Seeing and Believing • 2019 • episode "S1E3" • Victorian Sensations

57:37

Take a time trip to France in the 1960's-- student revolts! Pop Art! -- And meet Georges Pompidou, a bank director who became PM of France. His vision of modernizing France pushed the avant garde design of the Paris art and cultural center which is now home to the modern arts of France.

7 • Behind the Artist • 2016 • Creativity

19:24

Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.

TED • 2006 • Creativity

54:35

Phillippe Parreno has radically redefined the exhibition experience. Rather than as a collection of individual works, Parreno sees an exhibit as a coherent whole and works in many different media including film, text, sculpture and drawing.

8 • Behind the Artist • 2016 • Creativity

1:44

thehumanproject.us

2013 • Creativity

58:59

Mark begins with one of the most popular genres of all. They are sometimes sneered at by critics, but from the 1930s to the present day, many of our most beloved movies have been romantic comedies. From Bringing Up Baby and The Lady Eve by way of Annie Hall, When Harry Met Sally and Pretty Woman to Love, Actually (a particular Kermode favourite) - as well as recent hits such as The Big Sick and La La Land - Mark examines the cinematic tricks and techniques involved in creating a classic romcom. Mark celebrates old favourites, reveals hidden treasures and springs plenty of surprises. Examining films from Hollywood to Bollywood via other gems of world cinema, he reminds us how, much like love itself, the art of the romantic comedy is international.

Part 1 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

58:59

This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

Part 4 • Mark Kermode's Secrets of Cinema • 2018 • Creativity