Seeing and Believing • 2019 • episode "S1E3" • Victorian Sensations

2:51

Being creative means to let it go...

2013 • Creativity

58:56

Salvador Dali was art's greatest clown, but was he also one of its great geniuses? Journalist Alastair Sooke traces the life and work of the popular surrealist artist travelling throughout Europe and America. From his origins in turn of the century Spain, to his high jinx in New York in the 1970s, Sook reveals this artist's fascinating life story and explains the thinking behind and impact of his most famous works. Talking to Dali fans from Mighty Boosh comedian Noel Fielding to contemporary artist Jeff Koons, Sooke reveals the pervading influence of Dali and his brand of surrealism. Featuring testimonies from film giant Alfred Hitchcock and excerpts from the film Dali made with Walt Disney, Destino, as well as looking at contemporary advertising, this programme shows how the hand of Dali has touched almost every aspect of popular culture.

S1E4 • Modern Masters • 2010 • Creativity

58:59

This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.

Part 4 • Mark Kermode's Secrets of Cinema • 2018 • Creativity

59:09

As the red carpet season reaches its climax, Mark Kermode turns his keen eye and sharp wit on past winners of the most prestigious awards of all. What gave them the edge over their rivals? Mark shows that, despite their apparent differences, Oscar-winning films have more in common than you might think. Certain kinds of film recur, such as war, social justice and the all-singing, all-dancing extravaganza. But, as Mark explains, it’s not just about your choice of subject; it's how you treat it that counts. In a special show that ranges from the earliest awards winners to the most recent victors, Mark reveals the films that laid down the template for cinematic glory, celebrates the classics that have endured and savours some of the movies’ most acclaimed performances.

Mark Kermode's Secrets of Cinema • 2019 • Creativity

19:24

Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.

TED • 2006 • Creativity

58:58

This time it is the turn of the heist movie, with its unique combination of suspense and action. Whether it is the big bank job or netting a fortune in diamonds, why, asks Mark, do otherwise law-abiding audiences find themselves rooting for robbers and even killers? More than any other genre, the heist movie plays with our sympathies, encouraging us to identify with characters we would run a mile from in real life. From The Asphalt Jungle to Ocean's Eleven by way of The Italian Job and even The Wrong Trousers, Mark shows how recurring character types, such as the mastermind, and sequences like the planning scene and the getaway, draw us into the big score. And he demonstrates how recent hits like Inception, The Wolf of Wall Street and Baby Driver have pushed the conventions of the heist in thrilling new directions. At the box office, at least, crime really does pay.

Part 2 • Mark Kermode's Secrets of Cinema • 2018 • Creativity