Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.
This time Mark explores the most visionary of all genres - science fiction, and shows how film-makers have risen to the challenge of making the unbelievable believable. Always at the forefront of cinema technology, science fiction films have used cutting-edge visual effects to transport us to other worlds or into the far future. But as Mark shows, it's not just about the effects. Films as diverse as 2001, the Back to the Future trilogy and Blade Runner have used product placement and commercial brand references to make their future worlds seem more credible. The recent hit Arrival proved that the art of film editing can play with our sense of past and future as well as any time machine. Meanwhile, films such as Silent Running and WALL-E have drawn on silent era acting techniques to help robot characters convey emotion. And District 9 reached back to Orson Welles by using news reporting techniques to render an alien visitation credible. Mark argues that for all their spectacle, science fiction films ultimately derive their power from being about us. They take us to other worlds and eras, and introduce us to alien and artificial beings, in order to help us better understand our own humanity.
Described by Picasso and Matisse as 'the father of us all', Cezanne is considered one of the greatest artists of all time. Despite this, Paul Cezanne remains somewhat unknown, somewhat misunderstood. Yet one can't appreciate 20th-century art without understanding the genius of Cezanne and this film reveals the true man.
Pablo Picasso is one of the greatest artists of all time. But where did this all begin? What made Picasso in the first place? Young Picasso visits Malaga, Barcelona and Paris, and explores their influence on Picasso, focusing on specific artworks from these early years - up to the ground-breaking and hugely significant Les Demoiselles d'Avignon. How did he rise to such great heights?
Approaching 40 years of age, Roy Lichtenstein finally finds his artistic inspiration for his unique works in his son's comic books and begins the Pop Art movement. With interviews and footage from the mid-twentieth century, see the evolution of this influential modern artist.