M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?
The life of Pablo Picasso is an exciting story of rebellion, riches, women and great art. In this episode of a four-part series dedicated to Modern Art, journalist Alastair Sooke travels through France, Spain and the US to see some of the artist's great works and recount tales from his life story. Talking to architects, fashion experts and artists, he investigates how Picasso's influence, particularly that of his Cubist work, continues to pervade modern life today, in the shape of buildings, interior design, clothes and of course contemporary art. Tracking down former Picasso model Sylvette David to her current home in Britain, he also hears how Picasso's images of her inspired the look of screen siren Brigitte Bardot.
The first in a four-part series exploring the life and works of the 20th century's most important artists: Matisse; Picasso; Dali and Warhol. Art critic Alastair Sooke sets out to discover why these artists are considered so great and how they still influence our lives today. He begins with Andy Warhol, the king of Pop Art. On his journey he parties with Dennis Hopper, has a brush with Carla Bruni and gets to grips with Marilyn. Along the way he uncovers just how brilliantly Andy Warhol pinpointed and portrayed our obsessions with consumerism, celebrity and the media, and then went on to re-invent them.
Pierre Soulages, the painter of the anti-image, who uses a palette of black, is the subject of this fascinating documentary. The preeminent painter of contemporary France, his paintings are stark and plain and painted with unconventional materials.
Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.