover how even children's character Miffy the rabbit owes its origin to art, and reveals how logos and images as diverse as Apple's iPod advertising and even the 2012 olympic logo are inspired by the modern master.
2/4 • Modern Masters • 2015 • Creativity
This film takes a magical and widely travelled journey to discover how different contemporaries of Monet built and cultivated modern gardens to explore expressive motifs, abstract colour, decorative design and utopian ideas.
S3E4 • Great Art • 2019 • Creativity
Pierre Soulages, the painter of the anti-image, who uses a palette of black, is the subject of this fascinating documentary. The preeminent painter of contemporary France, his paintings are stark and plain and painted with unconventional materials.
9 • Behind the Artist • 2016 • Creativity
Federico Fellini coined the term "paparazzi". The curse of celebrities, the bane of existence of the indiscreet, do photographers like Ron Galella contribute to our understanding of the lives of the famous or are they voyeurs? And do they influence and create art? Is there a paparazzi aesthetic?
5 • Behind the Artist • 2016 • Creativity
Philippa Perry explores the 1890s, a decade in which the invention of motion pictures went hand in hand with a deep belief in the paranormal.
3/3 • Victorian Sensations • 2019 • Creativity
Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.
Part 5 • Mark Kermode's Secrets of Cinema • 2018 • Creativity