"Monumenta" is an ephemeral art construction happening yearly since 2007, with art filling the vast space of the Grand Palais in Paris in a unique moment. This year the exhibit is the imaginary, complex world of two Russian artists, Ilya and Emilia Kabakov.
Pierre Soulages, the painter of the anti-image, who uses a palette of black, is the subject of this fascinating documentary. The preeminent painter of contemporary France, his paintings are stark and plain and painted with unconventional materials.
Phillippe Parreno has radically redefined the exhibition experience. Rather than as a collection of individual works, Parreno sees an exhibit as a coherent whole and works in many different media including film, text, sculpture and drawing.
Mark begins with one of the most popular genres of all. They are sometimes sneered at by critics, but from the 1930s to the present day, many of our most beloved movies have been romantic comedies. From Bringing Up Baby and The Lady Eve by way of Annie Hall, When Harry Met Sally and Pretty Woman to Love, Actually (a particular Kermode favourite) - as well as recent hits such as The Big Sick and La La Land - Mark examines the cinematic tricks and techniques involved in creating a classic romcom. Mark celebrates old favourites, reveals hidden treasures and springs plenty of surprises. Examining films from Hollywood to Bollywood via other gems of world cinema, he reminds us how, much like love itself, the art of the romantic comedy is international.