Something you have felt for many years, but didn't quite know what it was...
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Mark begins with one of the most popular genres of all. They are sometimes sneered at by critics, but from the 1930s to the present day, many of our most beloved movies have been romantic comedies. From Bringing Up Baby and The Lady Eve by way of Annie Hall, When Harry Met Sally and Pretty Woman to Love, Actually (a particular Kermode favourite) - as well as recent hits such as The Big Sick and La La Land - Mark examines the cinematic tricks and techniques involved in creating a classic romcom. Mark celebrates old favourites, reveals hidden treasures and springs plenty of surprises. Examining films from Hollywood to Bollywood via other gems of world cinema, he reminds us how, much like love itself, the art of the romantic comedy is international.
Part 1 • Mark Kermode's Secrets of Cinema • 2018 • Creativity
Discover Spain's celebrated artist with this cinematic tour de force based on the National Gallery's blockbuster exhibition Goya: The Portraits. The film uses the exhibition to look in depth at Goya's eventful life and, through extensive location footage and Goya's revealing letters, the film builds a fascinating portrait of the painter and the extraordinary world he painted.
S3E2 • Great Art • 2019 • Creativity
Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.
Part 5 • Mark Kermode's Secrets of Cinema • 2018 • Creativity
In 2013, all of Norway celebrated the 150th anniversary of the birth of Edvard Munch, one of the towering figures of modern art. It was hailed a 'once-in-a-lifetime show'. This film goes behind the scenes to show the process of putting the exhibition together, as well as providing an in-depth biography of a man who lived from the mid-19th century right through to the German occupation of Norway in the Second World War.
S3E3 • Great Art • 2019 • Creativity
How did van Gogh, son of Dutch middle class parents, become Vincent the painter? Is the common perception of him as the ultimate tormented artist the whole story? Explore the roots of his life, and the progress of his incredible talent despite many failures both personal and professional.
1 • Behind the Artist • 2016 • Creativity
This time Mark explores the genre that captures the joy and pain of growing up - the coming-of-age movie. It is the most universal of all genres, the one we can all relate to from our own experience, yet it can also be the most autobiographical and personal. Film-makers across the world repeatedly return to core themes such as first love, breaking away from small-town life and grown-ups who don't understand. And wherever and whenever they are set, these stories are vividly brought to life using techniques such as casting non-professional actors, camerawork that captures a child's-eye view and nostalgic pop soundtracks. From Rebel without a Cause to Lady Bird by way of Kes, Boyz n the Hood and This Is England, Mark shows how recurring sequences like the makeover and the group singalong, and characters like the gang and mentor figure, have helped create some of the most moving and resonant films in cinema.
Part 3 • Mark Kermode's Secrets of Cinema • 2018 • Creativity